The news work experience of the writers was as follows:
1 Mark Twain: He published articles in the New Yorker magazine and served as a news anchor.
2 Charles Dickens: He once commented on The Times and was a news anchor.
3 Victor Hugo: He published articles in the Paris Review and served as a news anchor.
4. John Keats: He once commented on the Daily Herald and was a news anchor.
5 Charles Dickens 'younger brother, Charles Dickens' sson, once commented in The Daily Mirror.
The Yuan Dynasty was one of the most important periods in the development of opera in Chinese history. Many famous operas appeared. The following are some of the famous operas:
1 Ma Zhiyuan: "Tianjing Sand·Autumn Thoughts"
2. Bai Pu: "Spring in the Pure Sand of Heaven"
3. Guan Hanqing: "Thank You for the Peaches"
4 Zheng Sixiao: Three Shops
5. Yang Xianzhi: Waving Dance
6. Bai Renfu: The Peony Pavilion
7. Shi Naian: Water Margins
8 Luo Guanzhong: Romance of the Three Kingdoms
These are only the operas of the Yuan Dynasty. There are many other famous operas such as Zhang Shaofu, Tang Xianzu, Huang Gongshao, etc. The opera works of the Yuan Dynasty were very rich, and many of them were still widely sung and appreciated today.
The Yuan Dynasty was an important period in the development of Chinese opera.
1 Ma Zhiyuan: "Tianjing Sand·Autumn Thoughts"
2. Bai Pu: "Tianjing Sand·Goose"
3. Guan Hanqing: "The Butterfly Dream"
4 Zheng Guangzu: A Chinese Ghost Story
5 Ma Zhiyuan, Bai Pu, Guan Hanqing and others wrote: Dou E Yuan
The works of these operas had their own characteristics. Bai Pu's "Tianjing Sand·Goose" was hailed as one of the representative works of the Yuan Dynasty opera.
Well, the frequency of online writers redacting their news stories depends on many things. It could be due to errors, updated information, or changes in the story's significance. Some writers might do it seldom, while for others, it could be a more common occurrence.
Some of the famous operas from ancient times to the present include:
- Founder of Peking opera: Master Mei (Mei Lanfang)
- Peking opera representative play: Dream of the Red Chamber
- Founder of Kunqu: Jiang Kun
- Representative Play of Kunqu: Peony Pavilion
- Founder of Henan opera: Li Wanchun
- Henan opera representative play: Legend of the White Snake
- Founder of Cantonese opera: Tan Fuying during the period of Tan Zhang's hegemony
- Representative of Cantonese opera: Dream of the Red Chamber
- Cantonese opera performing artist: Mei Baosen
- Representative of Cantonese opera: Journey to the West
- Founder of Cantonese opera: Huang Zunxian
- A Chinese Ghost Story
These operas had a profound influence on the development of later operas.
Chinese opera is one of the traditional Chinese art forms, including many different forms of performance and opera, such as Beijing opera, Henan opera, Cantonese opera, Kunqu opera and so on. The scripts and performances of traditional Chinese opera usually have profound cultural implications and historical value, and they are also an important part of Chinese culture.
The performance forms of opera included singing, reciting, acting, fighting, dancing, acrobatics, and many other aspects. Among them, singing was the most important. Traditional opera actors usually had to sing many different songs accompanied by dance, props, and other elements to express different characters and emotions.
The script of an opera usually had a profound cultural meaning, including historical stories, folklore, myths, etc. The story was complicated and the actors needed to have high performance ability and artistic accomplishment.
Traditional Chinese opera was an art form with a long history and cultural meaning. It had a wide range of influence and inheritance in all parts of China and overseas Chinese communities.
Phantom of the opera was a black novel by Camus, first published in 1944. The novel used Prim Kasim as the main character to tell the story of him being forced to become the Phantom.
Prim Kasim was a young music teacher. His musical talent made him an official singer at the Paris opera house. However, he was expelled from the opera house because of his relationship with Lily, the daughter of the opera house manager. Prim Kasim felt despair and loss, but he still tried to maintain his dream of music.
However, in an important opera performance at the opera house, Prim Kasim was accused of being gay and was forced to become the Phantom. Phantom's duty was to play the role on stage, but she could not perform on stage and could only meet the audience backstage. Prim Kasim felt endless loneliness and pain in the identity of the Phantom. He tried to get out of this predicament, but everything became more difficult.
The novel explored the complexity of human nature and the nature of power from the perspective of Prim Kasim. In the identity of the Phantom, Prim Kasim tried to prove his innocence, but in the end, he could not escape the temptation of power. The novel ended with Prim Kasim being released at a concert to express the author's pursuit of freedom and equality.
Suzhou opera is a traditional opera art form in Suzhou area of Jiangsu Province. It belongs to the type of opera in Jiangnan water town, with distinctive local characteristics and cultural content. Suzhou opera mainly has Kunqu opera, Beijing opera, Wu opera, Yue opera, Bangzi opera and many other kinds of opera. Kunqu opera was the representative of Suzhou opera and was known as the "Pearl of Oriental Art".
Suzhou opera originated in the Ming Dynasty and developed in the Qing Dynasty. It has a history of more than 400 years. In Suzhou, Suzhou opera was not only loved by the locals but also by tourists. Suzhou opera's performance form was beautiful, music was beautiful, and dance was beautiful. It was known as the "treasure of Suzhou culture and art."