章 21: Studio Development
The warehouse transformation accelerated after the Knowles meeting. Construction crews swarmed through the space, converting industrial emptiness into cutting-edge studios. I supervised the technical installations personally, ensuring each component would support innovations yet to come.
"The acoustic treatment exceeds industry standards," the lead engineer reported, reviewing specifications. "But these power requirements seem excessive for a recording studio."
"We're planning ahead," I explained, indicating the specialized wiring being installed. "Future technology will demand significantly more processing power. Better to build the infrastructure now."
Mom arrived with updated contracts from Sony, her executive presence growing stronger daily. She'd negotiated terms that protected our technological developments while ensuring profitable collaboration. In our original timeline, such foresight had come much later.
"Mathew Knowles called," she informed me, reviewing her notes. "They want to book the main studio for three months starting in June. We'll need to accelerate the construction schedule."
I studied the project timeline, calculating adjustments. The original schedule had allowed for normal development, but we could compress it using knowledge from our future experience. "We'll need additional crews for the technical installations. And the specialized equipment from Germany needs to arrive sooner."
"Already handled," she replied, demonstrating her growing business acumen. "I convinced the manufacturer to expedite shipping by guaranteeing a long-term supply contract. They're intrigued by your technical specifications."
Derek arrived for his daily production session, his skills evolving rapidly under focused mentorship. The small demo studio we'd set up in the building's office space hummed with innovative sounds. His natural talent was emerging years ahead of our original timeline.
"These monitoring systems are incredible," he observed, adjusting levels on a new track. "Never heard anything this clean, this detailed."
"Wait until you see the main studio," I responded, thinking of the revolutionary technology we'd soon install. "We're building something that doesn't exist anywhere else."
The afternoon brought a visit from Mitchell and Sony's technical team. They toured the construction, trying to understand our vision. In my previous life, this facility had become legendary. This time, we were building its reputation from day one.
"The infrastructure you're installing," Mitchell noted, examining the specialized cable runs, "it's beyond anything I've seen. What exactly are you preparing for?"
"The future of music production," I explained, sharing carefully measured insights. "Traditional studios are built for current technology. We're building for what comes next."
As evening approached, Mom gathered the construction teams for a progress review. Her natural leadership abilities were flourishing months, even years ahead of schedule. She commanded attention effortlessly, coordinating complex logistics with precision.
"The acoustic calibration team arrives tomorrow," she announced, consulting her ever-present planner. "Marcus, they'll need your input on the specialized monitoring systems."
I nodded, remembering how these same systems would eventually evolve into neural audio interfaces. But for now, they had to appear as merely advanced studio technology.
The sunset painted our emerging empire in golden light. Through the dust and construction noise, I could see the future taking shape. Each technical installation, each architectural detail carefully planned to support innovations that wouldn't exist for years.
Time to build something extraordinary. Again. But this time, with perfect precision from the very beginning.
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