Well, here is a 'dialogue only short story' about a student and a teacher. 'Student: Sir, I don't understand this math problem. Teacher: Have you read the textbook? Student: Yes, but it's still confusing. Teacher: Then come to my office after class and I'll explain it.' Another story is between a customer and a waiter. 'Customer: I ordered a steak well - done, not medium - rare. Waiter: I'm sorry, ma'am. I'll get you a new one right away.' There could also be a dialogue between a doctor and a patient. 'Patient: Doctor, I have a headache all the time. Doctor: How long has it been? Patient: For about a week. Doctor: We need to run some tests.'
To create effective 'dialogue only short stories', focus on strong character voices. Each character should have a distinct way of speaking. For example, a young kid might use simple words and short sentences, while an old professor would use more complex language. Also, make sure the dialogue moves the story forward. Don't have characters just chatting aimlessly.
Not necessarily. Short stories can focus on other elements like vivid descriptions or a single character's inner journey. However, dialogue can often make the story more engaging and realistic.
Formatting dialogue in short stories involves using clear punctuation and breaks. Put dialogue in quotes and vary the length and style of the lines to add rhythm. And always make it easy for the reader to follow who's speaking.
Well, one characteristic is that the dialogue drives the plot forward. For example, in 'The Necklace' by Guy de Maupassant, the conversations between Mathilde and her friend at the beginning set up the whole situation of her envy and longing for a luxurious life, which leads to the borrowing of the necklace and the subsequent events.