Guile is a certified fujoshi a dark and hidden one. She wanted to create a yaoi story but didn't know how to start. She already pictured what kind of man and the physical characteristics of the male lead, the protagonist and few other characters.

While writing the plot of the story. Guile suddenly got deezy and when she woke up she was in the story she first created. She was cursed by her readers for creating a story but not finishing it. They curse her if she was to decide to abandoned a story and create a new one again. She will be force to transmigrate in her stories and she must finnish it.



 She wanted to cry but no tears would come out. The only thing she is happy with is that she is in a body of a male and a beautiful one at that. Finally she can do her dark fantasies which she couldn't do when she was still a female.


Guile: Hehe... this Lord is going to create male harem.


A certain perverted lunatic:......(face darkening) my wife has been bewitched. I must exterminate them. wife can only be mine.

Its 2007, in Kenya and different tribes are fighting for the "peoples president" Who one according to the counting but wasn't chosen. lets see how this greatly created an impact to Kenyans .

1. Objectives (How to determine key objectives and the objectives at each stage; what are the key objectives and stage objectives of an existing approach)
The key objectives provide the overall direction of the piece of writing. Whether your overall direction is to head towards a break-up, or towards a reconciliation between the hero and the heroine, that is a personal choice. There can be many stage objectives. To raise a simple example, setting up the key objective of a successful life for the protagonist. In this case the first stage objective might be built around the selection of a school by the protagonist, or unfolding scenes of high school or college entrance examinations. You may also plan some upheavals into this period in the story.
 
2. Map Design (Each background and its corresponding map, for example the clan, faction or continent in a fantasy story; the workplace in an urban story; or the nation in a world of magic. Or, the most commonly-observed types of map development; and how the author himself designs his map)
The map for a modern story inevitably centers around a city, school, the office and such. You can sketch a simple diagram, according to the materials you may gather from the real world. If, for example, this plot development mainly takes place in a school, then certainly you need to plan out the school's classroom blocks and office blocks, art block, canteen, dorms, sports ground. After you've planned these, you will complete it with the main characters and supporting characters. Apart from these there is little else to take note of.
 
3. Characterization (How to determine the design of a character, what sort of likely personalities there are for the main and supporting characters, how to shape a persona that will leave a deep impression)
My designed characters are all quite similar, most of them are god-like, angelic young men, and the female protagonists are quite cool. Of course, there are many types of possible personalities for a character, it depends on your preference. For males protagonists, you can have the workplace high-fliers, the overbearing CEO, the gruff hero, the refined scums are popular too. For female protagonists, there are the gentle and adorable type, the type that is everybody's pet, the strong career woman, the academic genius... too many, it's better to go with what you like.
 
4. Contradictions and Conflicts (The sort of contradictions you can write about that correspond with the existing approach, the key contradictions, and the contradictions at each stage)
I write about contradictions between my protagonist and the supporting characters. Contradictions are a result of a cumulative process, the culmination of the contradictions at each stage, they are mainly contradictions within the friends and family circles. For example, the female protagonist may have a disagreement with a family member or anyone among her circle of friends. How did that contradiction arise? Conflict is a driver. In work life, the female protagonist may have some disagreements with her co-workers. Competition, for example, specifically vying for a case. In school, it may be results, framing someone, or relationships. All these may be points of conflicts. You have to know how to stir trouble, create something out of nothing - if points of conflicts are lacking, then create one.
 
 
Main Body
 
1. Beginning (How to initiate the story, what are some possible starting plots, what are some that will create a more lasting impression)
You may initiate the story using the main plot, highlight points of contradictions and build in suspense so that the reader desires to continue reading. Take for example the popular theme of divorce, perhaps the female protagonist's fiance had been stolen by her best friend's sister or her cousin - something like this presents a great conflict and has great ability to draw empathy. Or for a rebirth theme, it's even easier. In the first chapter you may write about how in his past life, the protagonist did not fully understand someone and was unable to come to a peaceful end, and now there was a chance to start all over again.
 
2. Leading into monetized chapters (At which point of the plot or which stage of the map to move into monetized chapters, what emotions to create in the chapter leading into the monetized chapters, how to create a cliffhanger, how to make a quick transition upon moving into the monetized chapters, and how to write in order to better retain your readers)
 
Upon moving into the VIP chapters, consider the extensiveness of your map. Try to select a climax, it may be a major or minor one. Once you've moved into the monetized chapters, the focus will be on the subsequent plot tension. A small trick is to create a bit of suspense, as far as possible, in every chapter. Simply ending your chapter with a question may be adequate to encourage the reader to click onto the next chapter.
 
 
Packaging and Later Stages
 
1. Book Title (How to quickly decide on a distinctive title that effectively reflects the content, according to its elements or other factors)
This may be drawn from the protagonist's personality, or from the main plot, by picking out two buzz words - the gut feel for this would need to be guided by the latest popular themes, starting with these buzz words.
 
2. Introduction (What should be included in the introduction, how to typeset it, ways in which it can be written; how to extract highlights from the book's content and set up)
 
An introduction provides a peek into the highlights of the story. You can start from the protagonist's reversal of a situation, using a contrast method, or you can use a questioning approach. This will depend on each author's preferred set-up. First, extract the male or female protagonist's persona, select the scene that you think will most attract readers and retain their interest, then write a short piece around these personas and scene. The introduction doesn't have to be too lengthy, as long as it keeps the reader interested for more.
 
3. Reader Interaction (How should the author manage his own website comments zone in the early days of publishing; how to retain your readers in a dignified manner at the fee collection point, what lines you can use; how to take on suggestions from readers during plot development, and improve interaction and cohesiveness with your readers)
 
 
You can leave some key spoilers in the author's notes, or pose some questions for the readers to respond to, as readers are basically quite proactive in this respect. As much as possible, retain your readers for the paying chapters. You may also use the characters in the novel to retain them. Tell the readers in a sincere manner, off-topic.

Hello, Webnovel authors, I'm Road of Flowers. The author of "Ma'am You Have Been Uncovered" "Rebirth of an Idle Noblewoman" "Rebirth of the Heavenly Empress".
 
Here are some tips on novel writing for Novice Writers.
 
 
Selecting a Topic
 
1. Background (Modern, Urban Superpowers, World of Magic, Eastern Fantasy etc; how to select, the characteristics and merits of each type of background; how to decide on the background of your own novel)
 
A modern background is rather straightforward, you can use real life for the set up. For Urban Superpowers, you may need to layer one or more elements on top of a modern background. Most of them are superpowers that are manifested in this world, or some cheat system built into the main character, or things like time-space systems - these will provide a measure of freedom for imagination and plot development. I ideate my story frame using real life as a foundation, as the modern background makes for an easier architectural base.
 
2. Market Research (How to determine trends according to the entertainment market, where to draw elements, my own practice)
 
Observe the types of most recent articles that are popular in the market, the sort of heroes and heroines that are most well-received - all these are ever-evolving and mutually influencing. It boils down to how you plan your story and pen its plot. For the same trendy topic on divorce, some writers may be wildly successful, and others may flop, it all depends on how the individual shapes the story. As for me, I follow one approach in my writing process, and try as much as possible to innovate within this approach.
 
 
Outline
 
1. Objectives (How to determine key objectives and the objectives at each stage; what are the key objectives and stage objectives of an existing approach)
The key objectives provide the overall direction of the piece of writing. Whether your overall direction is to head towards a break-up, or towards a reconciliation between the hero and the heroine, that is a personal choice. There can be many stage objectives. To raise a simple example, setting up the key objective of a successful life for the protagonist. In this case the first stage objective might be built around the selection of a school by the protagonist, or unfolding scenes of high school or college entrance examinations. You may also plan some upheavals into this period in the story.
 
2. Map Design (Each background and its corresponding map, for example the clan, faction or continent in a fantasy story; the workplace in an urban story; or the nation in a world of magic. Or, the most commonly-observed types of map development; and how the author himself designs his map)
The map for a modern story inevitably centers around a city, school, the office and such. You can sketch a simple diagram, according to the materials you may gather from the real world. If, for example, this plot development mainly takes place in a school, then certainly you need to plan out the school's classroom blocks and office blocks, art block, canteen, dorms, sports ground. After you've planned these, you will complete it with the main characters and supporting characters. Apart from these there is little else to take note of.
 
3. Characterization (How to determine the design of a character, what sort of likely personalities there are for the main and supporting characters, how to shape a persona that will leave a deep impression)
My designed characters are all quite similar, most of them are god-like, angelic young men, and the female protagonists are quite cool. Of course, there are many types of possible personalities for a character, it depends on your preference. For males protagonists, you can have the workplace high-fliers, the overbearing CEO, the gruff hero, the refined scums are popular too. For female protagonists, there are the gentle and adorable type, the type that is everybody's pet, the strong career woman, the academic genius... too many, it's better to go with what you like.
 
4. Contradictions and Conflicts (The sort of contradictions you can write about that correspond with the existing approach, the key contradictions, and the contradictions at each stage)
I write about contradictions between my protagonist and the supporting characters. Contradictions are a result of a cumulative process, the culmination of the contradictions at each stage, they are mainly contradictions within the friends and family circles. For example, the female protagonist may have a disagreement with a family member or anyone among her circle of friends. How did that contradiction arise? Conflict is a driver. In work life, the female protagonist may have some disagreements with her co-workers. Competition, for example, specifically vying for a case. In school, it may be results, framing someone, or relationships. All these may be points of conflicts. You have to know how to stir trouble, create something out of nothing - if points of conflicts are lacking, then create one.
 
 
Main Body
 
1. Beginning (How to initiate the story, what are some possible starting plots, what are some that will create a more lasting impression)
You may initiate the story using the main plot, highlight points of contradictions and build in suspense so that the reader desires to continue reading. Take for example the popular theme of divorce, perhaps the female protagonist's fiance had been stolen by her best friend's sister or her cousin - something like this presents a great conflict and has great ability to draw empathy. Or for a rebirth theme, it's even easier. In the first chapter you may write about how in his past life, the protagonist did not fully understand someone and was unable to come to a peaceful end, and now there was a chance to start all over again.
 
2. Leading into monetized chapters (At which point of the plot or which stage of the map to move into monetized chapters, what emotions to create in the chapter leading into the monetized chapters, how to create a cliffhanger, how to make a quick transition upon moving into the monetized chapters, and how to write in order to better retain your readers)
 
Upon moving into the VIP chapters, consider the extensiveness of your map. Try to select a climax, it may be a major or minor one. Once you've moved into the monetized chapters, the focus will be on the subsequent plot tension. A small trick is to create a bit of suspense, as far as possible, in every chapter. Simply ending your chapter with a question may be adequate to encourage the reader to click onto the next chapter.
 
 
Packaging and Later Stages
 
1. Book Title (How to quickly decide on a distinctive title that effectively reflects the content, according to its elements or other factors)
This may be drawn from the protagonist's personality, or from the main plot, by picking out two buzz words - the gut feel for this would need to be guided by the latest popular themes, starting with these buzz words.
 
2. Introduction (What should be included in the introduction, how to typeset it, ways in which it can be written; how to extract highlights from the book's content and set up)
 
An introduction provides a peek into the highlights of the story. You can start from the protagonist's reversal of a situation, using a contrast method, or you can use a questioning approach. This will depend on each author's preferred set-up. First, extract the male or female protagonist's persona, select the scene that you think will most attract readers and retain their interest, then write a short piece around these personas and scene. The introduction doesn't have to be too lengthy, as long as it keeps the reader interested for more.
 
3. Reader Interaction (How should the author manage his own website comments zone in the early days of publishing; how to retain your readers in a dignified manner at the fee collection point, what lines you can use; how to take on suggestions from readers during plot development, and improve interaction and cohesiveness with your readers)
 
 
You can leave some key spoilers in the author's notes, or pose some questions for the readers to respond to, as readers are basically quite proactive in this respect. As much as possible, retain your readers for the paying chapters. You may also use the characters in the novel to retain them. Tell the readers in a sincere manner, off-topic.

This story is about  7-year old  Earona le Claes who has brown hair and green eyes.

Each time time passes by, she gets older.
________________
When she finds out and remembers everything from her previous life and  and realizes she had a lot things she has to go through in order to survive. Will thing's go wrong or right?

It's something serious...That's what I would say. Now, their's question marks, rivals or you could say enemies, friends..........................and love!? 

Or mistakes.It could just be all a dream. But it's not. It's real.

That's right. That's when It all started...

Doom but love.

Hey Guys! Author Here! So I made this note before you read anything. One, I'm a new author so please be nice to me.
Two, I don't make long chapters because I'm tired all the time. Three, I may have talent but if you could at least make a review or a comment of my chapters, thank you very much.
_________________________________________________
Hello, Webnovel authors, I'm Road of Flowers. The author of "Ma'am You Have Been Uncovered" "Rebirth of an Idle Noblewoman" "Rebirth of the Heavenly Empress".
 
Here are some tips on novel writing for Novice Writers.
 
 
Selecting a Topic
 
1. Background (Modern, Urban Superpowers, World of Magic, Eastern Fantasy etc; how to select, the characteristics and merits of each type of background; how to decide on the background of your own novel)
 
A modern background is rather straightforward, you can use real life for the set up. For Urban Superpowers, you may need to layer one or more elements on top of a modern background. Most of them are superpowers that are manifested in this world, or some cheat system built into the main character, or things like time-space systems - these will provide a measure of freedom for imagination and plot development. I ideate my story frame using real life as a foundation, as the modern background makes for an easier architectural base.
 
2. Market Research (How to determine trends according to the entertainment market, where to draw elements, my own practice)
 
Observe the types of most recent articles that are popular in the market, the sort of heroes and heroines that are most well-received - all these are ever-evolving and mutually influencing. It boils down to how you plan your story and pen its plot. For the same trendy topic on divorce, some writers may be wildly successful, and others may flop, it all depends on how the individual shapes the story. As for me, I follow one approach in my writing process, and try as much as possible to innovate within this approach.
 
 
Outline
 
1. Objectives (How to determine key objectives and the objectives at each stage; what are the key objectives and stage objectives of an existing approach)
The key objectives provide the overall direction of the piece of writing. Whether your overall direction is to head towards a break-up, or towards a reconciliation between the hero and the heroine, that is a personal choice. There can be many stage objectives. To raise a simple example, setting up the key objective of a successful life for the protagonist. In this case the first stage objective might be built around the selection of a school by the protagonist, or unfolding scenes of high school or college entrance examinations. You may also plan some upheavals into this period in the story.
 
2. Map Design (Each background and its corresponding map, for example the clan, faction or continent in a fantasy story; the workplace in an urban story; or the nation in a world of magic. Or, the most commonly-observed types of map development; and how the author himself designs his map)
The map for a modern story inevitably centers around a city, school, the office and such. You can sketch a simple diagram, according to the materials you may gather from the real world. If, for example, this plot development mainly takes place in a school, then certainly you need to plan out the school's classroom blocks and office blocks, art block, canteen, dorms, sports ground. After you've planned these, you will complete it with the main characters and supporting characters. Apart from these there is little else to take note of.
 
3. Characterization (How to determine the design of a character, what sort of likely personalities there are for the main and supporting characters, how to shape a persona that will leave a deep impression)
My designed characters are all quite similar, most of them are god-like, angelic young men, and the female protagonists are quite cool. Of course, there are many types of possible personalities for a character, it depends on your preference. For males protagonists, you can have the workplace high-fliers, the overbearing CEO, the gruff hero, the refined scums are popular too. For female protagonists, there are the gentle and adorable type, the type that is everybody's pet, the strong career woman, the academic genius... too many, it's better to go with what you like.
 
4. Contradictions and Conflicts (The sort of contradictions you can write about that correspond with the existing approach, the key contradictions, and the contradictions at each stage)
I write about contradictions between my protagonist and the supporting characters. Contradictions are a result of a cumulative process, the culmination of the contradictions at each stage, they are mainly contradictions within the friends and family circles. For example, the female protagonist may have a disagreement with a family member or anyone among her circle of friends. How did that contradiction arise? Conflict is a driver. In work life, the female protagonist may have some disagreements with her co-workers. Competition, for example, specifically vying for a case. In school, it may be results, framing someone, or relationships. All these may be points of conflicts. You have to know how to stir trouble, create something out of nothing - if points of conflicts are lacking, then create one.
 
 
Main Body
 
1. Beginning (How to initiate the story, what are some possible starting plots, what are some that will create a more lasting impression)
You may initiate the story using the main plot, highlight points of contradictions and build in suspense so that the reader desires to continue reading. Take for example the popular theme of divorce, perhaps the female protagonist's fiance had been stolen by her best friend's sister or her cousin - something like this presents a great conflict and has great ability to draw empathy. Or for a rebirth theme, it's even easier. In the first chapter you may write about how in his past life, the protagonist did not fully understand someone and was unable to come to a peaceful end, and now there was a chance to start all over again.
 
2. Leading into monetized chapters (At which point of the plot or which stage of the map to move into monetized chapters, what emotions to create in the chapter leading into the monetized chapters, how to create a cliffhanger, how to make a quick transition upon moving into the monetized chapters, and how to write in order to better retain your readers)
 
Upon moving into the VIP chapters, consider the extensiveness of your map. Try to select a climax, it may be a major or minor one. Once you've moved into the monetized chapters, the focus will be on the subsequent plot tension. A small trick is to create a bit of suspense, as far as possible, in every chapter. Simply ending your chapter with a question may be adequate to encourage the reader to click onto the next chapter.
 
 
Packaging and Later Stages
 
1. Book Title (How to quickly decide on a distinctive title that effectively reflects the content, according to its elements or other factors)
This may be drawn from the protagonist's personality, or from the main plot, by picking out two buzz words - the gut feel for this would need to be guided by the latest popular themes, starting with these buzz words.
 
2. Introduction (What should be included in the introduction, how to typeset it, ways in which it can be written; how to extract highlights from the book's content and set up)
 
An introduction provides a peek into the highlights of the story. You can start from the protagonist's reversal of a situation, using a contrast method, or you can use a questioning approach. This will depend on each author's preferred set-up. First, extract the male or female protagonist's persona, select the scene that you think will most attract readers and retain their interest, then write a short piece around these personas and scene. The introduction doesn't have to be too lengthy, as long as it keeps the reader interested for more.
 
3. Reader Interaction (How should the author manage his own website comments zone in the early days of publishing; how to retain your readers in a dignified manner at the fee collection point, what lines you can use; how to take on suggestions from readers during plot development, and improve interaction and cohesiveness with your readers)
 
 
You can leave some key spoilers in the author's notes, or pose some questions for the readers to respond to, as readers are basically quite proactive in this respect. As much as possible, retain your readers for the paying chapters. You may also use the characters in the novel to retain them. Tell the readers in a sincere manner, off-topic.

[Skip to the bottom for my author's note if you want] 

Marvel Power Grid [ https://marvel.fandom.com/wiki/Power_Grid  
[ This applies to both the Marvel and D.C worlds ] 

-------------------------------------------------------------------
Characters in the novel so far. 

*[All artwork does not belong to me. All respect goes towards the artist]* 

[You can also imagine the characters any way you want] 

[Let me know if any of the links don't work] 

[Male]:

Jake Justice: Origin (Earth)- Reincarnator / Reborn as Unknown Symbiote Spider-man: Looks like the person in the cover art. Current age: 17, Past age: 21 

Bloodline: Unknown  Parents: Uknown( Deceased) 

Bruce Wayne: (Dark Knight timeline)- ( https://www.denofgeek.com/us/movies/christian-bale/278166/christian-bale-donald-trump-once-thought-i-was-bruce-wayne ) This how looks like I had to go with Christian Bale lol. Ignore the actual article lol. 

Commissioner Gordon: Dark Knight Look

Nick Fury: MCU version, Samuel Jackson 

Tony Stark: MCU version

Norman Osborn: Spider-man 1 Movie Original (S*ony series)   

Harry Osborn: Spider 1 Movie Original (S*ony series)   

Bobby Drake Aka(Iceman): Any X-Men adpations

Flash: Barry Allen (D.C) 

Miles Morales: Comic book and Movie verison(Older, 17) 

Peter Parker: Imagine him any way you want(However I based this Peter off of Homecoming, but with some hints of the First Spider-man movie) 

Charles Xavier: X-Men First Class movie verison


Villians 

Joker: Dark Knight Verison 
The Lizard: Movie version 
Magneto: X-Men First Class movie version
Scarecrow: Dark Knight Trilogy 
Bane: Dark Knight Trilogy 

[More to come] 

[Female]: 

Barbara Gordon: https://www.deviantart.com/prywinko/art/Batgirl-without-mask-717737302

Black Cat: https://rehasakar.com/projects/8RAZ6?album_id=69442 (Face) 

Body Suit: https://marchtwelfththousandyears.tumblr.com/post/181961427038/artist-cris-delara-ig-crisdelaraart (The first pic is the body suit she has but in black, just like the PS4 version) 

[R-18]: https://www.deviantart.com/reivash/art/Felicia-Hardy-Black-Cat-Commission-Nsfw-699535248 (There are also some extra Black Cat pics in there) 


Gwen Stacy: https://www.deviantart.com/souracid/art/Spider-Gwen-509019244 (My fave pic and the true design of Gwen) 

Raven(D.C): https://www.deviantart.com/sakimichan/art/Raven-Starfire-684968674 
(Too many thick pics to choose from. However, this is the look she has in this novel since she is a little bit older in this book by two years(15 > 17) 

Tara (D.C): https://www.pinterest.it/pin/656821926878248591/ (I wanted a more realstic verison of Tara from Teen Titans) 

Mary Jane: https://www.deviantart.com/nopeys/art/Mary-Jane-Watson-787453675

Natasha Romanoff (AKA Black Widow): https://www.pinterest.com/pin/564498134536648069/?lp=true (Couldn't choose one, so here is a mix of ones, first pic is way too thick lol) 


___________________________



My Rank for the story: You can use both scales if you like for reference. 

NOTE: Powers are based on the MCU, but also slightly on the comics. I won't get everything right lol. 

(Jake's Justice tier is still unknown) 

Normal humans with no super powers are granted no rank of power. EX: Mary Jane

C-Tier: Humans who have no power, however their smarts, mortal feats, and weapon power/overall power of normal humans, like wealth, technology, and military might. EX: Kingpin, Nick Fury, Joker, Batman, Nightwing, and etc. 

[Note: Some of the names listed above can be classified as tier B] 

B-Tier Humans who have above average superpowers. EX: Iceman, Flash, Spider-man, Most mutants, etc [ Normally they are street/city destroyers, however, they cannot destroy mountain or large landmasses. Powers are limited to close combat ] 

A-Tier High Power superheroes and villains. Ex: Magneto, Raven, Dr. Srange, Wonder Women, etc  
[ Superheroes/Villians who can destroy cities and large landscapes, bend time and reality]- Mostly magic and telekinesis users. 

S-Tier  Supreme beings: EX: Superman, Thor, etc (Gods and superheroes who could move planets or destroy planets), Thanos

SS-Tier All-Powerful beings, Above God, Transcendence, EX: The Beyonder

-----------------------------------------------------------------------------------

Original Rank 

+Tier 11: Lower-Dimensional

-11-C: Point level

0-dimensional characters and those qualitatively inferior to them.

-11-B: Line level

1-dimensional characters.

-11-A: Plane level

2-dimensional characters.

+Tier 10: Regular

-10-C: Below Average level

Physically impaired humans. Small animals.

-10-B: Average level

Normal human characters.

-10-A: Athlete level

Athletes, most fighting characters from action movies.

+Tier 9: Superhuman

-9-C: Street level

Peak Humans to Low Superhuman. Few physically very strong Olympic level athletes and martial artists in real life. Most protagonists and final villains from action/martial arts movies. Large animals.

-9-B: Wall level

Characters/Weapons who can destroy a wall or those who can easily harm characters with wall level durability. Very large animals.

-9-A: Small Building level

Characters/Weapons who can destroy a room or a small building, or those who can easily harm characters with room-level durability. Extremely large animals.

+Tier 8: Urban

-8-C: Building level

Characters/Weapons who can destroy a building, or those who can easily harm characters with building level durability.

-High 8-C: Large Building level

Characters/Weapons who can destroy a large building or a small skyscraper, or those who can easily harm characters with large building level durability.

-8-B: City Block level

Characters/Weapons who can destroy a city block those who can easily harm characters with city-block level durability.

-8-A: Multi-City Block level

Characters/Weapons who can destroy multiple city-blocks or those who can easily harm characters with multi city-block level durability.

+Tier 7: Nuclear

-Low 7-C: Small Town level

Characters who can destroy a small town or settlement, or those who can easily harm characters with small-town level durability.

-7-C: Town level

Characters who can destroy a town, or those who can easily harm characters with town level durability.

-High 7-C: Large Town level

Characters who can destroy a large town, or those who can easily harm characters with large town level durability.

-Low 7-B: Small City level

Characters who can destroy a small city or those who can easily harm characters with small city level durability.

-7-B: City level

Characters/Weapons who can destroy a city or those who can easily harm characters with city level durability.

-7-A: Mountain level

Characters/Weapons who can destroy a mountain, or those who can easily harm characters with mountain level durability.

-High 7-A: Large Mountain level

Characters who can destroy a large mountain, or those who can easily harm characters with large mountain level durability.

+Tier 6: Tectonic

-6-C: Island level

Characters/Weapons who can destroy an island or those who can easily harm characters with island level durability.

-High 6-C: Large Island level

Characters who can destroy a large island or those who can easily harm characters with large island level durability.

-Low 6-B: Small Country level

Characters who can destroy a small country, or those who can easily harm characters with small country level durability.

-6-B: Country level

Characters who can destroy a country, or those who can easily harm characters with country level durability.

-High 6-B: Large Country level

Characters who can destroy a large country, or those who can easily harm characters with large country level durability.

-6-A: Continent level

Characters who can destroy a continent or those who can easily harm characters with continent level durability.

-High 6-A: Multi-Continent level

Characters who can destroy multiple continents or those who can easily harm characters with multi-continent level durability.

+Tier 5: Planetary

-5-C: Moon level

Characters who can destroy a moon, or an astrological object of similar proportion.

-Low 5-B Small Planet level

Characters who can destroy a small planet or those who can easily harm characters with small planet level durability.

-5-B: Planet level

Characters who can create/destroy a planet.

-5-A: Large Planet level

Characters who can create/destroy large gas giants such as Jupiter and Saturn.

-High 5-A: Dwarf Star level

Characters who can create/destroy very small stars.

+Tier 4: Stellar

-Low 4-C: Small Star level

Characters who can create/destroy small stars.

-4-C: Star level

Characters who can create/destroy a star.

-High 4-C: Large Star level

Characters who can create/destroy a large star.

-4-B: Solar System level

Characters who can create/destroy a solar system.

-4-A: Multi-Solar System level

Characters who can create/destroy multiple solar systems.

+Tier 3: Cosmic

-3-C: Galaxy level

Characters who can create/destroy a galaxy.

-3-B: Multi-Galaxy level

Characters who can create/destroy multiple galaxies.

-3-A: Universe level

This category is separated in the following manner:

*Universe level: Characters who can destroy all of the physical matter within an observable universe at full power. More specifically, usually via an explosion, omnidirectional energy blast, or a shockwave, that encompasses all of the stars and planets within a universe.

High Universe level: Characters who have an infinite degree of 3-dimensional power. Alternately 4-dimensional power that is shown as completely qualitatively superior to 3-Dimensional beings, but is less than universal in scale. Or that allows them to create large parts of a universal continuum. Take note that 4-D power should logically always be superior to countably infinite 3-D power, so characters within this tier are not necessarily comparable. Also take note that we consider most small scale time-space abilities as hax, not as AP.

+Tier 2: Multiversal

-2-C: Low Multiverse level

This category is separated in the following manner:

*Universe level+: ("Low 2-C") This is for characters who can destroy and/or create the entire 4-dimensional space-time of a single universe, not just the physical matter within one. For example, an entire timeline.

Low Multiverse level: Characters who can destroy and/or create up to 1000 universal space-time continuums. The power difference between Low 2-C and 2-C characters is not possible to exactly quantify, given that the latter category has to breach the distance between universes along a 5-dimensional axis.

-2-B: Multiverse level

Characters who can create and/or destroy 1001 to any higher finite number of universal 4-dimensional space-time continuums.

-2-A: Multiverse level+

This category is separated in the following manner:

-Multiverse level+: Characters who can destroy and/or create a countably infinite number of 4-dimensional universal space-time continuums. Take note that the universes are technically lined up along a 5-dimensional axis, but that their geometrical size still amounts to 0 within this scale.

-High Multiverse level+: Characters who are 5-dimensional, and/or can destroy and/or create 5-dimensional space-time constructs of insignificant size. Characters who can destroy and/or create an uncountably infinite number of universes may potentially also be assigned this tier, as their geometrical 5-D size can be higher than 0.

+Tier 1: Extradimensional

-1-C: Complex Multiverse level

These are 6-11-dimensional characters. Even 6-dimensional characters can logically easily destroy a more than a countably infinite number of 5-dimensional space-time continuums, and 7-dimensional characters exceed that scale a more than a countably infinite number of times, and so onwards. However, these characters do not exceed the 11-dimensional scale of the complete totality of a full multiverse, as defined by M-Theory.

*This category is separated in the following manner:

-Low Complex Multiverse level: 6-dimensional characters.

-Complex Multiverse level: 7-dimensional, 8-dimensional and 9-dimensional characters. Alternatively, ones that are positioned at an unknown/unspecified level within this category.

-High Complex Multiverse level: 10-dimensional and 11-dimensional characters.

-1-B: Hyperverse level

12-dimensional beings and above. These are characters that are beyond complex multiversal scale.

"Hyperverse" in this case comes from two words: "Hyper", which is used in mathematics to designate higher-dimensional space, and something extreme, above or beyond the usual level. As well as "verse" as a short for "universe". So it is intended as a description of a superior higher-dimensional existence, beyond conventional reality.

12-dimensional characters are a more than a countably infinite number of times greater than a full complex M-Theory multiverse, the 13-dimensional character is more than a countably infinite number of times greater than that and so onwards.

*This category is separated in the following manner:

-Hyperverse level: Characters with a finite number of dimensions greater than 11.

High Hyperverse level: Infinite-dimensional Hilbert space characters.

Take note that even if a character is a more than a countably infinite number of times superior to an infinite-dimensional space, or similar, it would still usually only qualify for High 1-B, as long as the character does not transcend the concepts of time and space altogether.

-1-A: Outerverse level

Characters that have no dimensional limitations.

*Basically, a being or an object which is outside and beyond all dimensions of time and space. This is something completely formless, abstract, metaphysical and transcendental. The usual scale does not make sense against a beyond dimensional object. Such beings cannot be affected by destruction within the dimensions of time and space, or physical matter and energy. This "space" in which there is no dimension can be the background for any dimensional space. Within such a beyond dimensional "space", a dimensional structure with any number of dimensions can be placed, because there are no restrictions regarding dimensions.

Note that all tier 1-A characters have qualitative superiority over dimensional structures and concepts. Also, the mere capability to existing in a beyond dimensional domain does not qualify a character as a beyond dimensional being.

There are two options in order to qualify for this tier: There should either be a qualitative superiority over infinite dimensions, or the superiority over the concept of dimensions (in general) should be clearly explained.

+Tier 0: Boundless

-High Outerverse level

Characters that far exceed the requirements for Tier 1-A. Such characters will usually stand hierarchically above everything, including existence and nonexistence, possibility, causality, dualism, the concepts of life and death, etcetera.

*Take note that being infinitely superior to a regular 1-A character does not automatically make another character qualify for a Tier 0 rating. The ones that do qualify should be so much higher than baseline 1-A characters that it can not be estimated or comprehended from their perspectives. That is, to even be considered for Tier 0, a character must at the very least transcend baseline 1-A characters in the same manner that they exceed ones who are bound by dimensions.



[A/N: Yes this is a lot to take in. I might just make a sperate page just for the characters. This chapter will not be deleted I will be adding more things to it as the story goes on] 

 So far Jake's tier is unknown, so no one knows his true powers, but you can give a guess if you like. Anyways I will be posting another chapter that has details of my Pa treon page and some other interesting things. For now, I will be writing the newest chapters all which will be released tomorrow since I am way too tired to do anything today, but I can answer your questions. So if you have any questions ask away. Btw I will be having a Pa treon deal if I reach 200 dollars in support that a 20+ chapter mass release will happen, my Bday is coming up soon, so I want to start this year of April with a bang. This story has made it to top 5 fan-fics, trying to break some records. Well see you next chapter ]

Jake is reincarnated as Spiderman and chooses to become the most powerful Spiderman in existence. He will forge his own path. 

Marvel X D.C 

Support: https://www.patreon.com/ghostybones

[Tags]: Multiverse, System, Anti-hero, OP MC

The fight started
At first we weren't doing much damage like last regression but the more we attacked the more damage we got. I already knew how this would play out, so I needed to figure out how to win this.
Then Gilyoung had told me to come with him. He took me to one of the buildings and suddenly a hidden scenario appeared
HIDDEN SCENARIO
Complete the story to the authors liking
+
Time Limit: Length of the story
+
Difficulty: B
+
Success: ability of character you play
+
Failure: Trapped in the story
+
Description: The author does not know how he wants to end this so you are being sent into the book to finish it
I read it and suddenly I was teleported. I opened up my eyes. I didn't know this book but the next thing I realised was that I was not in my wheelchair
For the first time in my life I could walk and next to me was Gilyoung
"What's going on?"
"Didn't you read the mission contents"
He already knew about this apparently and he told me to follow him. I was a side character. I didn't know his name.
The mission contents said he wanted us to make a suitable ending. Then suddenly we were in the middle of a big war.One at the length of which I had never seen before. A supposed Great War.
When I had looked at Gilyoung he was a blonde man with a curly eyebrow in a suit. We had gained every skill that our supposed characters had.
My characters name was Sabo. I didn't know who this was. I now had access to all his moves. I took a look at a few and saw something that stood out to me, this existence the Devil Fruit, It was called the Mera Mera No Mi or translated as the fire fire fruit.
All over the battefield I could hear crys of pain as we were losing and I could see people that were massive. They all had uniforms that said Marines. From this I had found out the contents of the great war but one thing I wasn't sure of is
What would the creator want?
What type of ending was he trying to create?
Why did he send us here and as these characters?
What purpose was he trying to create with these 2 characters?
How would they influence the ending?
What was their role?
My first thought was win the war but I didn't know anything about this. Maybe I just needed to beat the enemy
Then Gilyoung came out of nowhere
"Too conventional, we need something unique"
This gave me the idea that maybe the author didn't want a good ending
Maybe he wanted a bad ending but then I thought what if it was a sacrificial ending
One that emotionally impacted the reader. Then I had an idea
What if one of the main characters died in order to win. Then a notification appeared in my face
[The Final Battle Will Take Place Soon]

(Updated Weekly) John a disabled teenager that is forsaken by both worlds, his friends pushed him onto the road and he was hit by a truck, now he is in some sort of Hell competing in these scenarios full of death and despair, and each time he dies, he finds himself in that depressing place. How many times will he die? How many times will he kill?

***
When I first wrote this, I really didnt know where it would end up and if I will do a good job at it. Most ML fanfics on this site are incomplete, only a few chapters and feature characters in their original storyline so I decided to create something totally new and different, which is also sort of a risk.

So far, I have decided on a few girls that I am going to write on but I havent really read all their backstory yet so I still dont know how the MC will meet them or how they will fit into the storyline but we will see. I may feature several characters in one arc depending on their storylines and whether it would fit together.

I plan to write something close to an original story, since there is not much information to work on so there will be a lot of new characters and stuff about mobile legends. I will create my own plot but it will also be centered upon some of the backstories of the characters, like Miya arc. Of course I wont only feature females but also the males like Alufeed or Tigreal.

Some of those I should be writing on based off the slightly more popular ones~

1. Alice(I mean, she already appeared but she wont be the next heroine, maybe one of the last few...she is involved in the backstory of many heroes)

2. Lesley(Dk why she is always shipped with Gussion)

3. Guinevere(I like her personally so...)

4. Kagura(Hmm not totally sure yet about this one, I may have to write about Hayabusa if I write her)

5. Selena+Karina(They will fit into the Abyss part and best of all, sister sandwich)

6. Natalia?(Her backstory isnt that hard to fit into the storyline)

Still considering ~ 

7. Pharsa(she was married in the storyline so and that bird is her husband so...Idk...maybe?)

8. lrithel(Backstory isnt that hard to fit in as well)

9. Fanny(Again, backstory isnt that hard for me to fit in)

10. Freya(I am quite interested in the Northern Vale as part of MC travels)

Ok, thats all. If you want to suggest some other female heroes, pls go ahead. Maybe you can also suggest why they should be picked so I can see how to fit them in but that is only if you wish to.

Stay safe, wash hands...with soap.

Support me if you wish to~

link : paypal.me/LaylaIsBae

I will try to flesh out the world of Mobile Legends.

First Arc will be on Miya the Moon Elf. This arc has a backstory before MC appears.

* * * * *
Kazuki was just an ordinary guy.

One day, while charging his phone and playing Mobile Legends at the same time, a short circuit sent him to the afterlife.

There, Kazuki met the God Of Games, who, upon taking pity on him, allowed him to reincarnate into his favourite game.

However, he was given only a unique set of powers bestowed unto him by the God Of Games? And maybe...a positivity system?

Thus, this starts Kazuki's journey to conquer the heroines of his favourite game while exploring the world of Mobile Legends itself.

Which girls will he encounter? 

What obstacles will he face while trying to conquer these beautiful girls?

How big will his Harem go?

What enemies will he face?

What continent shall he explore in the vast Land Of Dawn.

Miya? Kagura? Lunox? Hanabi? Lesley? Alice? WanWan? Natalia? Fanny? Esmeralda? 

Find out in this epic novel that will bring you the world of the Land Of Dawn as it is fleshed out before your very eyes.

• Each Arc will focus on a/several Heroine and how they get conquered. Some may require a backstory.

• I have no idea how many heroines there will be

Yo guys, I first wanna apologize for the lack of release these past days, I have been focusing on writing down the information in my head in a folder. I am just a man and not a computer, so I wrote the world i imagined it to be down, the magic system, the tower, Ring Functions and many more such as character background, story, powers, potential and how the characters themselves behave. 

Everything is getting refined and improved with each day passing. I don't want to write a story that will have many plot holes down the line and I don't like relying on plot armor to proceed with the story. 

I envision my story writing itself (Not in a letteral sense ofcours). I will create the world, the places, the powers and organisation, the characters and behavior of each. but how the story proceeds is how the characters that are in the story act. I know this sounds stupid from a rookie writer, but I don't want my story to be something that I want it to be. I don't want the story to feel forced, I will write as to how I feel the characters would act, for that I will need to have each and every important character have their traits and behaviors that lead them to act in a way that proceeds the story. 

It is really hard for me to write down how I feel the story should be proceeding, but that is none of your troubles so don't worry about it.
Just know that I won't be dropping it any time soon, for this is my world I envision and I will write this until I reach a satisfactory end for it. 
I'll be taking some time off to focus on the world and characters, I'll hold a mass release once am done doing that.

Deep into the forest, a wooden house can be seen. Inside it were a little girl and an old woman, both laying in bed.

The little girl turned around and looked at the old woman.
"Why aren't you sleeping Lyn, it is very late."
the old woman smiled as she caressed the little girls head.

"Grandmother, can you tell me a story, I can't sleep."
"Alright, let me tell you about the tower."
"The tower we see is not the only one out there. There are 20 other ones just like it in the world, the creation of these objects goes back to the time of gods. Back then the gods could come down and live together with other species, many gods did and live on the surface at it's best, but nothing lasts forever." the old woman let out a sigh
"For reasons not known, the gods fought each other, a gruesome war erupted. Gods fell one after another, the species under them died out, the war kept raging for thousands of years.
Then, on one faithful day, the gates of the underworld shattered. The remaining gods stopped their fighting and for an truce, together with the demon lords from the underworld they tried to fix the gates."

"Did they fix it?" The little girl asked
"They could not, the mana leaked from the underworld had already merged with the one on the surface, so they gods found a different solution. They powered the power of Heaven and the Underworld together to seal the gates. And they did that by creating 21 structures that would absorb the mana from the underworld, heaven and the surface to become stronger and stronger and eventually the gods were no longer needed to seal it."

"but they paid a heavy price for it, the mana on the surface rejected their existence and they were forced back to Heaven and the demon lords also could no longer come to the surface either."

"Grandmother, does the tower still get stronger?"

"Every passing second my dear, every passing second."

The old woman said as she looked through the window, a magnificent structure could be seen piercing the clouds.


(A/N this is my first every novel and I writing this mainly because I enjoy it, I will not drop it as long as there is interest in it and as long as I enjoy it, I will try to have the world be unique; well, at least not cliche. Please do give me feed back at where I can improve and what I can do better. Ciao)

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