Chapitre 65: 127 Hours film begins!!!
As the lights dimmed and anticipation crackled in the air, the audience at Sundance's non-competition sector settled into their seats. Excitement for "127 Hours" thrummed through the theater, fueled by the pedigree of its director, Danny Boyle, fresh off his 2008 Oscar win. This 2010 offering promised another cinematic thrill ride, but whispers of intrigue swirled around the leading man.
A murmur rippled through the crowd. The actor that appeared on the red carpet and press was younger than the one depicted on the poster, his face a testament to the transformative power of makeup. Curiosity warred with skepticism; would this young newcomer, Lucas Knight, hold his own under the harsh spotlight of Danny Boyle's vision?
As the lights dimmed and the opening credits rolled for "127 Hours," a palpable buzz filled the theater. Among the expectant faces were seasoned critics like Variety's Owen Gleiberman and Rolling Stone's Peter Travers, their eyes sharpened by years of dissecting cinematic narratives. Entertainment Weekly's Lisa Schwarzbaum, too, joined the eager throng, alongside fellow Indiewire stalwarts Anne Thompson and Eric Kohn.
Beyond the press contingent, established actors and rising stars mingled in the darkness. Ryan Gosling, his cool charisma radiating even in the subdued light, took his seat, while Adrian Brody and James Franco, their careers seasoned by diverse roles, exchanged knowing glances. Jennifer Lawrence, fresh off her Sundance triumph, settled in with a quiet anticipation.
Among them, a murmur of intrigue rippled through the film insiders and savvy audience members. "127 Hours," they knew, rested heavily on the shoulders of its young lead, Lucas Knight. A fresh face in the industry, his performance held the key to unlocking the film's emotional core.
As the lights dimmed, Lucas took his seat closer to the screen, alongside the film's cast, director Danny Boyle, and the man whose story inspired it all - Aron Ralston. A hush fell over the auditorium as the studio logos and productions faded on the screen and the familiar chords of Phish filled the air.
The film opened with Lucas, in the role of Aron, preparing for his Utah adventure.
The audience see him gathering supplies in his apartment, the camera lingering on his focused movements as his sister's recorded message plays in the background.
His sister's voice, a recorded message left on the answering machine, went unanswered as Aron's focus remained solely on the open road.
As the opening sequences unfolded, Lucas, as Aron, soared across the vast canyon on his mountain bike, the thrill of the journey reflected in every frame. The camera lingered on his face, capturing the youthful exuberance and carefree spirit that radiated from the screen. The audience, a mix of seasoned critics, fellow actors, and curious newcomers, were drawn into Aron's world, mesmerized by the raw joy and unbridled enthusiasm that Lucas brought to life.
They saw the thrill dance in his eyes, the grin etched on his face a testament to the pure, unadulterated joy of adventure. His movements, confident and surefooted, embodied the spirit of a man in his prime, oblivious to the dangers lurking just beneath the surface of his exhilarating journey. And for a moment, if they didn't know Lucas's true age, they would have readily believed him to be every bit the seasoned adventurer Aron portrayed.
As the opening sequence of "127 Hours" unfolded on the screen, a murmur of approval rippled through the darkened theater. Critics like Owen Gleiberman, Peter Travers, and Lisa Schwarzbaum found themselves scribbling quick notes, impressed by the film's promising start and the young lead's confident portrayal of Aron Ralston. Lucas Knight, with his natural charm and infectious zest for adventure, captured Aron's youthful spirit brilliantly, his performance resonating deeply with both seasoned critics and ordinary viewers alike.
Among the audience, James Franco watched intently, a flicker of curiosity playing across his features. He acknowledged Lucas's talent, his performance not lacking in merit. However, a tinge of doubt lingered, a silent question hanging in the air: could Lucas sustain this momentum through the film's heart-wrenching climax, the scene where Aron finds himself trapped in the canyon? Franco, perhaps harboring a sliver of competitive spirit, couldn't help but imagine his own take on the role, yet for now, he surrendered to the unfolding narrative, captivated by the sheer rawness of Lucas's portrayal.
Jennifer Lawrence, perched nearby, found herself unexpectedly drawn to Lucas's portrayal. She recognized a kindred spirit in his youthful confidence and unbridled enthusiasm. While she still held a quiet pride in her own performance in "Winter's Bone," particularly the scene that had resonated with several critics, she couldn't help but acknowledge the potential she saw in Lucas.
The film rolled on, Lucas's portrayal of Aron deepening with each scene. His adrenaline-fueled joy translated vibrantly, evident in the whoop of laughter that escaped Aron's lips as his bike skimmed over the desert sands, only to be abruptly jolted by a hidden rock. The audience, drawn into the thrill of the ride, winced along with Aron's stumble, feeling the desert dust cling to their own throats at the impact.
The harsh beauty of the landscape continued to unfold as Aron trekked deeper. The sudden roar of passing motorbikes tore through the stillness, engulfing Aron in a whirlwind of sand. Lucas's grit-covered face mirrored the audience's own discomfort, the dry grains finding their way into his eyes, nose, and mouth, sending Aron into a hacking cough. The scene, visceral and real, evoked a wave of shared, almost physical, unease that rippled through the theater.
The desert landscape gave way to a sun-drenched canyon as Aron crossed paths with Kristi and Megan, fellow climbers. The banter between them flowed naturally, Lucas's chemistry with the actresses evident. As the women reluctantly parted ways, promising to wait at a designated point, Aron, fueled by wanderlust, continued his solo trek towards the alluring Bluejohn Canyon.
A hush fell over the theater as the inevitable approached. Some viewers, familiar with Aron's story through his book, knew what awaited, their anticipation tinged with a sense of dread. Others, unaware of the coming ordeal, remained on edge, the tension building with each passing moment. The scene that was about to unfold, a test of human resilience against nature's unforgiving grip, promised to elicit a symphony of emotions, drawing reactions from critics, established actors, and ordinary audience members alike.
Chapitre 66: Trapped
At the highly anticipated premiere of "127 Hours," the audience watched intently as Lucas embodied the role of Aron Ralston, navigating the challenging terrain of a Utah canyon with practiced ease.
The scene captivated the audience, including seasoned actors like Ryan Gosling and Adrian Brody.
Lucas's performance was remarkable. He seamlessly navigated the character's joy and determination, his movements confident and his expressions nuanced. Despite his young age (only 19!), his portrayal resonated with a depth and maturity that belied his years. One could easily mistake him for a seasoned veteran, so fully immersed was he in the role.
The specific scene depicting Aron traversing the canyon showcased a nuanced transition of emotions. Lucas's portrayal seamlessly blended excitement with a sense of peace and wonder. His subtle expressions, particularly the comfort visible in his eyes, allowed the audience to connect with Aron's experience on a visceral level. The raw emotions, ranging from adventurous spirit to quiet contemplation, resonated deeply, regardless of whether viewers were fellow actors, critics, or everyday cinema enthusiasts.
As the film progressed, the atmosphere in the theater shifted. Those familiar with the true story of Aron Ralston watched in anticipation, knowing tragedy lurked just around the corner. Others, like Jennifer Lawrence, were unaware of the impending events and absorbed in Aron's journey through the narrow canyon.
They saw him in the narrow canyon, seemingly confident as he navigated the descent. This confidence held steady even as a loose rock shifted under his grip, momentarily raising eyebrows in the audience.
He grasped a chockstone, his hand secure. A slight movement of the rock went unnoticed by him and the audience, dismissed as a tremor in the terrain. As he continued down the canyon wall, a shadow loomed over him. This time, Aron's eyes caught it. The camera focused on his face as the chockstone began to fall, seemingly towards him.
A collective gasp rippled through the audience, some women even shrieked. The scene slowed, heightening the drama. Instinctively, Aron tried to dodge, raising his hand in a desperate attempt to block the falling rock.
However, the chockstone's trajectory shifted. It smashed into his left hand, the pain evident in his wince. With a reflex action, he pulled it back, exposing his right forearm. The rock, unforgiving, slammed into his right hand and arm, sending a shockwave of pain through him.
The audience watched, captivated and horrified. The adventurous, peaceful expression that once graced Aron's face was now replaced by a blankness, his eyes wide with disbelief and shock. The weight of the situation settled in, leaving them breathless and speechless.
Experienced actors like Ryan Gosling and Adrian Brody were drawn in, not just by the scene's tension, but by the nuanced performance unfolding before them. Lucas, embodying the role of Aron, delivered a reaction so genuine that even seasoned veterans felt a pang of horror.
Critics, scribbling notes with hands that might have subtly betrayed a tremor, captured the impact of the scene. For young actress Jennifer Lawrence, a potential rising star herself, the intensity left her wide-eyed and breathless.
On screen, Lucas masterfully transitioned Aron from the initial shock of the falling rock to a forced attempt at regaining composure. Deep breaths, visible through chest rises and falls, punctuated his actions. Yet, a flicker of panic remained in his eyes, betraying the turmoil within. This subtle detail resonated with the audience, bringing home the stark vulnerability of his situation.
Instead of succumbing to despair, Aron, played by Lucas, muttered a single, choked curse under his breath, "Fuck..."
It was a brief, almost involuntary reaction, quickly replaced by a determined set to his jaw. He visibly forced himself to calm down, channeling his panic into action. This nuanced portrayal resonated deeply, capturing the complexity of human emotions in the face of adversity.
Deep breaths, visible through chest rises and falls, punctuated his actions. Yet, within that forced calm, a flicker of panic lingered in his eyes. This subtle detail resonated with the audience, bringing home the stark vulnerability of his situation.
Silence enveloped the theater. Though no audible thoughts emanated from Aron, the audience somehow felt them projected through his actions alone. A silent mantra of "calm down, calm down" seemed to hang in the air.
With admirable resourcefulness, Aron reached for his backpack, taking a sip from his water bottle. He then dug into his pocket, and took a multi-tool. But a shadow passed over his face as he saw it - a cheap, inadequate tool for the predicament he faced.
With the meager multi-tool in hand, Aron began scraping at the rock lodged against his forearm. The audience, including Jennifer Lawrence, were aware of the futility of attempting this with such inadequate equipment. The tension was palpable.
Meanwhile, James Franco, despite initial reservations about a young actor carrying the film, found himself engrossed by Lucas's performance. He was particularly impressed by how Lucas sustained the emotional momentum throughout the scene. The raw realism of his portrayal as Aron transcended expectations, even exceeding James's own interpretation of the character.
This surprised James. He hadn't anticipated such depth and nuance from a newcomer. Intrigued, he continued watching, eager to see if Lucas could maintain this level of intensity while trapped in the confined canyon.
As expected, scraping the rock with the meager tool proved futile. The audience, including Jennifer Lawrence, watched with bated breath as Lucas, embodying Aron, desperately explored escape options. He pushed against the rock with all his might, his groans echoing in the confined space. Frustration mounting, he resorted to helpless complaints:
"FUCK! What the fuck? How the fuck did you get your hand trapped by a fucking boulder? Its crushed, it's fucking dying man!"
He reached up, tracing the bloody smear on the canyon wall, a grim reminder of how he ended up trapped. Looking under the boulder, a flicker of hope. No new blood. But the cheers from the audience, piped through his headphones, only served as a jarring reminder of his predicament. With a flick of his wrist, he silenced the noise.
A collective sense of helplessness washed over the audience as they witnessed Aron's struggle. Despite knowing the film's premise - his entrapment in the canyon - the raw desperation radiating from Lucas's performance was palpable. It wasn't just about the specific tragedy; it was a universal human experience of being caught in a seemingly insurmountable situation.
The audience was drawn to the primal human struggle for survival. They witnessed Aron's every attempt at escape, his frustration mounting with each futile effort. The groans echoing in the narrow canyon, the desperate pushing against the rock, and the helpless complaints - all resonated deeply, creating a palpable sense of empathy.
They weren't merely watching a film; they were experiencing the character's plight firsthand.
For audience, such as Jennifer Lawrence, new to the story, the film unfolded as a gripping mystery. Unlike others familiar with Aron Ralston's real-life ordeal, she lacked the foreknowledge of Aron's fate. Her curiosity, like that of many in the audience, centered around the question: would Aron survive this seemingly insurmountable situation?
État de l’alimentation hebdomadaire
200+ Classement
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