What are the most common perspectives used in fiction?

One common perspective is the omniscient third - person. This allows the author to show different characters' polite behaviors and interactions from an all - knowing view. Another is the first - person perspective of a polite protagonist, through which readers can directly experience the character's polite thoughts and actions.

Third-person perspective is widely used too. It offers a broader view of the story and multiple characters' experiences. For example, it can show how different characters interact and how their actions affect the plot.

The most common mythologies in fantasy fiction include Greek mythology due to its rich pantheon and famous tales. Norse mythology with its unique cosmology and powerful deities is also popular. Fairy tales can also be considered a form of mythology and are used extensively. They have magical elements like talking animals and enchanted forests. Asian mythologies such as Japanese and Chinese mythologies are also starting to be more commonly used, with their unique creatures like the kitsune in Japanese mythology and the dragon in Chinese mythology.

First-person and third-person perspectives are very common. First-person gives a more intimate feel as the story is told from the narrator's viewpoint. Third-person allows for a broader view of multiple characters and events.

Some of the most common words in novels are 'the', 'and', 'a', 'to', 'of'. These are very basic words that are used frequently to form sentences and connect ideas. For example, 'the' is used to specify a particular thing or person, like 'the man'. 'And' is used to join words, phrases or clauses, such as 'the dog and the cat'. 'A' and 'an' are indefinite articles which are used before nouns, and 'to' often indicates direction or purpose, like 'to go' or 'to find'. 'Of' is used to show a relationship between things, like 'the color of the sky'.

Times New Roman is often a popular choice for novels. It's a classic and easy to read.

Arial is also quite common. It's clear and looks good in both print and digital formats. Also, it's compatible with many devices and software.

Well, a lot of novels use fonts like Garamond or Courier. Times New Roman is also popular because it's classic and looks good on the page. Font choice often depends on the genre and the publisher's style.

One way is through the eyes of different characters. For example, in a mystery story, the detective might see the case as a series of clues to solve, while the victim's family could view it as a personal tragedy. Another approach is to consider different time periods. A historical event can be told from the perspective of the present looking back, or as it was experienced in the moment. Also, cultural perspectives matter. A story set in a foreign land can be told from the view of an outsider or an insider of that culture.

Several common novel narrative perspectives included: 1. God's perspective: Let the readers feel that they are the creators of the story and can view things more objectively. God's perspective often appeared in science fiction or fantasy novels. 2. The protagonist's perspective: Let the protagonist become the protagonist of the story and tell the story from the protagonist's perspective. The protagonist's perspective allowed the reader to feel the plot and emotions of the story more directly. Third party perspective: Let the reader become a third party in the story to talk or analyze with the protagonist and main characters. A third-party perspective could enhance the credibility and objectively of the story. 4. Side view: Presents the story by describing the secondary characters or plot. The side view allows the reader to understand the characters and plot more deeply, but it may weaken the existence of the main characters. 5. God + Protagonist's Point of View: Treat both the reader and the protagonist as God's point of view so that the reader can view the story more objectively. This kind of narrative perspective often appeared in historical novels or philosophical novels.