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92.2% Stunt man to Star director / Chapter 71: ch-68

Chapitre 71: ch-68

New book:-I only act vaillain

Genre :- showbiz/ slice of life

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The day of departure for the shoot arrived quicker than Suraj had anticipated. He stood at the doorway of Kunal Uncle and Aunty's house, watching Aryan carefully unload his school bag and carry it inside, alongside a few of his favorite toys. The cats, now well-adjusted to the little boy, followed closely, their soft meows echoing as they explored their temporary new home. Aryan knelt to pet the mother cat, who seemed unusually calm, while the kittens clumsily played around his feet.

Suraj crouched down to Aryan's level, his voice gentle but firm. "Aryan, you'll be here for a month, alright? Listen to Kunal Uncle and Aunty. Finish your homework, and don't forget to take care of these little rascals."

Aryan looked up, his eyes slightly misty but full of determination. "I will, Bhaiya. But you have to promise to call every night. And send pictures from the haveli! I want to see where you're working."

Suraj ruffled his brother's hair. "I promise. And you know what? When the film is done, we'll have a special screening just for you and the cats."

That got a laugh out of Aryan. He hugged Suraj tightly before stepping back to wave goodbye, the kittens mimicking his movements in their curious way.

As Suraj got into the car, he couldn't help but glance back one more time. He felt a pang of guilt for leaving Aryan behind, but he knew it was the right decision. Aryan had school, and the remote shooting location wasn't ideal for a child. Plus, this was a crucial project, and Suraj needed to give it his undivided attention.

---

The haveli in Rajasthan was everything Suraj had envisioned and more. As the cast and crew arrived, their reactions ranged from awe to unease. The sprawling, ancient structure seemed alive, its crumbling walls whispering stories of the past. Suraj made a point to gather everyone on the first day for a briefing.

"This haveli is not just a location," he told them. "It's a character. Treat it with respect, understand its history, and let it guide your performances. We're not just making a movie; we're creating an experience."

The first schedule focused on the supporting cast and secondary scenes, with Kamal Singh set to join later. Suraj had structured the shoot meticulously, ensuring maximum efficiency. The days were long, beginning before sunrise and stretching well into the night, but the team's dedication never wavered.

The process was far from easy. The haveli's remote location posed logistical challenges, from setting up the necessary equipment to ensuring everyone's safety and comfort. Suraj insisted on building a temporary living area nearby, complete with sleeping quarters, a dining hall, and a recreational space. He believed that a comfortable crew was a productive crew.

Rhea Sharma, who played the protagonist's wife, was one of the first to comment on the arrangements. "Suraj, this setup is amazing. I've worked on films where we barely had a place to sit, let alone rest properly."

Suraj smiled. "If the crew is happy, the work shines. Besides, this film needs all of us at our best."

On set, Suraj was a whirlwind of energy. He moved between the camera, the actors, and the technical crew, ensuring every detail was perfect. The lighting team worked tirelessly to capture the haveli's haunting beauty, while the art department added subtle touches to enhance the eerie atmosphere. Dust-covered furniture, flickering lanterns, and intricate wall carvings created a world that felt both real and otherworldly.

The scenes themselves were a mix of intense drama and lighthearted comedy. Rhea and Akash Mehra, the comic relief, shared a natural chemistry that brought their characters to life. Akash, always quick with a joke, kept the mood light even during the most challenging shoots.

One particularly difficult scene involved a sequence where Rhea's character discovers a hidden room in the haveli. The room was filled with antique mirrors, and the lighting had to be just right to create an unsettling effect. It took hours to perfect, with Suraj guiding the team every step of the way.

"Focus the light here," he instructed, pointing to a corner. "It needs to feel like the shadows are alive, like they're watching her."

When the scene was finally shot, the result was breathtaking. The crew burst into applause, their exhaustion momentarily forgotten.

Despite the hard work, there were moments of levity. One night, after a particularly grueling day, the crew gathered around a makeshift bonfire. Stories were shared, jokes were cracked, and even Suraj let his guard down, laughing along with everyone else. It was moments like these that reminded him why he loved filmmaking—the camaraderie, the shared passion, the magic of creating something together.

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As the first schedule progressed, Suraj made it a point to check in with each department. The costume team was hard at work designing outfits that blended traditional Rajasthani elements with the film's modern aesthetic. The sound team experimented with recording the haveli's natural creaks and groans, incorporating them into the background score.

Suraj also spent time with the younger actors, offering guidance and encouragement. One of them, a nervous newcomer named Anjali, expressed her gratitude. "This is my first film, and I was so scared. But you've made me feel like I belong here."

Suraj smiled. "Everyone starts somewhere, Anjali. Just focus on your craft, and the rest will follow."

By the end of the month, the first schedule was complete. The cast and crew gathered for a small celebration, their spirits high despite the fatigue. Suraj stood in the center, addressing them.

"This has been an incredible start," he said. "Every single one of you has given your all, and it shows. But this is just the beginning. We still have a long way to go, and I know we'll make something extraordinary together."

The applause that followed was heartfelt, a testament to the bond they had formed over the past weeks.

---

Back in his temporary quarters, Suraj collapsed onto his bed, exhausted but satisfied. He pulled out his phone and called Aryan.

"Bhaiya!" Aryan's excited voice filled the room. "How's the shoot going? Did you see any ghosts in the haveli?"

Suraj laughed. "No ghosts, but the place is spooky enough. How are you and the cats?"

"They're fine. They sleep on my bed every night now. Kunal Uncle says they're spoiled because of you."

Suraj smiled, his heart warming at the thought. "Good. Make sure you take care of them, alright?"

"I will. Come home soon, Bhaiya. I miss you."

"I miss you too, Aryan. I'll be back before you know it."

As the call ended, Suraj lay back, staring at the ceiling. The first schedule had been a success, but he knew the hardest part was yet to come. Kamal Singh would be joining soon, bringing with him the weight of expectations. But Suraj was ready. This film wasn't just another project; it was a statement. A statement that Mythic Productions was here to stay, that Suraj's vision was worth believing in.

And as he drifted off to sleep, his thoughts were filled with the possibilities ahead.

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Author note:-

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