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Dicen que es un monstruo. Un mito. Un demonio envuelto en piel humana. La llaman la Bruja del Bosque. Deberían haberla llamado una advertencia. Hazel-Anne Davis fue criada en El Patio del Diablo para el fin del mundo—parte humana, parte demonio, completa superviviente, y absolutamente harta de todo. Cuando despierta en el cuerpo moribundo de una niña en un mundo extraño, no llora ni entra en pánico. Construye. Mata. Sobrevive. Las montañas se convierten en su hogar, y ella se convierte en la pesadilla susurrada en tabernas ebrias y consejos de guerra atemorizados. Ningún ejército jamás regresa. Ningún intruso vive. Hasta que los conoció a ellos. Arrastrada de su montaña, drogada y atada en un baúl como algún trofeo bárbaro, Hazel-Anne es forzada a entrar en la resplandeciente prisión de la corte real—un lugar donde las dagas se esconden detrás de abanicos, el veneno se vierte en tazas de porcelana, y se espera obediencia de mujeres que deberían conocer su lugar. Hazel no conoce su lugar. Y si lo conoce, se niega a quedarse en él. Cinco hombres poderosos—cada uno peligroso a su manera—están a punto de aprender que la "bruja" que robaron no es ninguna salvaje. Es más inteligente que ellos. Más letal que sus peores enemigos. Y ha terminado de jugar según las reglas de cualquiera. Ahora todos ellos—el príncipe guerrero con cicatrices, el genio Príncipe Heredero, el general de ojos demoníacos, el asesino en las sombras, y el mercader envuelto en seda y mentiras—tendrán que decidir: ¿Intentarán controlarla? ¿O se arrodillarán ante la tormenta que han desatado? De cualquier manera, al final del día, la Bruja tendrá su venganza.

Ils disent qu'elle est un monstre. Un mythe. Un démon enveloppé dans une peau humaine. Ils l'appellent la Sorcière des Bois. Ils auraient dû l'appeler un avertissement. Hazel-Anne Davis a été élevée dans le Terrain de Jeu du Diable pour la fin du monde—mi-humaine, mi-démon, survivante accomplie, et absolument lasse de tout. Quand elle se réveille dans le corps mourant d'un enfant dans un monde étranger, elle ne pleure pas et ne panique pas. Elle construit. Elle tue. Elle survit. Les montagnes deviennent sa maison, et elle devient le cauchemar dont on chuchote dans les tavernes ivres et les conseils de guerre effrayés. Aucune armée ne revient jamais. Aucun intrus ne survit. Jusqu'à ce qu'elle les rencontre. Arrachée de sa montagne, droguée et ligotée dans un coffre comme un trophée barbare, Hazel-Anne est forcée d'entrer dans la prison étincelante de la cour royale—un lieu où les poignards se cachent derrière les éventails, où le poison est versé dans des tasses en porcelaine, et où l'obéissance est attendue des femmes qui devraient connaître leur place. Hazel ne connaît pas sa place. Et si elle la connaît, elle refuse d'y rester. Cinq hommes puissants—chacun dangereux à sa manière—sont sur le point d'apprendre que la "sorcière" qu'ils ont volée n'est pas une sauvage. Elle est plus intelligente qu'eux. Plus mortelle que leurs pires ennemis. Et elle en a fini de jouer selon les règles de quiconque. Maintenant, ils devront tous—le prince guerrier balafré, le Prince Héritier génie, le général aux yeux de démon, l'assassin dans l'ombre, et le marchand enveloppé de soie et de mensonges—décider : Vont-ils essayer de la contrôler ? Ou s'agenouilleront-ils devant la tempête qu'ils ont déchaînée ? Quoi qu'il en soit, à la fin de la journée, la Sorcière aura sa vengeance.

Sie sagen, sie ist ein Monster. Ein Mythos. Ein Dämon in menschlicher Haut. Sie nennen sie die Hexe im Wald. Sie hätten sie eine Warnung nennen sollen. Hazel-Anne Davis wurde im Spielplatz des Teufels für das Ende der Welt aufgezogen—teils Mensch, teils Dämon, vollständige Überlebenskünstlerin und absolut fertig mit allem. Als sie im sterbenden Körper eines Kindes in einer fremden Welt aufwacht, weint oder panikt sie nicht. Sie baut. Sie tötet. Sie überlebt. Die Berge werden ihr Zuhause, und sie wird zum Albtraum, über den in betrunkenen Tavernen und verängstigten Kriegsräten geflüstert wird. Keine Armee kehrt jemals zurück. Kein Eindringling überlebt. Bis sie ihnen begegnete. Von ihrem Berg verschleppt, betäubt und in einem Koffer wie eine barbarische Trophäe gefesselt, wird Hazel-Anne in das glitzernde Gefängnis des königlichen Hofes gezwungen—ein Ort, an dem sich Dolche hinter Fächern verbergen, Gift in Porzellanschalen gegossen wird und von Frauen Gehorsam erwartet wird, die ihren Platz kennen sollten. Hazel kennt ihren Platz nicht. Und wenn doch, weigert sie sich, dort zu bleiben. Fünf mächtige Männer—jeder auf seine Art gefährlich—sind dabei zu lernen, dass die "Hexe", die sie gestohlen haben, keine Wilde ist. Sie ist klüger als sie. Tödlicher als ihre schlimmsten Feinde. Und sie hat keine Lust mehr, nach den Regeln anderer zu spielen. Jetzt müssen sie alle—der vernarbte Kriegerprinz, der geniale Kronprinz, der dämonenäugige General, der Assassine im Schatten und der in Seide und Lügen gehüllte Händler—entscheiden: Werden sie versuchen, sie zu kontrollieren? Oder werden sie vor dem Sturm knien, den sie entfesselt haben? So oder so, am Ende des Tages wird die Hexe ihre Rache bekommen.

They say she’s a monster. A myth. A demon wrapped in human skin. They call her the Witch in the Woods. They should have called her a warning. Hazel-Anne Davis was raised in the Devil's Playground for the end of the world—part human, part demon, full survivalist, and absolutely done with it all. When she wakes up in the dying body of a child in a foreign world, she doesn’t cry or panic. She builds. She kills. She survives. The mountains become her home, and she becomes the nightmare whispered about in drunken taverns and frightened war councils. No army ever returns. No trespasser lives. Until she met them. Dragged from her mountain, drugged and bound in a trunk like some barbaric trophy, Hazel-Anne is forced into the glittering prison of the royal court—a place where daggers hide behind fans, poison is poured in porcelain cups, and obedience is expected from women who should know their place. Hazel does not know her place. And if she does, she refuses to stay in it. Five powerful men—each dangerous in their own right—are about to learn that the “witch” they stole is no savage. She’s smarter than they are. Deadlier than their worst enemies. And she’s done playing by anyone else’s rules. Now all of them—the scarred warrior prince, the genius Crown Prince, the demon-eyed general, the assassin in the shadows, and the merchant wrapped in silk and lies—will have to decide: Will they try to control her? Or will they kneel before the storm they’ve unleashed? Either way, at the end of the day, the Witch will have her revenge. Other Novels: Rebirth In the Apocalypse: Third Time's A Charm (Completed) Fight, Flight, or Freeze: The Healer's Story (Completed) Star's Ships (Completed) Part Of Your World (Completed) Dancing with Monsters (Completed) As Silent As A Mouse (Completed) Be Careful What You Wish For: A Zombie Apocalypse Novel (Completed) The Witch In The Woods: The Transmigration of Hazel-Anne Davis (Ongoing) Seraphina's Revenge (Ongoing)

Song Joong Woo was a sad old man who lived a life of misery until he was struck down and given a second chance at life by a godly being who reincarnated him in a world full of magic and monsters. But he doesn't want to build a kingdom, become a hero, slay the devil king, or save this new world from total initiation. Instead, he wants the slow yet fulfilling life of a baker, to make bread and serve it with a smile. No matter how many kings, wizards, witches, monsters, dragons, unicorns, or lesser gods tell him he's the chosen one.

In a realm where adventure and peril intertwine, Amelie and Julian's saga unfolds—a story of love's boundless strength and an insatiable quest for discovery. From their first encounter, fate binds them in a journey marked by formidable trials, testing their courage and resolve. Tasked with finding Amelie's lost aunt and cousin, they embark on a quest not just of reunion but of self-discovery. With Amelie’s grandmother by their side, they face a world brimming with mysteries and dangers that challenge the very essence of their spirit. Throughout their journey, Amelie and Julian face sorrows deep enough to drown the strongest will, battles fierce enough to shatter resolve, and losses grievous enough to break hearts. Yet, it's in these trials that their love shines as a beacon of hope, guiding them through darkness and despair. This love, unwavering and pure, becomes their shield against the tempest of challenges they face, fueling their perseverance. Their odyssey is more than a mere search; it's a voyage through stunning landscapes that test their limits and forge them into beings of unwavering resilience. Allies become family; enemies test their mettle. The mystery of Amelie's family weaves a complex tapestry that deepens their quest, transforming it into a journey for truth, understanding, and the salvation of their world. This narrative is a testament to the indomitable human spirit, celebrating the power of love to overcome insurmountable odds. Through Amelie and Julian, we witness the transformative power of unity and sacrifice, reminding us that in the face of overwhelming darkness, we are never truly alone. Their epic journey not only brings them closer to their familial truths but also reveals the depth of their inner strength. It's a poignant reflection on the trials and triumphs that define us, a reminder of the unbreakable bonds of love and the light it brings to the darkest of paths.

Davis was betrayed by his girlfriend Rita, who left him for the school playboy and the richest guy in Starship University New York City. Davis promised to avenge all the wrongdoings people had done to him, but never in his wildest dream would he have thought that he would be the heir of the Chen family, the biggest and richest family in China and New York City. Being the heir of the Chen family, Davis' life changed for good and he trampled on all his enemies and everyone who mocked and wronged him. The Davis they once knew is no more the Davis they know now!

Elena is drowning in the noise of the city. A world of deadlines, cold coffee, and a glowing laptop screen has become her cage. But when Julian—the one person who truly sees the restlessness behind her eyes—slides a hand-drawn map across a café table, everything changes. "Twelve hours. No phones. Just the river." What starts as a desperate getaway turns into a journey through the wild. From the adrenaline of high-altitude cliff jumps to the quiet intimacy of moonlit firelight, Elena and Julian discover that the greatest risk isn't the rushing current—it’s the unspoken feelings they’ve ignored for years. In the space between the mountains and the water, the rules of the city no longer apply. But as the road back to reality looms on the horizon, they must decide: was this just a temporary escape, or is the river the beginning of a life they never thought possible

I made Julian Moran a Film Emperor. I invested my energy and capital, but he took it for granted. After becoming a Film Emperor, he went as far as to backstab me, and even lured me to Northell, where I was tortured to death. When I opened my eyes again, Julian Moran was there, high and mighty: "It is your good fortune to be the one to groom me. From now on, I will be the Film Emperor!" Alright, since he has also been reborn. Then it wouldn't be going too far to play him to death, would it?

Mila Baker's idea of dating, commitment, and civil union agitates her. She believes that being single is a privilege. When she crosses a guy named Matt Anderson at her sister's wedding, she was cynical. She doesn't think it was love at first sight. Despite that, who wouldn't get attracted to Matt? He is good-looking, wealthy, and has every connection you can name. However, she despises Matt's confidence at first, but as soon as she finally gets to know him, her opinion of him as a bad boy all changes. Nonetheless, Matt has a big secret that she is about to discover. And she'll come across her parents' biggest undisclosed topic too that will change her life forever.