Capítulo 439: Chapter 439: Groundbreaking Performance
As Bruce skillfully piloted the helicopter towards the bustling cityscape of Los Angeles, he gently nudged Martin, gesturing towards the window.
Martin, his hand gripping a noise-canceling headset, turned to witness a spectacle rare even in Tinseltown. A TV station's helicopter, emblazoned with bold lettering, mirrored their path in the sky. Even from a distance, the glint of camera lenses and the silhouettes of media personnel were unmistakable.
This was a level of media frenzy typically reserved for the echelons of superstardom or perhaps a cleverly orchestrated publicity stunt by Nolan.
Their helicopter descended gracefully onto the lush grounds of Martin's newly acquired Beverly Hills estate. There, Thomas awaited them, his expression a mix of excitement and urgency. He swiftly guided them into a sleek, waiting car.
Bruce took the wheel, steering them through the sun-drenched streets towards a renowned psychology clinic on Sunset Boulevard, all while the persistent hum of the following helicopter filled the air.
Upon reaching the clinic, a barrage of flashes and clamor greeted them. Over twenty paparazzi, forewarned by Ivan's leak, swarmed the entrance. Clinic staff, adept at handling such scenes, quickly formed a human shield, ensuring Martin's swift, unobstructed passage through the frenzy of cameras and eager reporters.
Inside, the atmosphere was starkly different. The clinic's senior partner, basking in the unexpected windfall of free publicity, could barely contain his glee. To have a Hollywood star of Martin's caliber on their client list was a public relations jackpot.
In a private phone call, the partner emphatically instructed Laura, Martin's appointed psychologist, to acquiesce to any of Martin's peculiar requests, no matter how outlandish they might be.
Laura, in the consultation room downstairs, greeted Martin with a relaxed, professional air. She offered him a blanket and inquired about his need for therapy. Martin, in a playful mood, whimsically spoke of forming an army to conquer Washington. Laura, playing along, suggested he could mobilize his so-called "Coke Cult" followers.
Their conversation meandered to the subject of 'Saint,' Martin's fictional organization. Laura, with a twinkle in her eye, toyed with the idea of joining, only to tease Martin about his unconvincing 'brainwashing' technique.
Martin, chuckling, then draped the blanket over himself, signaling his desire to rest rather than chat. Laura, sensing his need for quiet, retreated to her desk and immersed herself in a book, giving Martin the space to relax.
After a brief respite, Martin emerged rejuvenated and ready to face the world again. Laura gently reminded him of their regular sessions, to which he nodded in agreement.
Their next agenda was a strategically planned press conference, orchestrated by Thomas. Laura, designated as Martin's psychiatrist, had agreed to participate, swayed by Martin's generous compensation.
The next morning, in the Warner Building's press room, Laura stood somewhat nervously before an array of media cameras. Despite her apprehension, she competently detailed Martin's psychological state, emphasizing its seriousness yet manageability.
Thomas, acting on Martin's behalf, announced a temporary retreat from the limelight for the remainder of 2008. Martin would devote his time to the post-production of "Benjamin" and "John Wick" and engage in discussions about future ventures with Nolan.
As the premiere of "The Dark Knight" loomed, Warner Bros. and the film crew intensified their promotional campaign. They launched nearly 30 immersive websites, each mirroring different facets of Gotham City, plunging fans into the heart of the movie's universe.
Martin and Nolan were in constant communication, meticulously crafting marketing strategies. They were determined to ensure that "The Dark Knight" would not only be a cinematic marvel but also a box office juggernaut. In the cutthroat realm of Hollywood, they were acutely aware that a film's success hinged not just on its artistic merit but also on the efficacy of its publicity – a fusion essential for creating a blockbuster phenomenon.
In an effort to drum up excitement, Nolan went to extraordinary lengths, even playfully claiming he initially planned to make an original police film rather than a Batman sequel, only to be captivated by the script's compelling narrative.
On a bright weekend, the renowned Jack Nicholson made his punctual appearance on Warner TV's "The Helen Show." The show, propelled into fame by Helen's bold coverage of Martin, had rapidly risen to rival the popularity of established talk shows like The Ellen Show.
Their conversation meandered through Nicholson's illustrious career before swiftly veering towards the contentious topic of the infamous trio, particularly Martin. Helen, with a journalist's precision, dove right in: "Last year, you openly criticized Martin for taking on the Joker role. The media reported a rift between you two. Is that true?"
Nicholson, his expression pensive, reflected on Martin. "I was concerned for Martin. He's the kind of actor who immerses himself deeply into every role. The Joker, with its darkness and madness, is a character that can ensnare you."
Nicholson needed to affirm his stance. "I stand by what I said. Martin's facing issues now. The tension between him and Bale has spilled over from the screen into reality. The lad should've heeded my advice!"
Helen probed further, "Do you think Martin's portrayal was problematic?"
Nicholson's response was emphatic, "Far from it! It surpassed my expectations!" He leaned in, his voice carrying a mix of admiration and concern. "I attended Warner Bros.' private screening of 'The Dark Knight.' Martin's portrayal of the Joker was hauntingly real and unforgettable."
Helen listened intently as Nicholson continued, "His performance was unparalleled. Every expression, movement, even his breathing was meticulously crafted for the character."
"Is it really as remarkable as you describe?" Helen inquired, captivated.
Nicholson gestured passionately, his seriousness evident. "Martin's Joker will redefine Hollywood's villain archetype. He's infused this role with his very life and soul."
Helen contributed, aligning with the narrative, "His agent announced Martin won't be taking any new roles this year."
Nicholson nodded gravely, "I visited him yesterday. He's deeply impacted by the role. He needs time to detach and recuperate."
"Have you seen the trailer for 'The Dark Knight'?" he asked Helen, shifting gears.
She nodded, "Yes, it's quite extraordinary."
Nicholson leaned forward, "Doesn't Martin's Joker, despite being terrifying, have an undeniable allure? He's created a character that's impossible to ignore."
Helen pondered briefly, "That's true."
Nicholson added another layer, "At the San Diego Comic-Con, the dynamic between Martin and Bale was palpable. While I'm firmly on Martin's side, Bale made a poignant observation."
"And what was that?" Helen pressed.
Nicholson delivered the line with a dramatic flair, "Martin traded his soul to the devil for the role." He paused, then with a sly smile added, "And that's why we have such a stunning performance."
The episode wrapped up with some light exchanges, set to be broadcast widely, in alignment with "The Dark Knight" crew's publicity plan.
Calls flooded in for Nicholson even before he could leave Warner TV. "Hey, Jack, is Martin's performance really as groundbreaking as you claimed?"
Nicholson, basking in the attention, assured, "It's even better. You'll see it soon enough in theaters."
He fielded call after call, each friend curious about the role he so fervently endorsed. "With my forty years in the industry, I assure you, Martin's Joker is one of the most magnetic villains cinema has ever seen."
As he settled into his Lincoln, phone still buzzing, Martin called. "Saw your show. Spot on, Jack. You owe me now."
Martin's voice came through, tinged with mystery, "I lost something very important, related to the movie." The conversation took an intriguing turn, hinting at yet another layer to the unfolding narrative of "The Dark Knight publicity."
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