The writing techniques for the emotional lines, main lines, and auxiliary lines of the novel were as follows:
1. Relationship Line:
The emotional line was one of the most important elements of a novel. It described the love story between the protagonist and a certain character to resonate with the readers. Generally speaking, emotional lines could be divided into positive emotional lines and negative emotional lines.
The positive emotional line usually refers to the love and emotional entanglement between the protagonist and a certain character. This kind of emotion can let the reader feel the inner contradictions and struggles of the protagonist and their emotional changes. For example, the love between Jia Baoyu and Lin Daiyu in " Dream of the Red Chamber " and the brotherhood between Song Jiang and Lin Chong in " Water Margins " were examples of positive emotional lines.
The negative emotional line refers to the negative feelings of hatred, disgust, betrayal, and so on between the protagonist and a certain character. These emotions can make the reader feel the pain and torture in the protagonist's heart. For example, the brotherly relationship between Liu Bei and Guan Yu in Romance of the Three Kingdoms, and the master-disciple relationship between Sun Wukong and Tang Sanzang in Journey to the West were all examples of negative emotional lines.
2 Main storyline:
The main plot and storyline of a novel were to describe the main experiences and actions of the protagonist to promote the development of the plot so that the readers could understand the background of the story and the relationship between the characters. Generally speaking, the main storyline should have a clear beginning, ending, turning, and ending, and have a certain connection with the emotional line.
For example, the story of Song Jiang's uprising in Water Margins was a typical main story novel. During the uprising, Song Jiang had experienced different plots such as recruiting righteous men, attacking cities, and recruiting amnesty. These plots constituted Song Jiang's story line. At the same time, the brotherhood between Song Jiang and Lin Chong was also part of the main storyline.
3 auxiliary lines:
The secondary plot and characters of the novel promoted the development of the plot by describing the protagonist's secondary experiences and actions, serving the protagonist's emotional line and main line.
A great line from 'To Kill a Mockingbird' is 'You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it.' This line is profound as it teaches the importance of empathy, which is a central theme in the novel.
The overt and understated lines of a novel referred to the plot and character relationships that were explicitly written or implied in the novel, as well as the author's handling of these plots and character relationships.
Bright lines referred to the plot and character relationships that the author directly described or mentioned in the main body of the novel. These plots and character relationships were usually positive, and the main plot and character images that the author wanted to express. For example, a novel may describe the complex relationship between the protagonist and an important person. This relationship can be clearly described at the beginning or end of the novel.
Hidden lines referred to the plot and character relationships that the author did not directly describe or mention in the main body of the novel, but these plots and character relationships were reflected in the hints or inferences of the novel. For example, a novel might hint at the identity or relationship of an important character through certain actions or conversations of the protagonist.
In a novel, the role of an open and hidden line was different. Bright lines could promote the development of the plot, shape the main characters, and lay the foundation for the ending of the novel. The hidden plot could allow the novel to explore the theme and values that the author wanted to express in depth. An excellent novel might create a richer and deeper storyline and character image through the combination of open and hidden lines.
The overt and underhanded lines in a novel referred to the obvious clues and hints in the story as well as the hidden clues and plots in the story.
Bright lines refer to the obvious clues and plots in the story. These clues and plots are usually displayed in a clear way for the reader to understand clearly. For example, the relationship between the characters, the background story, and the development of events in the novel.
The hidden clues and plots in the story are usually not shown in a clear way but need to be hinted and revealed in other ways. For example, the dialogue between the characters in the novel, the psychological activities, the honey-mouthed sword in the belly, and so on.
The bright and dark lines were very important elements in the process of writing a novel, which could enhance the interest and legibility of the story. When writing a novel, the author needed to be good at using the overt and hidden clues to make the story more colorful and attract the interest of the readers.
There were many wonderful lines in the original novel of " Celebrating the Years." The following are some classic lines: 1. Fan Xian: Hope is the most terrifying thing in the world. 2.[Ye Qingmei: You don't need to plant, life can find its own way to prosperity.] 3. Chen Pingping said, The more fire burns, the faster it will extinguish. The Emperor's plan of nibbling away is the safest plan. 4. Fan Xian said," I admire the magnanimity in Your Highness's words. However, this time, there is no need for you to come with us." 5. The Second Prince said,"Then you should be careful." 6. Fan Xian said,"Your Highness is not angry." 7. Second Prince: Choosing the Crown Prince is perfectly justifiable. It is reasonable for you not to choose me. Why should I be angry? 8. Fan Xian thought more highly of His Highness than the Crown Prince. 9. Minister Lin: Being an official is like being a human being. The more you move forward, the more cautious you have to be. 10. The Qing Emperor said," He is a smart person. The greatest characteristic of smart people is that they are self-righteous." 11. The Qing Emperor thought, Making the human heart a battlefield is the most soul-stirring.
Sometimes it's for character development. An unlikely line can show a character's unique perspective or a turning point in their feelings. For example, if a character says 'I don't believe in this so - called love anymore' after a series of events. It shows a change in their view of love, which can be a crucial part of their development in the story. This also helps to make the character more three - dimensional rather than just following the typical romantic plotline.
A 'fault lines novel' often has a central theme related to division. This could be division within a family, like in a family drama where secrets and differences create rifts among family members.
When writing a double lines novel, it's important to keep in mind the overall theme. The two lines should contribute to the exploration of the theme in different ways. For example, if the theme is love and loss, one line could show the loss of a relationship in a modern setting, while the other could show how love was different in the past. This way, the two lines work together to deepen the understanding of the theme. Also, use transitions effectively to make the shift between the two lines smooth for the reader.
One characteristic could be the presence of two parallel storylines. For example, in some double lines novels, one storyline might be set in the present day, while the other could be in the past. This allows for a comparison and contrast between different time periods and the characters' experiences within them.
Some common types are the attention - grabbing statement. For example, 'It was a dark and stormy night.' which immediately sets a mood. Another type is the mysterious opener like 'The door stood ajar, a strange silence seeping out.' There's also the character - introduction first line such as 'Jane was always an odd child, with her head in the clouds.'