In Lord of the Mysteries, Adam framed the Red Angel in order to seize the authority of the Red Angel evil spirit and advance to the King of Angels.
The Red Angel evil spirit was a Spirit Body materialized from the negative emotions of the Fallen Creator, Admiral of Blood Senor. Its authority was to " control blood." If Adam wanted to become a King of Angels, he had to possess the Uniqueness, and the authority of the Red Angel evil spirit to control blood was very compatible with his Uniqueness. Therefore, Adam had plotted against the Red Angel and seized its authority.
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A characteristic is the use of a main framework. For example, in 'The Canterbury Tales', the journey of the pilgrims is the frame that holds all the individual tales together.
" Return from the Great Dream " was a highly anticipated period drama directed by Guo Jingming. Chen Duling's original photos in the drama caused a heated discussion among netizens. These photos showed Chen Duling dressed in black, her image full of fragments. Her long hair fluttered, and her eyes were full of storytelling, giving people a mysterious and cold feeling. Chen Duling in the photo showed her sexiness and charm, but at the same time, she revealed a trace of fragility and pain, which made people feel pity for her. This style was in stark contrast to Chen Duling's usual pure and cold aura, causing heated discussions among fans. In general, Chen Duling's original photos in " Dream of Return " showed her diverse charm and acting skills, which made people's expectations for this drama even higher.
A frame story, simply put, is like a container for other stories. It might start with an overarching plot that sets the scene. Then, as the frame unfolds, various sub - stories are introduced. One well - known instance is '1001 Nights'. The story of Scheherazade telling stories to the king every night to avoid execution is the frame, and all the other tales she tells are the stories within the frame.
No, it wasn't. A small frame meant that the sweet spot of the racket was small, while the frame of the Thunderbolt 80 was moderate in size and had a large sweet spot, so it was not a small frame.
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Well, basically, the frame in a novel is the underlying structure. It decides how the plot progresses, how characters develop, and how the story unfolds in a logical and coherent way. It's like the blueprint of the novel.
A frame novel is a type of literary work where the story is structured within a framework or container. It often involves multiple stories or elements linked together within this overall framework.
Tian Kai and Ou Kai's comparison table was as follows:
1. The font design of Tian Kai and Ou Kai was based on the regular script. Their construction method was relatively simple. The strokes were neat, well-proportioned, and neat. They paid attention to the structure and proportion. Overall, they looked flat, dignified, delicate, and square.
2. The shape of the hook: Tian Kai's hook was generally a standard square on the outside and round on the inside. The tip of the hook was generally facing upwards. On the other hand, Ou Kai's hooks were square on the outside and round on the inside, while others were both round on the inside and outside. The direction of the hook was often diagonally upward to the right, and the shape of the hook was also different from Tian Kai's.
3. The shape of the dot: Tian Kai's dot shape was particular about the " triangle and belly ", and his writing style was to directly point from the upper left to the lower right. In comparison, Ou Kai's right dot had different shapes and was not strictly " a triangle and a belly ".
4. The shape of the horizontal fold: Tian Kai wrote the horizontal fold pen almost overlapping, forming the characteristic writing method of the Tian character. Ou Kai's horizontal folding pen was generally a natural connection, which meant that the horizontal and vertical lines that formed the horizontal fold had their own states.
5. Style: Ou Kai's regular script calligraphy is even more dangerous, ancient and simple. The strokes are hard and firm, and the structure is impeccable. It is vigorous and gorgeous, rigorous and dignified. Tian Kai inherited the characteristics of the European style, showing the advantages and characteristics of the European style, but also had his own innovation and differences. Tian Kai pursued a stable and dignified effect, and lacked the characteristics of danger and finesse compared to Ou Kai.
In conclusion, Tian Kai and Ou Kai had obvious differences in font design, hook shape, dot shape, horizontal fold shape, and font style. Tian Kai was more upright and dignified, while Ou Kai was more dangerous and simple.