It's not normal at all. Tattoo parlors are associated with body modification which is an adult concept. A story about children in such a place might be aiming to shock or draw attention to issues such as a lack of proper childcare, irresponsible adults, or a failure in community standards. For example, if a child is at a tattoo parlor, it could mean that the parents are neglecting their role in protecting the child from inappropriate environments.
Seeing children at a tattoo parlor in a story could suggest several things. For one, it could show a breakdown in societal norms. Tattoo parlors are not places typically suitable for children due to the adult nature of the business. It could also be part of a plot device to highlight irresponsible parenting or a unique cultural situation where the boundaries between what's appropriate for adults and children are blurred.
One time at a tattoo parlor, a friend of mine was getting a small heart tattoo. The tattoo artist was a really chatty guy. As he was working, he accidentally sneezed right on my friend's arm! It was gross but also hilarious. We all had a good laugh, and the artist was so embarrassed. He ended up giving my friend a discount for the inconvenience.
Tattoo was a contemporary Chinese story about Zhou Yunxiang, a young man born in the 1940s in a rural village in China.
At the beginning of the story, Zhou Yunxiang lived in a small village called "Wusi Village". His father was a famous farmer painter, but his mother was a very traditional Chinese woman. Zhou Yunxiang had been influenced by his father since he was a child and had a strong interest in painting, but his family did not support his pursuit.
Zhou Yunxiang also encountered some difficulties and setbacks during his school days. He was introverted, not good at communication, and his academic performance was not good. However, he gradually achieved some success through self-study and participation in various painting competitions.
After he grew up, Zhou Yunxiang came to Beijing and became a famous painter. However, his success had caused some jealousy and attacks, and his artistic career had also suffered many setbacks. In the process, Zhou Yunxiang met many different people, including a young woman, Li Na, and her family.
Zhou Yunxiang finally left Beijing and returned to his hometown, Wusi Village. There, he discovered his father's paintings and discovered his own talent. He began to learn painting again and gradually became a famous painter.
At the end of the story, Zhou Yunxiang returned to Wusi Village to run his own gallery with his family. His works were appreciated and loved by more and more people, and he became a respected artist.
Yes, 'Anarchy Parlor' is based on a true story. This means that the core idea or some of the events in the story have their roots in reality. The movie may have drawn inspiration from real incidents, perhaps something that happened in a particular place or to certain people. It's interesting how real - life can be the starting point for creating a fictional world on the screen. The creators probably wanted to bring a sense of authenticity to the movie by basing it on a true story.
The 'the sun parlor' story might be something very specific. Maybe it's about a particular place named the sun parlor. Without more details, it's hard to tell the full story. It could be a story about the people who visit it, the events that happen there, or its significance in a community.
Well, a tattoo story often involves the artist as well. Maybe a person saw an amazing tattoo design by a particular artist online. They were so inspired that they made an appointment and during the process of getting the tattoo, they had a great conversation with the artist, which became part of the tattoo story. This includes the artist's inspiration for creating the design and how they executed it on the person's skin.