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Urasaria Academy Original

Urasaria Academy

LGBT+ 296 Capítulos 567.5K Visitas
Autor: RowPin

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Resumen

Decades of Cold War nuclear testing has led to the evolution of a new form of bacteria: Revenants that live upon the hearts of their hosts and grant them superpowers.

In the following years, Urasaria Academy is formed to house crime-fighting students who are tasked with investigating and killing criminal hosts. In modern America, the young loner lesbian Mia Schultz is kidnapped by a headless man and given Worldwide, the ability to summon a swarm of fire scarabs. As she begins her new life at Urasaria Academy, she is soon pulled into a mystery of Worldwide's true origins.

This story features a primarily-lesbian cast, although there are bisexual & transgender characters. Common themes in this character-based novel include emotional growth, loneliness and what it drives people to do, how memory alters perception, human selfishness, power and how it is wielded.

If you are tired of self-insert harem isekai and want a mature story where realistic characters go through deep psychological drama (in-between murdering the absolute shit out of criminals), then Urasaria is for you. I also promise that the story is accepting of lesbians, bisexuals, and trans people. You will not be stereotyped or fetishized.

If you would like to read other disclaimers for this work, continue on below. While this is an LGBT+ story, it does not feature:

• Coming out: All female students are already assumed lesbians (although a few are bi).

• Excess homo/bi/transphobia: Villains may use slurs, but hero students are generally accepting.

• Gay burying: There are a few secondary characters who die, but couples are safe.

• Grimdark: My approach to writing is that art should depict reality in its full spectrum of human emotion: laughter, anger, absurdity, seriousness, frustration, sadness, grief, and joy. What is silly should be treated sillily and what is serious should be treated seriously.

What this work does feature:

• Ultraviolence: Expect decapitations, ripping heads off, filling enemy's throats with scissors and snapping men as one snaps a wishbone.

• Untagged 'dark' subjects: Please note that there are characters with backstories involving trauma, abuse, or addiction. I do not intentionally provoke negative emotions in readers nor attempt to shock with trauma -- I am just trying to faithfully render all contours of an inner emotional landscape.

• I do not always agree with my characters & my characters do not always agree with me: I really shouldn't have to say this, but a character spouting an opinion does not equal me agreeing with their opinion. Read critically; sometimes, a character may be intentionally inconsistent or hypocritical to make a larger point about their character.

If you would like to create fanwork based on Urasaria Academy, please feel free so long as you link back to here.

Updates daily.

Cover by Konorin!

No One 17 and Under Admitted

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bluerat
LV 10 Badge

The chapters are... Loooooooong! Much longer than what you expect from stories on Webnovel. But the story is... Gooooooood! Give it a go if you don't mind reading long chapters. The author is improving in his craft, and the early chapters are also getting edited, it seems.

4yr
Ver 5 respuestas
Chryiss

Very long chapters, atypical of usual web serial lengths (and more like those of a physical book). The first is like 4-5 of standard chapter lengths on Webnovel. This isn't necessarily bad, but I'll touch on this again later. Later chapters are not as long though. Writing Quality: Below Average Stability of Updates: Great! Story Development: Average Character Design: Below Average World Background: Poor First Chapter--- Usually, I'm all for jumping right into a story instead of info dumps. While I still believe this to be one of the better techniques for beginning, the caveat is being able to understand what's going on still. For example, if you're starting with a war scene, then you must explain the two sides and the conflict and not just have combat fighting/action and list names without understanding the significance and who's who. This is the problem I faced in the first chapter, halfway through. You can keep this jump-right in beginning, but more details need to be threaded through sections to explain: 1) what a Revenant is and the whole conflict about them (I read the synopsis and understood a little better, but a story synopsis never should be in place of actual clarification/information in a book); 2) Urasaria and what exactly everyone's doing there by catching other revenants, like what purpose/founded by for what reason, what makes one person with a Revenants allowed to attend versus those indicted as criminals; 3) and the world background of this world, the laws, the people, culture, society, make it envisionable, how this and Revenants came to be about, etc. Additionally, way too many characters introduced when Mia arrived at Urasaria. It was very difficult keeping track of who's who, what they do, their potential significance in the story, what they said. Only Aimee I sort of followed due to her speaking and interacting with Mia the most. With that said, I found Aimee's character to be inconsistent. She's the top of the school, yet she has many verbal pauses, aka "um", while she speaks to Mia. I'm guessing because many female Revenants are lesbians, Aimee is attracted to Mia. But if so, then her nervousness cannot just bey conveyed by her dialogue. And this goes for all characters too. More gestures and "context" in between dialogue is necessary. It's partly due to so much back and forth dialogue between multiple characters that also made it so hard to follow. However, you are skilled in creating the dialogue itself, even if feels like too much at times because of this. Also, for every kind of relationship, usually it's not "love at first sight" or "I want to (beep) you/get in your pants" unless said person is not using their upper brain as much as they should. You can have love at first sight, but it's very tricky to make it well done without making it feel unrealistic and cringey. In your case, this could be more successfully accomplished with more in-between words outside dialogue such as inner thoughts, noticing of gestures and features that are attractive, etc. Otherwise, it'll feel contrived or superficial. In the next half of the chapter, I roughly made up and grasped what a Revenant is, but I'm still lacking background on it. This leads to what I see is the main issue of your story so far. It's the execution of the plot. The pace is fine, but it's too dialogue heavy, resulting in almost a script for a theater piece rather than a story for a book. Thus, many details for settings, world background, and even the personalities, thoughts, and feelings of characters are greatly left out. This isn't at all ideal for a book, and considering so many characters are introduced at once, I can imagine it'll become overwhelming or frustrating for some readers, especially since the chapter is very long, so the struggle of understanding everything feels very drawn out. Back to the dialogue, you're generally good at crafting the dialogue, the part in quotes. But all the stuttering is a little much. I know Mia is very sky and awkward, but unless she has some medical condition that causes to stutter in basically every sentence, then I really don't see the logical reason for expressing that awkward quality through stuttering. Honestly, if it weren't for the stutters, she sounds and acts like another other normal person. If you want to really describe her as shy and awkward, then you must do so through other means besides mainly dialogue. This again goes back to the more context in-between dialogue point I mentioned previously. For the writing correctness itself, it's generally fine. But there is some odd phrasing that makes me do a double take and re-read in order to piece together what's trying to be said. Also, the frequent cutting of sentences such as in the fighting/testing scene with Mia's new Revenant makes it a little disjointed to read. Usually, dashes are more for important inclusions within a sentence, or a dramatic cutting off. Here, I found it to be used more like in place of "then." Lastly, the punctuation is often incorrect such as with "Sweet." said Name. instead of "Sweet," said Name. or "Sweet." Said Name. In short, you have an interesting story idea going, but you lack the necessary information for readers to latch onto and understand those ideas. By including more settings, background, gestures/movements, and inner descriptions of characters' while also organizing their introductions in a more batch by batch way and not all at once, I think you'll have an intriguing and more successful story that draws more readers in and retains them. I thought about continuing to chapter 3 as you mentioned, but doing so wouldn't change everything that I stated above because this is based on suggesting proper writing and story technique in order to compel readers to read and continue. I didn't have a problem with the plot, just the execution of writing this story, and reading a nice scene between Mia and Hirogane in chapter 3 isn't going to change my opinion. The first chapter is the most important in a story, and since my review is getting long, I'm just advising on this first chapter alone. You're doing great with outputting and writing a lot, so keep it up! I hope this review can help you if you ever decide to revise your first story draft. Good luck!

4yr
Ver 4 respuestas
Atomic_Keith

A really good story overall, decent length chapters, good characters, lgbtq+ support, interesting world, ect. One of the only issues I can find is that when the author lists multiple characters they go CharacterA+CharacterB+CharacterC+CharacterD and CharacterE. This is improper grammer, it should instead be listed like CharacterA, CharacterC, CharacterD, and CharacterE. This also helps being able to read who the characters are, because when they are all connected by the plus's, it makes it look like 1 word and very hard to read.

5yr
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rebecca_ringdomsto

Hey there! Good day for writing! If you want to see whether you can get paid by distributing the current work or getting financial support by writing new works, you might want to contact rebecca.review@outlook.com. A brief introduction, some sample chapters, or links will be appreciated when reaching out.

4yr
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Chelsea_Lolipop

I dont Know What u want to write in your novel story, but it ia to boring for me reading it ..,............,................,..........,............. ..,............,................,..........,............. ..,............,................,..........,............. ..,............,................,..........,............. Long Chapter Boring Story Bad design Chara and I cantunderstand the write

Revelar spoiler
4yr
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Autor RowPin