What are the representative characters and works of semi-cursive?

Running script was a type of Chinese calligraphy style with a unique artistic charm. Some of his famous running script works include Wang Xizhi's Preface to the Orchid Pavilion, Yan Zhenqing's Manuscript for the Sacrifice to Nephew, Su Shi's Huangzhou Cold Food Tie, Wang Xun's Boyuan Tie, Yang Ning's Chives Flower Tie, Liu Gongquan's Mengzhao Tie, Ouyang Xun's Zhang Hansi Perch Tie, Mi Fu's Shu Su Tie, Huang Tingjian's Songfeng Pavilion Poetry Tie, and Li Jianzhong's Tumu Tie. These works all displayed the unique styles and techniques of their respective authors and were hailed as classic works of Chinese calligraphy. Among them, the Preface to the Orchid Pavilion was considered Wang Xizhi's masterpiece and was praised as the " world's first semi-cursive script." Other works also had their own characteristics, such as Yan Zhenqing's vigorous and bold, Su Shi's natural and unrestrained, etc. These semi-cursive works not only had an important position in art, but also had a profound impact on later calligraphers.

The writing of the water character was as follows: ``` water / \ / \ / \ / \ \ \ / \ / \ / \ / \ / \ / \ / / \ / / \ / / \ ``` Each character represented a part of a word. For example, the word "water" was composed of two parts."One" and "water" occupied two empty spaces respectively. This writing method was more flexible. It could be freely combined according to needs or arranged according to certain rules, such as according to the stroke order or according to the order of Pinyin.

In the history of Chinese calligraphy, the three running scripts referred to Wang Xizhi's Preface to Lanting Collection, Liu Gongquan's Mysterious Pagoda Stele, and Zhao Mengfu's Ode to Luo God. These three works were all classic works of Chinese calligraphy, known as the pinnacle of Chinese calligraphy history. Wang Xizhi's Preface to Lanting Collection was famous for its smooth, natural, graceful, and profound artistic conception. Liu Gongquan's Mysterious Pagoda Stele was famous for its rigorous structure, steep, dignified, and steady. Zhao Mengfu's Luoshen Fu was famous for its lofty artistic conception, gentle and beautiful, and unique charm. These three works had extremely high artistic value and historical status in the history of Chinese calligraphy. They were regarded as treasures of Chinese calligraphy.

Running script is a type of Chinese calligraphy style. Its characteristic is that the strokes are smooth, free, and varied, giving people a dynamic beauty. The characteristic of running script was that the strokes were coherent without obvious boundaries. It was often used to make the font smoother and more natural. The font of the semi-cursive script was also relatively large and rough, with a certain degree of variation and artistry. When writing semi-cursive, one needed to pay attention to the continuity and flexibility of the strokes, as well as the size and change of the font.

The water in semi-cursive script could be represented by the word "water" in semi-cursive script. The word 'water' was formed by three parts: "water","water" and "water". Running script is a variant of regular script of Chinese characters. Its characteristics are smooth, lively and fluid strokes. In the novel, the water in semi-cursive script could be used as names, place names, and item names. It had a certain artistic sense and liveliness.

The World's First Running Script and the World's Second Running Script were legendary items in online novels and did not exist in the real world. In novels, they were often described as the most precious and difficult to forge calligraphic works of art with extremely high artistic value and mysterious power. Different novels may have different settings and explanations, but in general, these works emphasize the combination of art and mysterious power, which makes people have a strong interest in calligraphy and art.

The writing of the word "belt" in semi-cursive was as follows: ``` band ^ $ T E R C O P $ ^ $ ``` The left and right parts of the word "belt","belt" and "moon", respectively, used the basic form of semi-cursive. The left and right structures were the same, and the upper and lower structures were different. They presented the shapes of "wings" and "moon" respectively. At the same time, the middle part used a continuous writing method to form a smooth semi-cursive style.

Running script is a popular Chinese character handwriting style in China and Japan. It is very suitable for girls to practice writing because of its smooth strokes and lively changes. The following are some semi-cursive copybooks suitable for girls to practice calligraphy: Preface to the Orchid Pavilion: This is a semi-cursive calligraphy work created by Wang Xizhi, a calligrapher of the Tang Dynasty. It is regarded as a classic work in the history of Chinese calligraphy. Its style was elegant, the strokes were smooth, and it was one of the ideal copybooks for girls to practice calligraphy. 2. The Mysterious Secret Pagoda Stele: This is a semi-cursive calligraphy work created by Ouyang Xun, a calligrapher of the Tang Dynasty. Its style is strong and powerful, and its steep and beautiful strokes are standard. It is a good choice for girls to practice calligraphy. 3."Sacrifice to Nephew Manuscript": This is a semi-cursive calligraphy work created by Yan Zhenqing, a calligrapher of the Tang Dynasty. Its style is calm and calm, bold and unrestrained, revealing deep emotions between the strokes. It is a good example for girls to practice calligraphy. 4 " Huangzhou Cold Food Poem ": This is a semi-cursive calligraphy work created by Su Shi, a calligrapher of the Song Dynasty. Its style is natural and unrestrained, and its charm is natural. The emotions and artistic conception of the poet are revealed between the strokes. It is a good choice for girls to practice calligraphy. These semi-cursive calligraphy and copybooks were classics that were worth practicing for girls. Not only could they improve their Chinese writing ability, but they could also improve their calligraphy cultivation and artistic level.

The world's first semi-cursive script was the Preface to Lanting Collection, written by Wang Xizhi, a calligrapher of the Tang Dynasty. It was also known as the world's first semi-cursive script. Wang Xizhi was one of the great masters in the history of Chinese calligraphy. The preface to Lanting Collection was regarded as a classic work in the history of Chinese calligraphy. It not only had superb artistic performance, but also had profound philosophical meaning, expressing Wang Xizhi's perception of nature, life, friendship and other aspects. The second semi-cursive script was the Song Dynasty calligrapher Zhao Mengfu's Ode to the Goddess of Luo, also known as the " second semi-cursive script." "Luoshen Fu" is one of Zhao Mengfu's representative works. Not only is the calligraphy art superb, but its literary value is also very high. It is a masterpiece of ancient Chinese calligraphy. The third semi-cursive script was the Tao Te Ching written by the Yuan Dynasty calligrapher Wen Zhengming, also known as the "third semi-cursive script". Tao Te Ching was one of the classics of ancient Chinese philosophy and one of Wen Zhengming's representative works. Its calligraphy was of high artistic level and its content was extensive and profound. It was a masterpiece of ancient Chinese calligraphy.

The best running script in the world was the Mid-Autumn Festival Calligraphy by the Tang Dynasty calligrapher Wang Xianzhi. The content of the post was an elegiac written by Wang Xianzhi in the late Tang Dynasty. The full text was only 27 words, but it was regarded as one of the representative works of running script. The second place was the manuscript of the Song Dynasty calligrapher Su Shi's "Ode to the Red Cliff." Su Shi was a famous writer and calligrapher in Chinese history. His semi-cursive works were famous for their smooth strokes and beautiful shapes. The third place was the Ming Dynasty calligrapher Wen Zhengming's "Wen Zhengming's Running Calligraphy Tie." Wen Zhengming was a famous calligrapher and writer in the Ming Dynasty. His semi-cursive works were famous for their conciseness, delicate and unrestrained style.