The first - person POV can be great for a mystery novel. It allows readers to get directly into the mind of the narrator, often the detective or a key character involved in the mystery. This creates an intimate connection and can build suspense as the character discovers clues and tries to solve the mystery.
First - person POV heightens the suspense. As the narrator discovers new clues, we are right there with them. We only know what they know, so every new piece of information is a surprise for both the narrator and the reader. This can keep the reader on the edge of their seat, eagerly turning pages to find out what the narrator will discover next.
The best tense and POV combination varies. If you want to create a highly immersive experience, present tense and first-person POV might work well. But for a sweeping epic, past tense and third-person POV could be more suitable. It all comes down to your story's needs and your writing style.
Third - person limited POV is also a top choice. With this, the author can focus on one character's perspective while still maintaining a bit of distance. It gives the author more flexibility than first - person. In 'To Kill a Mockingbird', we mainly see the story through Scout's limited third - person perspective, which lets us into her world and her view of the events in Maycomb.
First - person POV can be great for novels. It allows readers to directly experience the story through the eyes and mind of a single character. This creates an intimate connection as we get to know the character's thoughts, feelings, and motives very closely. For example, in 'The Catcher in the Rye', Holden Caulfield's first - person narration makes the story feel very personal and real.
First person POV can be great for a romance novel. It allows the reader to really get into the protagonist's head and feel their emotions directly. For example, in a story where the main character is falling in love, we can experience their every thought, from the initial attraction to the deepening of their feelings. It creates an intimate connection between the reader and the character.
A third alternative is Plottr. It offers a visual way to plot your multi - pov novel. You can create different storylines for each POV and then see how they all interact and connect. This can be really helpful in making sure that the different POVs are well - integrated and the overall plot is coherent.
POV can greatly affect the reading experience. For example, a first - person POV makes the reader feel closer to the action and the character's emotions. It can make the mystery more personal. In contrast, a third - person omniscient POV can give a more comprehensive view of the mystery, allowing the author to plant clues in different places. The third - person limited POV can create a sense of intrigue as the reader is limited to one character's perspective.
Limited third - person POV is another excellent choice. It focuses on one character's perspective, usually the main character. This way, the readers get to know the character well and experience the thrills and chills through their eyes, like in 'The Girl with the Dragon Tattoo' where we follow Lisbeth Salander's point of view and get drawn into her dangerous world.
If you want to create a unique and immersive experience, second - person can be considered. However, it's a bit more difficult to pull off. But if done right, it can make the reader feel like they are the main character in an adventure, which is great for some contemporary, experimental novels.