Chapitre 64: Interviews
As Lucas navigated the festival grounds, the Sundance logo emblazoned on a wall alongside a constellation of sponsors' emblems, the buzz of activity was unmistakable. Journalists huddled in animated clusters, microphones aimed like eager antennae towards actors and filmmakers bathed in the spotlight. Stepping into the fray, Lucas became another piece of the mosaic, the backdrop momentarily shifting to capture his arrival. A quick smile for a clicking camera, a polite wave to a familiar face – he knew the drill, even if he felt different.
Lucas, fresh-faced and new to the scene, wasn't part of the official gala that kicked off the festival. His name hadn't yet carved its way into the pantheon of honorees and established stars. So, when he arrived for the premiere of "127 Hours," Danny Boyle's latest work, a ripple of surprise ran through the crowd. Murmurs of "Who's that?" mingled with whispers of "He looks so young!"
Lucas, unfazed by the sudden spotlight, simply smiled. As he posed for photos, his youthful features, starkly contrasted against the weathered backdrop of the story he'd brought to life, told a silent tale of resilience and grit.
---
The youthful glow of Lucas, a stark contrast to the weathered Aron he'd embodied in "127 Hours," drew the attention of seasoned media like a moth to a flame. Among them, Kirk Honeycutt, a veteran critic from The Hollywood Reporter, couldn't help but notice the newcomer as he took the stage. He admired Lucas's low-key attire, hinting at a quiet sense of style even amidst the festival frenzy. As Kirk approached, he confirmed his suspicions – this fresh-faced young man was indeed the film's lead.
The Aron on screen bore the marks of time, etched in stubble and faint wrinkles, a world away from the blonde hair and bright blue eyes that met Kirk's gaze. Yet, Kirk could only marvel at the transformative power of makeup artists.
Kirk nodded at Anne, and then remembered that the director of the film "127 Hours" indeed sing praises of the lead actor during the Sundance opening night.
"Welcome to the Sundance fold, young man," Kirk greeted Lucas, who'd just emerged from a whirlwind photoshoot. Noticing Lucas's reserved demeanor, he added, "I'm Kirk Honeycutt, with The Hollywood Reporter."
A curt nod and a "Lucas Knight. Nice to meet you" was the reply. Kirk chuckled at the polite formality, a welcome contrast to the usual festival freneticism. "So, tell me, what's it like being a Sundance newcomer?"
Lucas's response was heartfelt, "Surreal. It's almost unthinkable to be here, at this prestigious festival." His humility struck a chord with Kirk, piquing his interest further.
Kirk, intrigued by Lucas's quiet demeanor and youthful appearance, couldn't help but remark, "You look incredibly young. Many were expecting someone older, in their 30s maybe. Quite a surprise to see someone so fresh-faced."
Lucas, ever the pragmatist, smiled and shrugged. "I guess the makeup artists deserve the credit."
Kirk, sensing a deeper story beneath the surface, pressed further. "But some begins to doubt your ability to pull off the role, given your age. What do you say to that?"
Before Lucas could respond, a new voice cut through the air, "Director Boyle showered praise of the leading actor at the gala," she said, her tone almost accusatory. "Doesn't that speak volumes about his performance?"
It was a blonde woman with a warm smile and eyes that spoke of countless interviews navigated the press throng. "Lucas, right?" she asked, extending a hand. "Anne Thompson from Indiewire. It's lovely to finally meet you."
"Mr. Boyle did praise your acting, Mr. Knight, but some began questioning his commendation due to your youth. How do you respond to that doubt?" Kirk inquired of Lucas.
Lucas gave a gentle smile. "Look, I'm young and maybe not established enough to walk around with excessive confidence. It might come off as arrogance, you know?"
Kirk and Anne exchanged amused glances, a ripple of chuckles rippling through the nearby journalists. Lucas, unfazed, continued with a playful glint in his eye, "But hey, all I say is, watch '127 Hours'. My performance can do the talking, right?"
The journalists, initially skeptical, found themselves warming to Lucas's self-deprecating humor and quiet confidence. As if sensing the shift, director Boyle stepped forward, a familiar grin playing on his lips. "To anyone still doubting this lad's performance," he boomed, his voice carrying across the throng, "I say come watch the film yourselves. Lucas's performance will speaks for itself."
Lucas nodded, a flicker of gratitude passing between him and Boyle. The director's presence, a beacon of industry acclaim, drew even more media attention. Microphones swiveled, cameras clicked, and reporters jostled for position.
Questions flew like bullets: which scene was the hardest to shoot? What should audiences expect? One journalist from Rolling Stone, bold and brash, tackled the elephant in the room: the amputation scene. Based on the harrowing true story of Aron Ralston, it was already shrouded in morbid curiosity.
"How did you prepare for the amputation scene, Lucas?"
Lucas, still basking in the afterglow of Boyle's words, offered a confident yet humble reply. "I gave it my all, and if that scene proves too harrowing, well, I suggest closing your eyes." A chuckle escaped his lips, echoed by Boyle's booming voice. "Mind you," the director quipped, "it's not for the faint of heart. Lucas's performance was so… good, that some of the crew couldn't hold it together afterwards."
That tantalizing tidbit piqued the critics' interest. Anticipation buzzed in the air, a mixture of morbid curiosity about the amputation scene and genuine awe for the young actor who'd earned the respect of an Oscar-winning director. The flashes of cameras painted Lucas in a stark spotlight, a stark contrast to the nervous newcomer he'd been moments ago.
Across the throng, James Franco, another Sundance attendee, observed the scene with a flicker of complex emotions. As Lucas basked in the spotlight, a flicker of envy crossed James Franco's face, a feeling he quickly suppressed. He wasn't here to compete, he reminded himself, just to celebrate the art.
Meanwhile, Jennifer Lawrence, fresh off her own Sundance success with "Winter's Bone," watched the scene unfold with a mix of amusement and admiration. The young man she'd initially dismissed as a civilian was now commanding as much attention as she. Her smug thought of being the "rare young talent" of Sundance faded as she saw Lucas, barely older than herself. Perhaps she wasn't the only rare young talent Sundance had unearthed, perhaps this unassuming newcomer, hardly older than her, held a spark just as bright.
The opening ceremony loomed, and the press conference reluctantly drew to a close. But the whispers lingered, a chorus of anticipation for "127 Hours" and the performance of the young actor who brought Aron Ralston's story to life.
Chapitre 65: 127 Hours film begins!!!
As the lights dimmed and anticipation crackled in the air, the audience at Sundance's non-competition sector settled into their seats. Excitement for "127 Hours" thrummed through the theater, fueled by the pedigree of its director, Danny Boyle, fresh off his 2008 Oscar win. This 2010 offering promised another cinematic thrill ride, but whispers of intrigue swirled around the leading man.
A murmur rippled through the crowd. The actor that appeared on the red carpet and press was younger than the one depicted on the poster, his face a testament to the transformative power of makeup. Curiosity warred with skepticism; would this young newcomer, Lucas Knight, hold his own under the harsh spotlight of Danny Boyle's vision?
As the lights dimmed and the opening credits rolled for "127 Hours," a palpable buzz filled the theater. Among the expectant faces were seasoned critics like Variety's Owen Gleiberman and Rolling Stone's Peter Travers, their eyes sharpened by years of dissecting cinematic narratives. Entertainment Weekly's Lisa Schwarzbaum, too, joined the eager throng, alongside fellow Indiewire stalwarts Anne Thompson and Eric Kohn.
Beyond the press contingent, established actors and rising stars mingled in the darkness. Ryan Gosling, his cool charisma radiating even in the subdued light, took his seat, while Adrian Brody and James Franco, their careers seasoned by diverse roles, exchanged knowing glances. Jennifer Lawrence, fresh off her Sundance triumph, settled in with a quiet anticipation.
Among them, a murmur of intrigue rippled through the film insiders and savvy audience members. "127 Hours," they knew, rested heavily on the shoulders of its young lead, Lucas Knight. A fresh face in the industry, his performance held the key to unlocking the film's emotional core.
As the lights dimmed, Lucas took his seat closer to the screen, alongside the film's cast, director Danny Boyle, and the man whose story inspired it all - Aron Ralston. A hush fell over the auditorium as the studio logos and productions faded on the screen and the familiar chords of Phish filled the air.
The film opened with Lucas, in the role of Aron, preparing for his Utah adventure.
The audience see him gathering supplies in his apartment, the camera lingering on his focused movements as his sister's recorded message plays in the background.
His sister's voice, a recorded message left on the answering machine, went unanswered as Aron's focus remained solely on the open road.
As the opening sequences unfolded, Lucas, as Aron, soared across the vast canyon on his mountain bike, the thrill of the journey reflected in every frame. The camera lingered on his face, capturing the youthful exuberance and carefree spirit that radiated from the screen. The audience, a mix of seasoned critics, fellow actors, and curious newcomers, were drawn into Aron's world, mesmerized by the raw joy and unbridled enthusiasm that Lucas brought to life.
They saw the thrill dance in his eyes, the grin etched on his face a testament to the pure, unadulterated joy of adventure. His movements, confident and surefooted, embodied the spirit of a man in his prime, oblivious to the dangers lurking just beneath the surface of his exhilarating journey. And for a moment, if they didn't know Lucas's true age, they would have readily believed him to be every bit the seasoned adventurer Aron portrayed.
As the opening sequence of "127 Hours" unfolded on the screen, a murmur of approval rippled through the darkened theater. Critics like Owen Gleiberman, Peter Travers, and Lisa Schwarzbaum found themselves scribbling quick notes, impressed by the film's promising start and the young lead's confident portrayal of Aron Ralston. Lucas Knight, with his natural charm and infectious zest for adventure, captured Aron's youthful spirit brilliantly, his performance resonating deeply with both seasoned critics and ordinary viewers alike.
Among the audience, James Franco watched intently, a flicker of curiosity playing across his features. He acknowledged Lucas's talent, his performance not lacking in merit. However, a tinge of doubt lingered, a silent question hanging in the air: could Lucas sustain this momentum through the film's heart-wrenching climax, the scene where Aron finds himself trapped in the canyon? Franco, perhaps harboring a sliver of competitive spirit, couldn't help but imagine his own take on the role, yet for now, he surrendered to the unfolding narrative, captivated by the sheer rawness of Lucas's portrayal.
Jennifer Lawrence, perched nearby, found herself unexpectedly drawn to Lucas's portrayal. She recognized a kindred spirit in his youthful confidence and unbridled enthusiasm. While she still held a quiet pride in her own performance in "Winter's Bone," particularly the scene that had resonated with several critics, she couldn't help but acknowledge the potential she saw in Lucas.
The film rolled on, Lucas's portrayal of Aron deepening with each scene. His adrenaline-fueled joy translated vibrantly, evident in the whoop of laughter that escaped Aron's lips as his bike skimmed over the desert sands, only to be abruptly jolted by a hidden rock. The audience, drawn into the thrill of the ride, winced along with Aron's stumble, feeling the desert dust cling to their own throats at the impact.
The harsh beauty of the landscape continued to unfold as Aron trekked deeper. The sudden roar of passing motorbikes tore through the stillness, engulfing Aron in a whirlwind of sand. Lucas's grit-covered face mirrored the audience's own discomfort, the dry grains finding their way into his eyes, nose, and mouth, sending Aron into a hacking cough. The scene, visceral and real, evoked a wave of shared, almost physical, unease that rippled through the theater.
The desert landscape gave way to a sun-drenched canyon as Aron crossed paths with Kristi and Megan, fellow climbers. The banter between them flowed naturally, Lucas's chemistry with the actresses evident. As the women reluctantly parted ways, promising to wait at a designated point, Aron, fueled by wanderlust, continued his solo trek towards the alluring Bluejohn Canyon.
A hush fell over the theater as the inevitable approached. Some viewers, familiar with Aron's story through his book, knew what awaited, their anticipation tinged with a sense of dread. Others, unaware of the coming ordeal, remained on edge, the tension building with each passing moment. The scene that was about to unfold, a test of human resilience against nature's unforgiving grip, promised to elicit a symphony of emotions, drawing reactions from critics, established actors, and ordinary audience members alike.
État de l’alimentation hebdomadaire
200+ Classement
Power Stone 
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