Bab 85: Chapter 87.
This thousands of things to do, let Murphy doubled the pressure, the new crew although only expanded three times, but need to deal with things far from "Fruit Hard Candy" that kind of simple project can be compared to, with a full three weeks, a variety of preparatory work is close to completion, has exceeded Murphy's expectations.
He remembers very clearly, once from the information he read on the internet, the pre-preparation of this movie only took less than a week, and the shooting was completed within twenty days, although it is impossible to determine the truth, but it can be seen that the gap between a relatively mature movie company like Lionsgate Pictures and a shell movie company like Stanton Studios.
The crew was in the final stages of preparation.
Final preparations to Murphy meant that everything was in place and the first shooting day was only a few days away.
Is there anything else that hasn't been done? Of course there is, and most importantly, Murphy needs to recharge his batteries.
Now that he's hit the start button and is ready to go, it's time to focus ahead and try to forget about all the stresses and burdens and not get so exhausted that he doesn't have time to think.
Also make sure that his crew members - director of photography, art director, lighting and props artists, etc. - are well rested before the movie starts shooting.
As a director and producer, most of the decisions Murphy makes can never be undone at this point in time, so it's important to focus on how to get the job done with the available resources at hand.
From now on, both his physical and mental strength will be put to a huge test.
Unfortunately, this period of busy work had caused Murphy's headache to flare up again, and it was worse than the previous times, to an extent even close to the time when he had just come into this world.
"Murph, your head is hurting again?"
In the studio's study, Carey Mulligan knocked on the door and saw Murphy leaning on top of his office chair with a hot towel resting on his forehead, and hurriedly walked over, "Does it hurt a lot? Shall I accompany you to the doctor?"
"No need." Murphy ripped off the towel and was just about to throw it onto the desk when Carey Mulligan reached over and picked it up, hitching it to the shelf next to him, turning to look this way and furrowing a pair of arched blonde eyebrows, "You must go."
"I was at the UC medical school yesterday." Murphy waved a hand at her, feeling another ripping pain inside his head and hurriedly reaching up to rub his forehead.
Carey Mulligan immediately turned behind her chair and reached out with two small hands, resting them on the spot where Murphy's temples had been, and gently massaged them.
As she rubbed, she asked with concern, "Any test results?"
Murphy withdrew his own hands, "Everything is normal."
In order not to affect his work, he specifically went for a checkup yesterday, and the results showed that they were all very normal.
For the time being, it could only be like this, after all, Murphy himself knew the reason for the headache, but these could not be said to the doctor at all.
"Kerry ..."
The pain eased a little, Murphy gently shook his head, getting rid of Carey Mulligan's two small hands, "It's better if I do it myself."
"It's okay, it's not like I'm tired," Carey Mulligan's hand was once again resting on top of Murphy's temple, her voice lowering as she spoke, "I'm most happy to be able to help you."
The eyes that were hiding behind Murphy's back looked extra bright.
Murphy was just about to say something when the knock on the door sounded once again, and after he said come in, Seth Rogen pushed the door open.
He opened the door and saw Carey Mulligan's hand on Murphy's head, his fat face brought a little embarrassment, embarrassedly rubbing the back of his head, "I ... I ..."
He stammered twice and simply said, "Sorry, you guys continue."
After saying that, he wanted to retreat back and close the study door, but was called out by Murphy, "Seth, is something wrong?"
Carey Mulligan, lacking social experience but quite intelligent, immediately withdrew his hand and turned next to Murphy, taking his cup and picking up a cup of coffee from the side of the coffee machine.
Seth Rogen had to walk into the den and said, "Beck's dummy is almost done and wants you to come over and take a look."
In addition to his own role, Seth Rogen was also assisting the rest of the cast and crew, the fat man was a hard worker and knew that opportunities were hard to come by.
"Go," Murphy took a sip from his coffee cup and stood up, "Let's go together."
Seeing him ready to go to work again, Carey Mulligan reminded, "Murphy ..."
Murphy nodded at her, "Don't worry, I'm fine."
Downstairs, Murphy followed Seth Rogen, out of the living room, to the small yard in front of the house, prop master Beck Claybert and his assistant were crouching on the ground, busy in front of a charred black "corpse".
Carey Mulligan followed, but after one look at the body, she covered her mouth and hid behind Murphy.
"Hi, Beck." Murphy greeted the prop master, his eyes on the body.
"The body was charred black, the surface was uneven, and in some places there was a dark red color, very much like a person had been burned.
"I remodeled this from a polyester mannequin." Beck Claybert said to Murphy, "It's the best we could do in our condition."
Murphy circled around the body, it was almost as if it could be faked, "Great job."
The plan was that most of the corpses would be played by the actors themselves, the guy who was burned to death in the code box game was not in that category, and this fake corpse was perfectly capable of doing the job.
Often times, pennies on the dollar was often the hard truth, and this Beck Claybert he had hired at a high salary was quite capable, and over the past period of time, had already created a large number of murderous organs in the rented building of the warehouse, according to Murphy's ideas.
"That's disgusting." Carey Mulligan poked half her little head out from behind Murphy, "Some of it looks like James Franco got burned."
Seth Rogen turned his head to look at her, smarting as if he hadn't heard anything; he'd heard some of Carey Mulligan's horrific exploits from James Franco during one of his drinking sessions a few days ago, and with the fact that the girl was obviously close to the director, had already classified her as not to be messed with casually.
He also secretly marveled at the fact that James Franco's temper was good enough, in his place he would have shrugged it off long ago.
But thinking about that night's conflict, plus these days together, Seth Rogen also knew that this was a guy with eccentric behavior but a relatively cowardly personality.
But it was also easier to get along with such a person.
Murphy glared back at Carey Mulligan and flexed his fingers in a popping chestnut gesture, and Carey Mulligan hurriedly shut his mouth, covered his head, and obediently ducked to the side.
Although it is not as directed at James Franco as before, it is difficult to avoid Carey Mulligan looking at the wrong way.
Gently shaking his head, Murphy felt better and asked Seth Rogen, "Where's James? Didn't come over today?"
"He went to the set." Seth Rogen said, "Aren't we rehearsing some sadistic scenes this afternoon? He went to watch the fun."
That was Murphy's work schedule for the afternoon, and he looked at the time and said, "Let's head over there too."
After a period of preparation, those brutal scenes and killing organs were built, but how the actual effect would be, the actors still had to rehearse with makeup so that they could find out what was lacking.
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