The Southern Song Dynasty's Skeleton Fantasy Painting, which was collected by the Forbidden City, was painted by the Southern Song Dynasty painter Ma Yuan in the fifth year of Shaoxi of the Southern Song Dynasty (1142). It was an extremely strange painting. This painting depicted a mysterious world of skeletons. The skeletons in the picture were participating in a mysterious fantasy game. The entire painting was painted in light colors with skeletons, bones, blood, and semen as the main elements to present a strange and terrifying atmosphere. It was said that this painting was drawn by a student named Ma Yuan at the end of the Southern Song Dynasty. His purpose in drawing this painting was to record a popular skeleton fantasy game in the Southern Song Dynasty. This game was said to be a mysterious witchcraft ritual where participants would be sucked of their bone marrow and obtain extraordinary strength and longevity. However, because this game was said to involve some mysterious forces and supernatural elements, the Skeleton Fantasy Painting was also regarded as a strange and bizarre painting. Many scholars were skeptical about its authenticity and historical background.
There was no conclusive answer to the skeleton painting in the Forbidden City. However, according to some novels and movies, the painting of skeletons might be considered one of the representative works of court art in the Ming and Qing Dynasties. It was called the Skeleton Painting. " Skeleton Painting " was an oil painting by Lang Shining, a court painter of the Ming and Qing Dynasties. It depicted a skeleton figure in armor, with some buildings and roads in the background. According to some documents, the Skeleton Painting had been circulated for a period of time in history, but it was lost or stolen after the fall of the Qing Dynasty in 1906. Therefore, there was no definite answer as to who had placed the painting of the skeleton. However, some historians believe that this painting may have been collected by an official or collector after the fall of the Qing Dynasty, or it may have been stolen or lost and recovered by a descendant.
The Ghost Painting of the Southern Song Dynasty, Skeleton Fantasy Painting, was a mysterious painting that was said to have been painted by the famous painter of the Southern Song Dynasty, Jiang Kui. This painting used skeletons as the theme to express a strange and mysterious atmosphere. The skeletons in the painting were so lifelike that one could feel the bone structure and muscle texture inside. According to legend," Skeleton Fantasy Play " expressed a profound philosophy of life, that is, life is like a dream, everything is illusory, and only by cherishing the present can one obtain true happiness and joy. The skeleton illusion in the painting was also a satire of the real world, hinting at the impermanence and fragility of life. " Skeleton Illusions " was a painting full of philosophical thinking. Its meaning was profound and thought-provoking.
It wasn't 'Skeleton Fantasy Play', it was the work of the Tang Dynasty painter Wu Daozi. Li Song was a painter in the Ming Dynasty, specializing in landscape painting and figure painting.
The Painting of Water was a landscape painting on silk by Ma Yuan, a painter of the Southern Song Dynasty. It was now in the collection of the Palace Museum in Beijing. The work was composed of 12 pages. Except for the first section, which was incomplete and had no name, the names of the other pictures were: Dongting Lake, Winds Thin, Layers of Waves, Cold Pond Shallow, Yangtze River, Yellow River Countercurrent, Autumn Water Echo, Clouds Growing in the Sea, Lake Glimmering, Clouds Spreading Waves Rolling, Mountain Baking in the Dawn, and Small Waves Drifting. These twelve paintings were dedicated to depicting the state of water. Apart from one or two paintings that had a few rocky shores and mountains, there was no other scenery. Through the different postures of water, they expressed different artistic conception and tastes. The strokes varied according to the scenery and emotions, perfectly displaying the principle of painting water. It opened up a new path for the creation of "water" image in Chinese landscape painting, and it was at the center of the long history of "water" image in China. MA Yuan (1140 - 1225), also known as Yaofu, No. Qinshan, alias Ma Yijiao, born in Lin 'an (now Hangzhou, Zhejiang), ancestral home is Hezhong (now Yongji, Shanxi), he is the Southern Song Dynasty Song Guangzong, Song Ningzong (1190 - 1224) Waiting for the imperial edict in the painting academy of the two dynasties. He was good at people, landscape, and flowers and birds. His artistic achievements were the most outstanding in landscape painting. In composition, he was good at partial and general, small and big, and only painted one corner or half of the scenery to express the vast space. He, Li Tang, Liu Songnian, and Xia Gui were called the "Four Artists of the Southern Song Dynasty". The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Hand-Painted Forbidden City: The Art of Beijing Imperial City's Construction Lost in Japan was a book that recorded the architectural style of the Forbidden City in Beijing 100 years ago. The book was written by the Japanese architectural historian Ito Tadata and others. It included more than 700 hand-drawn pictures, printed in color, depicting the architectural details and decorations of the Forbidden City in detail. In 1901, scholars such as Ito Tadata conducted field measurements, photographs, and sketches of the Forbidden City in Beijing. Then, they drew it according to the original scale, and dissected and explained the structure and decoration of ancient China buildings in detail. The book also included the original maps of Beijing's Imperial City, Forbidden City, and Xiyuan. This book is an important reference for those who study ancient China architecture and decoration.
Goulan first appeared in the Han Dynasty, existed and developed in the Northern Song Dynasty, and still existed and continued to develop in the Southern Song Dynasty. Therefore, Goulan existed in both the Northern Song Dynasty and the Southern Song Dynasty. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
From some of the paintings in the reference materials, the following styles of painting the walls of the Forbidden City might be more beautiful: - Realistic style: For example, the realistic hand-painted wall of the Forbidden City can carefully describe the texture, color, and traces left by time, showing the true appearance of the Forbidden City wall. - Oil painting stick style: You can use different colors of oil painting sticks to overlap and paint, such as using light red base to paint flat, rice camel to paint thick, and then using tools such as a scraper to create an old effect to express the Forbidden City wall. - Colored lead hand-drawn style: Able to draw lines in detail and then color according to feeling. Through the combination of colors, it shows the unique atmosphere of the Forbidden City's red wall, making the red wall contrast with the surrounding environment.
Ever since the Southern Song Dynasty was established, it had been in a precarious situation and had many regrets. First of all, in terms of military affairs, although there were famous generals such as Yue Fei and Han Shizhong in the early years of the Southern Song Dynasty, Yue Fei fought all the way to Zhuxian Town in the hinterland of Henan Province and defeated the Jin army. He had the hope of recovering the lost land in the north. However, Zhao Gou, Emperor Gaozong of the Song Dynasty, was worried that Yue Fei's achievements would shock his master, so he sent 12 gold medals to recall him. In the end, the Southern Song Dynasty killed Yue Fei on groundless charges, and lost the best opportunity to recover his homeland. Since then, although the Southern Song Dynasty had taken the Northern Expedition, such as using Zhang Jun to prepare for the Northern Expedition during the reign of Emperor Xiaozong of the Song Dynasty, and Han Tuozhou to launch the Northern Expedition during the reign of Emperor Guangzong of the Song Dynasty, they all ended in failure. The Southern Song Dynasty never recovered a large area of territory during the Northern Song Dynasty. In terms of diplomacy, the Southern Song Dynasty was at a disadvantage against the Jin Dynasty. In the early days, the Southern Song Dynasty paid tribute to the Jin Dynasty and ceded the Tangzhou, Dengzhou, and Shangzhou that Yue Fei had recovered to the Jin Dynasty for peace. In the process of peace talks with the Jin Kingdom, they were often suppressed by the Jin Kingdom. They changed from a country of monarch and minister to a country of uncle and nephew, and then to a country of uncle and nephew. They never achieved an equal status in diplomacy and often faced the threat of the Jin Kingdom's southern invasion. In terms of politics, there were also many problems within the Southern Song Dynasty. For example, Emperor Guangzong of the Song Dynasty was henpecked and mentally ill. After five years in office, he was driven away by his ministers to be the emperor. Emperor Ningzong of the Song Dynasty was weak and was instigated by his ex-wife Han Tuo. He launched the Qingyuan Party and launched the Wen Prison. Du Zong of the Song Dynasty was mentally retarded and the government was controlled by Jia Sidao, the treacherous prime minister. These all led to political instability and internal friction in the Southern Song Dynasty. At the end of the Southern Song Dynasty, when faced with the threat of the Mongol army, although there was a famous general like Meng Gong who repelled the Mongol army many times, and even the governor of Henan Province, Fan Yongji, secretly requested to surrender to the Southern Song Dynasty but was rejected, the Southern Song Dynasty was ultimately unable to resist the powerful offensive of the Mongol army. Lin 'an was breached by the Yuan army in 1276, and the Southern Song Dynasty perished after the defeat of the Yashan naval battle in 1279, unable to continue the rule of the Zhao Song Dynasty. These were the regrets of the empire in the Southern Song Dynasty.
The following are some recommended novels about traveling back to the Southern Song Dynasty: Song Hegemony, Southern Song Dynasty Begins from Apprenticeship to Huang Shang, Fairy Doctor Xia Ying, Rebirth to Southern Song Dynasty and Seeking Longevity, and Southern Song Dynasty Hero Painting. These novels belonged to the traditional wuxia genre, covering elements such as transmigration, wuxia, and love. After experiencing the grudges, schemes, and hatred of the country, the protagonists eventually became heroes or saviors. I hope these recommendations will meet your needs.
The emperors of the Southern Song Dynasty were Zhao Gou of Gaozong of Song Dynasty, Zhao Wei of Xiaozong of Song Dynasty, Zhao Dun of Guangzong of Song Dynasty, Zhao Kuo of Ningzong of Song Dynasty, Zhao Yun of Lizong of Song Dynasty, Zhao Wei of Duzong of Song Dynasty, Zhao Wei of Emperor Gong of Song Dynasty, Zhao Shi of Duanzong of Song Dynasty and Zhao Wei of King Wei of Song Dynasty.