What was the first new poetry collection in the history of Chinese literature?

The first vernacular poetry collection in the history of Chinese new literature was not Goddess. 'Goddess' was a long poem written by the Tang Dynasty poet, Bai Juyi. It belonged to the category of Tang poetry. The first vernacular poetry collection in the history of Chinese new literature was the Madman's Diary written by Wang Xinjian, a poet of the Ming Dynasty. This poem used the image of a madman to express the author's dissatisfaction with reality, marking the beginning of the enlightenment of modern Chinese literature.

Not a Goddess was not the first new poetry collection in the history of modern Chinese literature. The first collection of new poems in the history of modern Chinese literature was "Goddess"(D�N�), written by the modern Chinese poet Guo Moruo in 1918. This collection of poems included one of Guo Moruo's early masterpieces, Praise of the Goddess, as well as other lyric poems, narrative poems, and satirical poems. Goddess was regarded as the foundation of modern Chinese poetry, and it had a profound influence on the development of modern Chinese poetry.

The name of the first new poetry collection in modern Chinese literature was Liberation.

The first vernacular poetry collection in Chinese history was the "White Poetry" or the "Nineteen Ancient Poems". It was a group of poems written by Bai Juyi, a poet of the Tang Dynasty, around 762 A. D., which were easy to understand and simple in content. They were called "vernacular poems" or "white poems". In "White Poetry", the author's thoughts and feelings were expressed in simple and easy-to-understand language with the theme of natural scenery and daily trifles. It created the "white poetry" school of Chinese poetry and had a profound influence on the poetry creation of later generations. One of the most famous was Song of Everlasting Sorrow, which was still a classic in the history of Chinese literature.

The first collection of new poems in the history of modern Chinese literature was Farewell to Kangqiao. This poem was published by the poet Xu Zhimo in a speech at Peking University in 1936. It is a classic in the history of modern Chinese poetry and is considered one of the starting points of modern Chinese poetry.

The first collection of poems in the history of modern Mongolian literature was the Collection of Mongolian Changdiao. This collection of poems was created by Wanyan Aguda, a representative of the Mongolian aristocracy during the Qing Dynasty. It was one of the important landmarks in the history of Mongolian literature. This collection of poems includes the representative works of Mongolian long-tune music, including many praises of natural scenery, love and friendship, reflecting the unique charm and development of Mongolian culture.

The first collection of poems in the history of Chinese literature was the Book of Songs. The Book of Songs was the earliest collection of poems in China. It collected 390 pieces of folk songs, Fu, and poems from the early Zhou Dynasty to the Spring and Autumn Period and the Warring States Period, including 205 poems. The Book of Songs was rich and colorful, covering politics, economy, culture, morality and other aspects. It had a very high artistic value and cultural value, which had a profound impact on later literature.

The first collection of poems in China was the Book of Songs, which was the source of ancient Chinese poetry. It collected thousands of poems from the Zhou Dynasty to the Spring and Autumn Period. The Book of Songs was divided into three parts: Feng, Ya, and Song. Feng was a folk ballad, Ya, and Song was a noble palace poem. It was hailed as the foundation of ancient Chinese poetry and had a profound impact on Chinese culture.

The first novel collection in the history of new literature referred to the early 20th century's Manuscript of 1912. It was an important milestone in the history of modern Chinese literature and also the foundation of modern Chinese literature. Manuscript of 1912 was a collection of novels by Lu Xun, which included Lu Xun's early works such as A Madman's Diary and The True Story of Ah Q. This collection of novels had an important position in the history of modern Chinese literature. It not only marked the beginning of modern Chinese literature, but also laid the foundation for the development of modern Chinese literature.

Zhu Ziqing said in the "Introduction to the Collection of Poetry in the Great Series of Chinese New Literature": "After the May 4th Movement, Chinese literature underwent great changes. Due to the influence of the New Culture Movement, Chinese literature began to learn from the West, especially in contact with modern and post-modern trends. This change is not only reflected in poetry, but also in the entire field of literature." "The two most important trends of thought in 20th century literature are: The modern style emphasized the individual's experience and feelings, and pursued a unique style and language. Post-modernism pays more attention to the nature of society and culture, and seeks to reflect and criticize history."