100 Seven RhythmsThe following are some of the seven poems:
- ** Du Fu's "Climbing High": The wind is fierce and the sky is high. The apes cry and mourn. The white birds fly back to the clear sand. Endless trees fell, and the endless Yangtze River rolled. Wanli sad autumn often visit, a hundred years of illness alone on the stage. Hard bitter hate frosty hair, down and out just stop muddy wine cup.
- [Cui Hao's Yellow Crane Tower]: The people of the past have already left on the yellow crane, and there is only the Yellow Crane Tower here. The yellow crane never returned, and the white clouds were empty for a thousand years. Qingchuan calendar Hanyang trees, lush grass parrot island. Where is the village pass at dusk? The misty river makes people sad.
- [Li Shangyin's "Jin Se": The Jin Se has fifty strings for no reason, and each string and column miss the year.] Zhuang Sheng dreamed of butterflies in his dreams, and the emperor's spring heart entrusted cuckoo. The moon in the vast sea has tears, and the sun in the blue field is warm and the jade produces smoke. This feeling can wait to be remembered, but at that time it was already lost.
- ** Li Bai's " Climbing the Phoenix Platform in Jinling "**: On the Phoenix Platform, the phoenix swam, and the phoenix went to the platform and flowed freely in the river. Wu Palace flowers and plants buried in the quiet path, Jin Dynasty clothes into ancient hills. Three mountains and half of the sky outside, two rivers divided into egret island. Always because the floating clouds can cover the sun, Chang 'an can not see people sad.
- Du Fu's Shu Xiang: Where is the Prime Minister's ancestral hall? The cypress forest outside Jinguan City. The green grass on the steps is reflected in the spring color, and the yellow oriole in the air between the leaves is good at singing. Three times to trouble the world's plan, two dynasties to open the heart of the old minister. He died before he could win the battle, which often made the hero's tears fill his clothes.
- Li Shangyin's " Untitled ": It's hard to meet and hard to part. The east wind is powerless and the flowers are broken. Spring silkworms to death silk is exhausted, wax torch ashes tears dry. In the morning mirror, I only worry about the change of my hair. At night, I should feel the cold moonlight. There is not much way to Pengshan, and the green bird is eager to explore it.
- ** Du Fu's " Pavilion Night "**: Yin and Yang at the end of the year urge the short scene, the frost and snow on the horizon clear up the cold night. At the fifth watch, the sound of drums and horns was solemn and stirring, and the shadow of the Three Gorge Galaxy shook. Thousands of families in the wild cried when they heard the news of the war, and the barbarians sang the song of fishing and firewood in several places. Wolong galloping horse will die in the yellow soil, people's music and books are lonely.
As the reference materials did not include 100 seven-temperament poems, they could not be provided in full.
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The Five Rhythms of DrinkingDrinking Wine·The Fifth was written by Tao Yuanming, a poet of the Eastern Jin Dynasty. It was not a regular poem, but a five-character ancient poem.
The whole poem is "Building a hut in the human realm, without the noise of chariots and horses." How can you do this? the heart is far away, and the land is naturally inclined. Picking chrysanthemums under the eastern fence, leisurely see Nanshan. The mountain air is good day and night, and the birds fly back together. There's a true meaning in it, but I forgot to say it." Through describing the beautiful scenes of rural life, this poem expressed the poet's love for rural life and his disgust for the dirty officialdom. It showed the poet's pursuit of life that was detached from the secular world and determined to return to seclusion. In the poem," Picking chrysanthemums under the eastern fence, leisurely looking at Nanshan " was a famous sentence from ancient times. The word " leisurely " wrote the poet's tranquil and leisurely state of mind. The word "see" was wonderful in its unintentional nature, which was integrated with the author's leisurely mood. If it was replaced by the word "look", it would be intentional, and the artistic conception would be lost. "Distant Heart" and "Distant Ground" reflected the relationship between subjective spirit and objective environment, and also revealed the philosophy that the human spiritual world could be purified by itself, and the subjective initiative could change the influence of the objective environment.
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The Five Rhythms of AzaleaThe following is a pentagram about azalea:
Azalea
A cuckoo tree is blooming, colorful and beautiful.
The flowers were clustered together, and the leaves accompanied each other.
Jade butterflies dance when they smell the fragrance, and golden bees linger for honey.
Like a ball or a colorful umbrella, the illusion reflected Penglai.
Also:
" Dream Cliff's Red Cuckoo."
The rain washed the flower face, and the gentle sun kissed the plain heart.
Cloud cliff red dyed, dangerous ridge smile really.
Bitter cracks spread the roots, barren rocks bloom honey spring.
The thousand-man tour is still missed, drunk and dreamy.
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3 answers
2024-12-03 19:27
A cluster of flowers, poems, and rhythmsA cluster of flowers Ci card to Su Shi's "a cluster of flowers·early spring illness" as the main body, double-tone seventy-eight words, before and after each seven sentences, Siping rhyme, no variation. Its meter is: Zhongping Zhongze Pingping (rhyme), Zhongze Pingping (rhyme). The four-word sentence is double-level into the rhyme,"Zhongze Zhongping, Zhongping Zhongze", Zhongze Zhongping (rhyme).
The other meter was expressed as: Zhongping Zhongze Pingping (rhyme). The middle tone is flat. Ping Ping Ze Ping Ze, Zhong Ping Zhong, Zhong Ze Ping Ze (rhyme). Ping Ze Ze Ping, Zhong Ping Zhong Ze, Zhong Ze Ping (rhyme). Ping Ping Zhong Ze Ping Ping (rhyme). The middle tone is flat. Ping Ping Ze Ping Ze, Zhong Ping Zhong, Zhong Ze Ping Ze (rhyme). Ping Ze Ze Ping, Zhong Ping Zhong Ze, Zhong Ze Ping (rhyme).
Grieving and resentful poems and rhythmsThe rhythm of the Ci poems of Grief and Resentment is as follows:
The original style: forty-three words in double tone, four sentences in front and four sentences in front of each paragraph, and three rhymes.
"Qing Shang Resentment·Guan He's Worry and Hope"
flat and narrow, medium and narrow. the middle is flat and the middle is narrow. The middle is flat, the middle is flat, and the middle is flat.
the middle, and narrow. In the middle, in the middle, in the middle. It was flat, flat, flat.
Variant 1: Double-tone forty-two words, four sentences before and after each paragraph, three rhyme.
Variant 2: Double-tone forty-three words, four sentences before and after each paragraph, three rhyme.
In the specific creation, you can also refer to the works of predecessors such as Yan Shu and Zhou Bangyan to understand the application of Ci rhyme.
On-line Detection of the Five RhythmsThere were some websites that could conduct online testing of the five rhythms (such as Pingshui rhyme and Chinese new rhyme).
From the perspective of flat and oblique forms, there were four types of flat and oblique forms in the Five Laws:
1. The first four sentences are flat and flat, flat and flat. It was flat and narrow, narrow and narrow. The last four sentences are the same.
2. The first four sentences are flat and oblique, and the oblique is flat and oblique. It's flat, it's flat. The last four sentences are the same.
3. Ping Qi Ping income rhyme type: Ping Ze Ze Ping, Ze Ping. It's flat, it's flat. It was flat and narrow, narrow and narrow. It's flat, it's flat.
4. Ze from flat income rhyme: Ze Ping, Ping Ze Ping. It was flat and narrow, narrow and narrow. It's flat, it's flat. It was flat and narrow, narrow and narrow.
During the test, it was necessary to check whether the level and tone of the poem complied with the rules of rhyme according to these rules and the requirements of the corresponding rhyme (such as level rhyme, etc.), including the rules of alternating level and tone within a sentence, relative level and tone within a couplet, and cohesion. At the same time, pay attention to the requirements of rhyme (the rhyme of the regular poem requires one rhyme to the end, and the first sentence can be rhymed with adjacent rhymes, but the rhyme of the double-digit sentence must be the same rhyme).