Such tension was sometimes hard to dissipate, for even she didn't know why it occurred; it seemed to be an automatic response from the subconscious. Adrian had no choice but to repeatedly shoot the scene, especially since the overall progress was mostly on schedule due to the previous daring shots—it must be admitted, a director skilled at motivating actors combined with an actor who entered the state quickly resulted in a sum far greater than two—the Tango scene being strategically scheduled last also sometimes accidentally captured good shots. For instance, there was a moment when Pacino, leading Vera, suddenly turned around, and through the lens, Vera's tension appeared tinged with slight excitement, fitting the storyline perfectly, thus it was retained.