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morals of stories

morals of stories

The genealogy of morals

The genealogy of morals

On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".
Urban
50 Chs
MORMOND

MORMOND

Content Warnings: This story contains explicit and graphic content that may be disturbing to some readers. Warnings include, but are not limited to: graphic violence, gore, body horror, psychological torture, child death, desecration of corpses, and themes of systemic abuse and corruption. Reader discretion is strongly advised. In a world where the nobility's grace is a gilded mask for unspeakable cruelty, an orphaned boy named Mormond watches his world burn. After the brutal murder of his adoptive sister, Nini, at the hands of arrogant aristocrats, something inside him shatters and is remade into a monstrous new form. In his grief, he manifests a terrifying and unique power, becoming the "Puppeteer Calamity"—a vengeful artist who reanimates Nini's broken corpse, transforming her into a beautiful and deadly marionette of vengeance. Their bloody crusade begins in the slums of Marlock, but soon their stage expands to the decadent and corrupt empire of Omnia, a place where the elite literally consume the souls of slum children to preserve their own vitality. Hiding behind the flawless disguise of "Milos," an innocent and cherubic orphan, Mormond infiltrates the highest echelons of power. He orchestrates a masterful campaign of psychological warfare, not with brute force, but with whispers. He turns nobles against each other, drives them to madness, and forces them to author their own destruction, all while they believe him to be a harmless, lucky charm. Each conquest ends with a new, horrifying puppet added to his public collection—a gallery of corpses left as a chilling signature. His reign of terror does not go unnoticed. The empire's champion, Tifa—a swordmaster of holy light known as the Divine Guardian—is tasked with hunting the "Silver Shadow." She is his perfect opposite: a beacon of order and righteousness dedicated to protecting the very system Mormond seeks to annihilate. But as Mormond's web of control tightens around the empire's throat, an unforeseen complication arises. The ghost of Nini's true self begins to awaken within the puppet, her fragmented memories and prayers creating a glitch in his perfect control. This internal fracture becomes Mormond's greatest vulnerability. His desperate, violent attempts to maintain possession of his sister's soul expose him at the worst possible moment, forcing him from the shadows and into a direct, desperate conflict with Tifa and the full might of the empire. The Conductor's controlled performance descends into a chaotic war, where the price of his vengeance may be the very soul he fought so hard to keep. A novel by : ATLASBANAW
Fantasy
21 Chs
What Are the Most Common Morals in Some Good Morals Short Stories?
One common moral is honesty. For example, like in the story of the boy and the wallet. When people are honest, they build trust in society. Another is kindness, as seen in the story of friends helping a less - wealthy friend. It makes the world a better place. Also, perseverance is often a moral. Imagine a story where a person tries over and over again to achieve a goal, and finally succeeds. It shows that if we keep going, we can reach our dreams.
2 answers
2024-11-26 02:39
Are stories with morals annoying to read?
It's a mixed bag. Some stories handle morals well and are engaging, but if they're too heavy-handed or repetitive, they can be a turn-off. It often comes down to the quality of the storytelling and how relevant the morals are to the reader.
1 answer
2024-10-05 05:42
What are the best morals for stories?
One of the best morals for stories is kindness. It shows that being kind to others can bring positive results. For example, in 'The Lion and the Mouse', the mouse's kindness in helping the lion when it was trapped led to the lion sparing the mouse's life later. Another good moral is honesty. When characters are honest in stories, it often leads to trust and better relationships. In 'The Boy Who Cried Wolf', the lack of honesty ended up with the boy not being believed when there was real danger. Also, perseverance is a great moral. Stories like 'The Little Engine That Could' teach that if you keep trying, you can overcome difficulties.
3 answers
2024-11-23 05:22
Why are morals important in stories?
Morals in stories are important because they teach us lessons. For instance, they can show us how to be better people. A story with a moral about friendship can make us value our friends more.
3 answers
2024-11-22 07:01
What are the morals for horror stories?
One moral could be that fear often comes from the unknown. In horror stories, characters usually face things they don't understand, like strange creatures or unexplained phenomena. This teaches readers to be cautious about the things they don't know. Another moral might be that greed can lead to bad consequences. For example, in some horror stories, characters dig too deep into forbidden knowledge or search for treasures at any cost, and then they end up facing terrifying outcomes.
3 answers
2024-10-31 00:16
What are the important morals of stories?
One common moral is kindness. In many stories, characters who are kind are rewarded. For example, in 'The Little Prince', the Little Prince's kindness towards the fox creates a special bond. Another moral could be perseverance. We see it in stories like 'The Tortoise and the Hare', where the slow - but - determined tortoise wins by not giving up. Also, honesty is a significant moral. In 'Pinocchio', when Pinocchio lies, his nose grows, teaching children the importance of being truthful.
3 answers
2024-12-12 14:15
What are stories with morals called?
Stories with morals are often referred to as 'didactic stories' or 'moral tales'.
2 answers
2024-09-29 00:00
What are the best morals of stories?
One of the best morals of stories is kindness. Many stories show how being kind to others, whether they are friends, strangers or even enemies, can lead to positive outcomes. For example, in 'The Lion and the Mouse', the mouse's small act of kindness in freeing the lion from the net later saved its own life when the lion showed mercy in return.
2 answers
2024-11-11 15:59
What are the top morals of stories?
One of the top morals is kindness. For example, in many fairy tales, characters like Cinderella show kindness even in difficult situations. Kindness often gets rewarded in stories, teaching us to be kind to others.
3 answers
2024-11-26 11:13
What are the best morals of stories?
One of the best morals is kindness. For example, in 'The Little Prince', the prince shows kindness to the fox. It teaches us that being kind to others can create deep and meaningful connections.
3 answers
2024-11-25 19:57
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