Bab 74: navigating in industry
Arjun Gupta leaned against the window of his small office in Andheri, gazing out at the city that had been both a source of inspiration and a battlefield for his dreams. It was November 10, 2004, and despite his accolades and success as a director and scriptwriter, Arjun found himself at a crossroads. Dhoop Ka Saaya, the first film produced under his production company, Frames of Hope, was now complete. The shoot and post-production had gone smoothly, with Priya—an emerging scriptwriter and director from the slum—at the helm of this heartfelt project. Now, all that remained was to secure distribution.
But that was proving to be a challenge.
Arjun turned his attention to the long list of distribution companies he had approached over the past few weeks. Some of them were small and independent, while others were well-established giants of the industry. He scrolled through the rejection emails, some polite and others more direct, citing various reasons: lack of interest, insufficient marketability, or doubts about Priya's ability as a new writer and director.
He knew the reality—while his name was respected in the industry, Dhoop Ka Saaya wasn't his directorial project. For the first time, Arjun had stepped back into a purely production role, giving a newcomer from his slum community an opportunity to showcase her talent. And that shift in dynamic was something the distributors weren't sure about.
Arjun took a deep breath, determined to press on. He dialed the number for one of the distribution companies he hadn't reached out to yet—IndoVist Films, a mid-sized distributor known for taking chances on unconventional projects.
"Hello, this is Arjun Gupta. I'd like to speak to someone regarding the distribution rights for a film I'm producing," he said when the receptionist answered.
There was a pause on the other end. "Arjun Gupta, the director of Frames of Hope?" she asked.
"Yes, that's me."
"One moment, sir. I'll connect you to Mr. Rajan, our head of acquisitions."
Arjun nodded to himself as he waited. Maybe this will be different, he thought.
"Mr. Gupta! An honor to have you on the line," Rajan's voice was enthusiastic, but Arjun could detect the underlying note of caution. "How can we help you today?"
Arjun wasted no time. "I'm calling to discuss Dhoop Ka Saaya. It's the first production under my company, Frames of Hope, with Priya—a talented new director and scriptwriter from the slums of Mumbai—leading the project. I believe this film has a unique perspective that deserves to be seen."
"Yes, we've heard about Dhoop Ka Saaya," Rajan interjected. "There's been some buzz, but I have to be honest with you, Mr. Gupta. You're a name we all respect, but there are concerns about the project's marketability. It's a huge risk for us to pick up a film where you're not directly involved as the director or scriptwriter."
Arjun leaned back in his chair, suppressing his frustration. "I understand your position, Rajan. But take a look at Priya's work. She's captured the essence of the story—her experiences and raw portrayal of life in the slums are unparalleled. It's a narrative that can resonate deeply with the audience. And I'm not backing down from this project."
Rajan sighed on the other end. "I hear you, Mr. Gupta. Let me review the film again with my team. I'll get back to you in a few days."
The call ended on a lukewarm note, and Arjun stared at his phone, a sense of weariness washing over him. He was fighting for this film just as fiercely as he had fought for his own projects in the early days of his career. Back then, he was the one facing skepticism and rejection, and now he saw history repeating itself with Priya.
But Arjun wasn't ready to give up. He spent the next few days calling more distributors—CineLine Distributions, Sattva Films, and even Vihaan Media. The responses were varied. Some appreciated the film's unique voice but were hesitant due to the unproven director. Others dismissed it outright, unwilling to invest in a movie without Arjun's directorial imprint.
Despite the setbacks, Arjun remained resolute. He knew what Dhoop Ka Saaya represented—a step forward for the youth of his community, a chance for new voices to break into the industry. He wouldn't let this opportunity slip away.
Then, two weeks later, on a chilly November morning, his phone buzzed. It was Rajan from IndoVist Films.
"Mr. Gupta, I've discussed Dhoop Ka Saaya with my team," Rajan began. "And we've decided to take it on. We believe in the story and, more importantly, in what it represents. But we'll need to discuss some conditions regarding marketing and release."
Arjun exhaled, relief flooding through him. "Of course. We'll work out the details."
After the call ended, he turned to Priya, who had been waiting anxiously in the corner of the room.
"IndoVist is on board," he said with a smile.
Priya's face lit up with a mix of disbelief and joy. "Really? They're going to distribute Dhoop Ka Saaya?"
"Yes, they are. This is just the beginning, Priya. Remember, the path ahead will be filled with challenges, but you've already made your mark."
Arjun felt a swell of pride as he saw the determination in Priya's eyes. He knew how much this meant to her—to see her film out there, to have her voice heard.
As the days passed and the contract was finalized, Arjun reflected on the journey he had taken. This project had tested him in ways he hadn't anticipated. But now, with IndoVist on board, Dhoop Ka Saaya was set to reach theaters across the country.
For Arjun, this was more than just another film. It was a testament to his commitment to the community he came from, a pledge to uplift voices that were often unheard. And with Dhoop Ka Saaya, a new chapter was about to unfold—not just for his production company, but for the countless dreamers who would follow in Priya's footsteps.
Status Power Mingguan
-- Peringkat
Power 
-- Power
stone