Some do, but it depends on the company's policies and the nature of the script. Some might be more open to it if the story is highly compelling and has potential for great visuals.
The comedic conflict foundation of Oppression could be considered from the following aspects:
1. Race conflicts: There may be conflicts between different races in the script, such as the gap between humans and alien races, misunderstandings between different cultural backgrounds, etc. These contradictions can become the main elements of comedy conflicts.
2. Gender-based conflicts: There may be conflicts between men and women in the script. For example, the male role's rigid impression, the neglect of female characters, etc. These contradictions can become important elements of comedy conflicts.
Class contradiction: There may be conflicts between different classes in the script, such as the poverty of the people at the bottom, the corruption of the top leaders, etc. These contradictions can become important elements of comedy conflicts.
4. Age conflicts: There may be conflicts between different age groups in the script, such as the young people's longing for the future, the loneliness and loss of the elderly, etc. These contradictions can become important elements of comedy conflicts.
5. Plot Reversal: There may be seemingly impossible reversals in the script, such as the unexpected ending of the protagonist, the sudden rise of the villain, etc. These reversals can provide additional fun for the comedy conflict.
Through the above elements, the comedy conflicts in the script could be richer and more diverse, bringing a more exciting viewing experience to the audience.
Online comedy skits and crosstalk were both very popular art forms in online culture. They were humorous, funny, and had strong interactions. They could be widely spread and watched on the Internet.
Online skits usually used humor and humor as the theme to show some interesting stories and social phenomena in life through exaggeration, irony, humor, and other means. Its storyline was usually short and compact, and it usually added some online slang and catchphrases to make the audience more intimate and like it.
Crosstalk is a traditional Chinese art form. Its predecessor was a ventriloquism performance. Crosstalk was a technique that used exaggeration, irony, humor, exaggeration, and other techniques to tell the story and plot of a character. It also used dialogue and performance to express the character's personality and characteristics. The humor and liveliness of crosstalk could often attract the attention of the audience. It was often combined with music, opera, and other elements to make it more artistic.
If you want to create an online comedy skit or crosstalk script, you can start from the following aspects:
1. Decide on the theme and storyline: First of all, you have to determine the theme and storyline. You can observe some interesting stories and social phenomena in life or find some interesting stories and jokes from the Internet as the foundation of the script.
2. Character design: It is very important to design characters in the script. You can express the theme and plot of the story by depicting the character and characteristics of the protagonist.
3. Use humor: The characteristics of online comedy skits and crosstalk are humor. Comedy can use exaggeration, irony, humor, and other means to express the interesting stories and social phenomena in the story.
4. Adding network elements: In the online culture, network terms and catchphrases are very important elements. You can add some network elements in the script to make the audience more intimate and like it.
5. Focus on interaction: Online comedy skits and crosstalk usually use interaction as their main means. They can increase audience participation and interaction by inviting the audience to participate or join in some voting, Q & A, and other segments.
The characters included the male lead, Hideyuki Asama, a handsome guy who was only slightly worse than the readers! Female supporting role-Rina Asama, Keke Aiai, female supporting role-Ogawa Naoko, the corners of my mouth opened, female supporting role-Shiroishi Yoshiko, female supporting role-Koto Chui Chiyo.
"Love Comedy with the Wrong Script" Author: Good-looking Pigeon. It's a light novel/original fantasy novel. It's black-bellied, relaxed, and has the elements of a shura and a student. It's finished and can be enjoyed without worry.
User recommendation: "Asama-san, I like you. Can you be with me?"
The young girl who was full of vigor and vitality was A fan of love.
"I want to be with you too."
Hideyuki Asama replied with a smile.
When the young girl heard this, the corners of her mouth could not help but curl up. It only stopped when she was near her ears. Her bright lips became terrifying, and one could clearly see the sharp and ferocious teeth inside. There seemed to be sticky flesh crawling in the gaps...
Hideyuki Asama's smile froze.
I hope you will like this book.
I recommend the following funny co-renting novels to you: " Savage Co-renting "," The School Hunk's Co-renting Lover "," Tsundere Prince Charming Lives in My House: Co-renting for 99 Days "," The Days I Co-rented with a Beauty ", and " The Days I Co-rented with Lemon ". The plots of these novels were light and interesting, suitable for readers who liked to laugh. I hope you will like one of them!
The following are a few recommended novels for funny rebirth scripts:
1. " Rebirth, Doomsday, Original Female Lead's Counterattack ": The female lead was robbed of everything by the female supporting character, but she counterattacked the female supporting character after her rebirth.
2. [The Daily Life of the Minister of Justice's Wife: The female protagonist experiences a series of funny plots with her husband after her rebirth.]
3. " Shu Mou ": This is an ancient romance novel. There are transmigration, rebirth, space, conspiracy, calculation, and true love.
4. " Life in the Other World ": The protagonist transmigrated to the other world and wanted to step on ants without being stepped on. It was a funny novel.
These novels were all completed and were suitable for readers who liked funny and rebirth elements.
First, come up with a funny premise or situation. Then, create interesting characters and give them funny dialogues and actions. Make sure there's a clear beginning, middle, and end.
Balzac's Human Comedy was not an ordinary script, but a literary form called "novel" or "drama". It was composed of a series of comedies, tragedies, and comedies aimed at showing the various levels, situations, and personalities of human life. These works reflected various social phenomena and problems through fictional characters and plots. It was Balzac's criticism and reflection on social reality. Therefore, although some of the plots and characters in Human Comedy were similar to the script, it was not a traditional script but existed as a literary form.
The following is a comedy skit script that reflects social phenomena:
[Setting: A large comedy stage]
Character: Xiao Ming, Xiao Hong, Xiao Fang, Lao Zhang, Lao Liu
Script:
(The stage was set up in a small town. There were four people on the stage representing the lives of the four people.)
Scene 1:
Xiao Ming (acting as a waiter): Hello, what would you like to order?
Xiao Hong (acting as a wife): I want a cup of coffee.
Xiao Fang (acting as a wife): I want a cup of milk tea.
Old Zhang (acting as a businessman): I want a bottle of beer.
Scene 2:
Xiao Ming (acting as a neighbor): Oh my, this family is really troublesome. They always quarrel.
Xiaohong (acting as a neighbor): Yeah, it's a mess every day.
Xiaofang (acting as a neighbor): Sometimes they even fight. I'm speechless.
Old Zhang (acting as a neighbor): I had the same experience. I really don't know what to say.
Scene 3:
Xiao Ming (acting as a passerby): Aiya, this young man is always too impetuous and impatient.
Xiao Hong (acting as a passerby): Yeah, sometimes I can't help but laugh when I see these people.
Xiaofang (acting as a passerby): But then again, young people are always a little impulsive.
Old Zhang (acting as a passerby): But young people should also have self-control and not act impulsively.
Scene 4:
Xiao Ming (acting as a policeman): Hello everyone, I am the policeman here.
Xiao Hong (acting as a police officer): Hello, may I help you?
Xiaofang (acting as a police officer): Excuse me, I was wondering if anything interesting had happened in this town recently.
Old Zhang (acting as a police officer): Alright, we caught a few gamblers and some illegal activities recently.
Scene 5:
Xiao Ming (acting as a boss): Aiya, this young man really doesn't know the immensity of heaven and earth and dares to do anything.
Xiao Hong (acting as a boss): Yeah, sometimes I can't help but laugh when I see these people.
Xiaofang (acting as a boss): But then again, young people are always a little ignorant.
Old Zhang (acting as a boss): However, young people should also be responsible and not be ignorant and fearless.
(The lights on the entire stage gradually dimmed until only one person was left. This person was our protagonist, Xiao Ming.)
Xiao Ming (talking to himself): Then I'm going to play to my strengths. I'm going to make this skit funny and make the audience so happy that they don't want to think about home!