Bab 17: Timeskips

A/n: honestly, I've been reading reviews and comments about this novel, and it's Been annoying a s f. I even wrote I'm a infant writer awhile back and people still expecting my writing to be good, it's like they didn't even read what I wrote as a warning.

Last time, don't expect anything much,

I'm a inexperienced writer.

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The spring of 2004 marked a turning point for Jaxon and his label, Imperial. Having signed Rihanna the previous year, Jaxon had worked tirelessly to develop her talent and refine her sound. She was a force to be reckoned with—her voice, presence, and determination set her apart from the crowd. In early 2004, her debut single hit the airwaves, and the world took notice. Her sultry voice and Caribbean influence created a fresh sound that captured hearts and radio stations alike. Jaxon, proud of what they had accomplished together, knew this was just the beginning for her.

Around the same time, Chris Brown, another artist Jaxon had signed in 2003, was gearing up for his own debut. His combination of smooth vocals and gravity-defying dance moves had already created a buzz in the industry. Jaxon saw immense potential in Chris, who had an infectious energy that could light up any stage. Over the months, Jaxon's label also signed other young artists, hungry and full of talent, who were eager to break into the industry. Under his guidance, they were nurtured and given the resources they needed to shine.

Imperial was quickly becoming a launchpad for the next generation of stars, and Jaxon's reputation as a talent scout with impeccable instincts was solidifying. As Rihanna and Chris Brown began to make waves, the industry watched closely, knowing that any artist Jaxon touched was destined for greatness.

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Despite the whirlwind of work that surrounded him, Jaxon made sure to take time for what mattered most—Leah and her family. That summer, they embarked on a series of vacations that allowed him to step away from the pressures of the music world and reconnect with the people who kept him grounded. From the scenic coastlines of California to the serene beauty of the national parks, they crisscrossed the United States, enjoying the simple pleasures of life.

The trips to the Caribbean, however, stood out the most. Together, they explored the crystal-clear waters and white sandy beaches of places like the Bahamas, Jamaica, and Barbados. Whether they were swimming with dolphins, snorkeling in the coral reefs, or simply lounging by the shore, Jaxon and Leah found peace in the islands' tranquil beauty. Leah's family embraced Jaxon, and he found comfort in their support, particularly Leah's unwavering belief in him.

On quiet evenings, they would sit by the water, the stars twinkling above them, and talk about their dreams for the future. For Jaxon, these moments with Leah were everything—moments of pure joy that kept him anchored amid the craziness of his rising career. He was finding strength in love and family.

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By fall, one of Jaxon's major projects—his Broadway building—was finally completed. Standing tall at 400 feet, it was a marvel of modern architecture, sleek and innovative, yet practical and sustainable. The building was designed with eco-friendly features that were years ahead of their time. Solar panels adorned the roof, generating clean energy, while an advanced rainwater collection system minimized the building's environmental footprint. Green rooftop gardens provided a natural oasis amid the concrete jungle, offering a space for reflection and creativity.

The interior of the building was meticulously planned, with each floor dedicated to a specific aspect of Jaxon's vision. The ground floor housed a news lobby, a bustling hub of journalists, reporters, and media staff, all working to keep Imperial's growing empire connected to the world. Above that, apartments were designated for artists and workers, providing them with a comfortable living space right where they created their magic. Jaxon wanted his artists to have a place that felt like home—a space where they could live, work, and thrive without distraction.

The publishing and merchandise lobbies were where deals were made and brand strategies crafted, ensuring that the Imperial label continued to expand its reach. The studios were the heart of the building, filled with state-of-the-art equipment that allowed Jaxon's artists to push the boundaries of creativity. And tucked away on various floors were janitorial storage rooms and other essential spaces, ensuring the building ran smoothly behind the scenes.

Jaxon hired a diverse staff, bringing in talent from across the city and beyond, but also providing opportunities for local community members who might not have had access to such high-level jobs.

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Meanwhile, across the country in Forks, Washington, Jaxon's other major construction project reached completion. While the building in Forks wasn't as tall or as glamorous as the Broadway one, it held immense significance for the local community. Nestled in the picturesque Pacific Northwest, the building stood as a beacon of opportunity for the small town. Jaxon had always wanted to give back to the places that had shaped him, and Forks was one of those places.

When the building was completed, Jaxon wasted no time in hiring people from within the community. Many of the new hires were locals who had struggled to find stable employment. Jaxon's project provided them with good-paying jobs, offering a level of financial security that had been hard to come by in the rural town.

The building was a multi-purpose facility, with offices, creative spaces, and areas dedicated to community development initiatives. It became a place where local businesses could collaborate with Jaxon's team, blending creativity with practical solutions that would uplift the town. The jobs created were not only about working for Imperial—they were about fostering growth within the community itself.

For Jaxon, It was a testament to his belief in giving back, in building something that would last. Forks was a small town, but through Jaxon's efforts, it had a future filled with promise.

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Near the end of 2004, Jaxon had accomplished more than most could dream of in a lifetime. From launching the careers of artists like Rihanna and Chris Brown to building eco-friendly, community-focused spaces on both coasts, Jaxon's vision continued to grow. Yet through it all, he never lost sight of the people who mattered most.