After a not-so-typical day of campus life, Miaoyi finally found a rare moment of tranquillity. Having completed all her tasks, she could finally take a break.
Having worked tirelessly for so long, Miaoyi was starting to feel physically and mentally exhausted. It was unlikely that she would embark on any new endeavours soon.
Perhaps she would wait until the Top 100 DJ list was released later this year. After all, the release was approaching quickly.
For the next week, Miaoyi maintained a calm state. The shadow of the medical examination didn't linger for long.
Apart from evading reporters and gossipmongers during the day, Miaoyi's primary activities at night revolved around three things: watching tv or movies, playing games, and maintaining her relationship with Qiuying.
One week later, on November 27th (A/N: My birthday! yipeeee~), the first-week sales results for Miaoyi's three albums on iTunes were announced.
This result triggered a series of events that once again shook the electronic music scene. And this wave of excitement was not limited to the domestic electronic music community...
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No. 1 "Faded" - TMY, Song Ziyin
Region: Asia, China
Total Sales: 5,520,807!
Weekly Sales: 5,520,807!
...
No. 2 "Levels" - TMY
Region: Asia, China
Total Sales: 5,393,710!
Weekly Sales: 5,393,710!
...
No. 3 "EDM Star" - Rlex.Future
Region: North America, USA
Total Sales: 5,327,037!
Weekly Sales: 5,327,037!
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TMY and Rlex.Future completely dominated the top three positions on this list, with "With you, Friends" taking the fourth spot.
Although this Brostep-style single didn't achieve the same total sales as the previous three, it still reached an impressive five million mark. The gap between "With you, Friends" and "EDM Star," which ranked third, wasn't significant compared to the sales gaps lower on the list. It seemed like they were in fierce competition, vying for supremacy.
In summary, the rankings had undergone a significant shift.
This scene on the chart immediately caught the attention of those closely following the industry, triggering a major storm.
First and foremost, the domestic electronic music scene was astounded when both industry professionals and casual enthusiasts laid their eyes on this chart. They couldn't believe what they were seeing.
It was hard for them to fathom that this scene unfolding before them was a reality.
Posts multiplied rapidly within the Hua Electric Forum, and traffic surged as discussions exploded in popularity.
"Am I seeing things? TMY is at the top of the iTunes chart?"
"TMY reached number one on the iTunes chart?"
"What on earth is happening? I can't breathe. It feels suffocating. Wasn't she lingering around the 26th to 33rd spot just a week ago?"
"So fast... such a high ranking..."
"Number one on the iTunes chart? Is this real? It can't be fabricated, right? This is too explosive."
Many people's initial reactions to this news ranged from disbelief to skepticism and, ultimately, deep perplexity. They simply couldn't wrap their heads around it.
Because, to be honest, this is way beyond expectations. In the eyes of many, while TMY indeed has a strong presence and some recognition within the Chinese electronic music scene, who is Rlex.Future?
This is a force to be reckoned with, coming straight from the Top 100 list! Although both are newcomers, the nature of this newcomer, Rlex.Future surpasses what many think TMY could achieve.
Moreover, there are quite a number of people in China who are fans of Rlex.Future.
Overall, this is the current reaction of the Chinese audience - disbelief mixed with skepticism. But regardless, there is a significant portion of people who are incredibly thrilled by these momentous results, almost bursting into laughter.
These people are the fans of TMY and those who listen to TMY's music. They are the ones who firmly believe in the authenticity of this chart result.
As for those who have doubts, once they confirm that the result is indeed accurate, they don't find it too surprising. In fact, they start to exclaim in amazement. After all, regardless of everything, they are proud of their fellow countryman. With the halo of TMY as a beautiful girl producer, the achievement of a fellow countryman brings them joy.
However, this situation didn't last long. Soon, screenshots from foreign websites started circulating.
This marked a turning point.
These screenshots were taken from the iTunes community and certain forums.
Although the comments from some users in these screenshots were not directly linked, ordinary netizens often ignored these discrepancies.
These screenshots originated from a platform called "Hi Sh*t."
For those familiar with it, it's branded as a music toilet, filled with the most foul-mouthed commentators in the world. Their motto is: "Using the foulest mouths to critique the best music."
However, it must be acknowledged that many heavyweights reside there, and you can even find some industry elites among them.
Throughout these screenshots, one recurring phrase stood out: "TMY? Who?"
Subsequently, there were intense English comments, which were accompanied by translations. These comments were highly targeted and overflowing with aggression, so much so that they practically jumped off the screen. Anyone who read them could see who they were aimed at.
"What the f*ck? Who is this? Can someone tell me why there's suddenly an unknown artist at the top of the iTunes chart?"
"OMG, Rlex fell from the number one spot? Damn chicken nuggets! Tell me this isn't real. I just bought this album, and I love it!"
"If it were someone like Martin·Exa, MAnaki, or others, it would be fine. But TMY? Who the f*ck is TMY?"
"Sh*t! Rlex.Future's album should have been a huge success. This is deception. He created Future Bass and even chose a stage name that echoes 'the future.' He's a great producer! This is an insult! I seriously suspect chart manipulation! Because I have no idea who this TMY is!"
"I heard he's a Qing Chong Qiang? Quit music and make my General Tso chicken instead! Fck!"
[Commenter has been banned]
[Mod] "Guys, let's avoid racism, please."
"Fuck this sh*t! Rlex created Future Bass. He deserves recognition, not this!"
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As can be seen, these screenshots were filled with intense language and ongoing arguments. Once they made their way into China, a chain reaction began to unfold.
Finally, certain individuals saw a glimmer of hope.
Nobody knows how many people were suppressed and oppressed due to TMY's rise in the Chinese electronic music scene, her innovations making even pros seem miniature in comparison. They had a tough time, and their lives became less comfortable.
TMY, the beautiful Chinese princess of electronic music, wasn't everyone's cup of tea. At least, that was the case for Weibo music critic Fan Zeng.
At this moment, Fan Zeng, who was once spirited during "The Rex" era, had become utterly dejected. He had even lost his contract with Weibo, a devastating change.
Early in the morning, Fan Zeng stared at his computer screen. Finally, a glimmer of surprise appeared in his desolate eyes. He scrolled down with the mouse, and more and more information filled his vision. Finally, he burst into laughter and immediately picked up his phone without hesitation.
"Hahaha, hey, Gao Tucáo, it's Fan Zeng. Do you remember me? I have some good news!"
Finally, half an hour later, Fan Zeng put down his phone, and he seemed to have come back to life: "Heh, everything has taken a turn. You took away so much from me back then, and now you have to give it all back to me, right? TMY, oh TMY, why did you have to do something so foolish?"
Everything went smoothly.
In the afternoon of that day, under the wave of TMY's ascent to the top of the iTunes chart, a lengthy article appeared on Weibo, shared by a verified account with a high number of followers.
[Gao Tucáo: iTunes Dominance? TMY Tops the Chart for a Week? Foreign Friends Respond: TMY, who?]