Was Goddess the first new poetry collection in the history of modern Chinese literature?

The first vernacular poetry collection in the history of Chinese new literature was not Goddess. 'Goddess' was a long poem written by the Tang Dynasty poet, Bai Juyi. It belonged to the category of Tang poetry. The first vernacular poetry collection in the history of Chinese new literature was the Madman's Diary written by Wang Xinjian, a poet of the Ming Dynasty. This poem used the image of a madman to express the author's dissatisfaction with reality, marking the beginning of the enlightenment of modern Chinese literature.

The first collection of new poems in the history of Chinese literature was the New Moon Collection.

The name of the first new poetry collection in modern Chinese literature was Liberation.

The first collection of new poems in the history of modern Chinese literature was Farewell to Kangqiao. This poem was published by the poet Xu Zhimo in a speech at Peking University in 1936. It is a classic in the history of modern Chinese poetry and is considered one of the starting points of modern Chinese poetry.

The first collection of poems in the history of modern Mongolian literature was the Collection of Mongolian Changdiao. This collection of poems was created by Wanyan Aguda, a representative of the Mongolian aristocracy during the Qing Dynasty. It was one of the important landmarks in the history of Mongolian literature. This collection of poems includes the representative works of Mongolian long-tune music, including many praises of natural scenery, love and friendship, reflecting the unique charm and development of Mongolian culture.

The first vernacular poetry collection in Chinese history was the "White Poetry" or the "Nineteen Ancient Poems". It was a group of poems written by Bai Juyi, a poet of the Tang Dynasty, around 762 A. D., which were easy to understand and simple in content. They were called "vernacular poems" or "white poems". In "White Poetry", the author's thoughts and feelings were expressed in simple and easy-to-understand language with the theme of natural scenery and daily trifles. It created the "white poetry" school of Chinese poetry and had a profound influence on the poetry creation of later generations. One of the most famous was Song of Everlasting Sorrow, which was still a classic in the history of Chinese literature.

The first collection of new poems in the history of modern literature should be The Snail and the Snail's Child, written by the German poet Karl Dörmann in the late 19th and early 20th centuries. This poem was one of Deoman's masterpieces. It described the story of a little bird named Kestrel growing up in nature and pursuing freedom. It was regarded as one of the pioneers of modern poetry.

The first collection of short stories in the history of modern Chinese literature was the Yellow River Trilogy. This collection of novels recorded the various social reality and life difficulties he experienced in his hometown of Nanjing in his early years, as well as his beautiful expectations for the future. This collection of novels was hailed as the foundation of modern Chinese literature and had a profound impact on the development of modern Chinese literature.

The first collection of vernacular novels in the history of modern Chinese literature was Diary of a Madman.

The famous schools of poetry in the history of modern Chinese literature included: During the New Culture Movement after the May 4th Movement, there appeared the "New Moon School" poets represented by Lu Xun, Mao Dun, Xu Zhimo, Lu Xiaoman, etc. In the 1920s, the "Poetry School"(or "Poetry Revolution"), represented by Haizi, Beidao, Shuting, and Gucheng, appeared. This school emphasized personal experience and inner expression, pursuing freedom of form and profound images. From the 1930s to the 1950s, the poets of the "Eight Great Masters of the Tang and Song Dynasties" represented by Qu Yuan, Du Fu, Su Shi, Xin Qiji, etc., based on classical poetry, pursued profound artistic conception, beautiful writing, and sincere feelings. From the 1960s to the 1990s, there was a "poetry movement" or "poetry group" represented by Hai Zi, Xi Murong, Yang Lian, Bei Dao, etc. They paid attention to expressing personal feelings and thoughts, but also paid attention to social reality and human civilization. These schools of poetry had their own unique characteristics and styles in different periods, which had an important impact on the development of modern Chinese poetry and the formation of modern Chinese poetry culture.