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The camera followed He Chong as he ascended the final steps, and he saw a few people already there.
Next came the time for Lu Ban to treat everyone to a meal.
The off-screen interview reverberated once again, complementing the sight of these people dining, bringing forth a feeling as if from another lifetime.
In the footage, these people were vividly conversing and moving about.
In memory, these people had aged and passed away.
A wave of nostalgia for the twilight years of heroes swept over the audience.
Lu Ban cleverly connected the past and present through both visual and auditory elements.
In the film, Lu Ban entered the Taoist Temple, and with a lift of the camera, the eerie Divine Idol was revealed.
Upon seeing the Divine Idol, Stephen instinctively felt a surge of revulsion.
He had his own religious beliefs; though not extremely zealous, he was still fundamentally a believer in God.
But the moment the Divine Idol appeared, Stephen felt a sense of sacrilege.