They say houses can hold a lot of secrets, the only way those secrets get revealed is if you're brave enough to open the door.
Paige and her group of friends decide to buy a house together, they settle on an older looking home that would need a lot of work. They were living the dream, until that dream turned into a nightmare.
Enter to the stage, John Rickman. A huge drug lord who had been hiding his money in the older looking home, who doesn't take too kindly to discover all his money missing.
The group have to go on the run to save their lives, but trouble somehow always follows. They settle down in an off the grid type of village, where they were about to learn why it was so off the grid.
Lies, murder and pain consume the village they thought would be safe. Forcing the friends to make decisions they would regret for the rest of their lives.
They wanted a fresh start, but it was far from the start they were expecting.
Not enough ratings
40 Chs
I Can Rewatch The Crime Scene
Qin Feng was transmigrated to a parallel world and became a cop. He had activated the Super Detective System and could replicate any scene in his head down to the minor detail.
His first case was the murder and decapitation of a wife. He slowly piled up an impressive resume, and whenever he solved a case, he would be rewarded by the system.
God-tier: Close Quarter Combat
God-tier: Gun Mastery
God-tier: Hermes Feet
“I’m the crime’s kryptonite, the natural enemy of murderers, and the protector of people!” announced Qin Feng.
3.8
40 Chs
Behind The Scene (JJK-JEB)
(On-going)
Tidak ada yang tahu bagaimana kehidupan idol di belakang layar, termasuk kisah percintaan mereka. Bahkan jika kau mengaku sebagai fans, kau tidak akan pernah tahu siapa yang dicintai idola-mu. Segala sesuatu yang terjadi di belakang layar adalah rahasia- Behind The Scene 2020
WARNING:
1. Rate; 19+
2. Delusi yang disalurkan melalui sebuah tulisan
Not enough ratings
25 Chs
A Toaster In the Apocalypse
Spoilers for the first chapter:
Accidents happen, sometimes fate has other plans for you.
Meet Mark, a college jock that is on the path of partying and dropping out, meets his true fate.
Death by toaster!
Follow the path of a Toaster on the path of becoming what he believes is the path of a hero, as he makes, and gathers friends around him.
PS: No plans to give him a human form as he evolves.
Not enough ratings
19 Chs
Help Me Make A Bed Scene
Sixteen-year-old aspiring author Queen Yamada finds pleasure in creating stories online. She dreamed of publishing her own books someday. When the innocent Queen started to establish a good fan base for her online stories, the pleasure she felt on writing gradually became a pressure.
Some of her fans started to demand a bed scene with her storyline! As the pressure of pleasing them started to crept on her bones, she made a stupid mistake any sixteen year old could do. She went to social media and desperately posted a status.
"Fellow writers, help me make a bed scene."
Her post managed to catch the attention of the diverse community of writers and readers. What could possibly get wrong? Her life starts to turn upside down when a creepy man begins to send her unsolicited love notes, luxurious gifts and obsessive messages. Now, she is on the run!
4.9
20 Chs
Paint a New Scene
Young widow and artist Keely must reinvent her life after her husband’s sudden death. Her first step is to move to a new town.<br><br>When her landlady hires a couple of itinerant painter-handymen to refurbish the house, Keely begins to awaken from her grief-spawned isolation. Inspired by the two good-looking workers, she explores a new focus for her art and discovers the exotic pleasures of a ménage for the first time.
Not enough ratings
18 Chs
ENDING SCENE
Pacey Dallas Sangco is a prim and proper lady. She handles her life well—from studies to her hobbies but not boys. She grew up without a fair share of boys not until she met Kein Dawn Castillo, a bipolar man that will mess with her mind and emotions.
But life doesn’t just end when the two met, because their differences will play with them until they find each others’ comfort.
Not enough ratings
10 Chs
Crime scene [BL]
A story about a young teenager who was involved in a murder case.Podie a nineteen years old college student got himself in a big trouble.
who will be there to help him?, his dead parents or the Hot cop Jonathan.
found out by reading the book.
Not enough ratings
10 Chs
Behind the Scene of Snail Girl Era
for my bestfriends
Not enough ratings
11 Chs
Behind the scene of 1940's (Filipino/Tagalog)
Hong Kong
1940 December
Sa kalagitnaan ng tumitinding pangalawang digmaang pandaig ay wala paring tigil ang paroon at parito ng mga tao. Tulad na lamang ng magkapatid na sina Celio at Celia na kasalukuyang sakay ng naglalayag na pampasahirong barko mula Japan patungong Hong Kong.
Maraming sakay ang barko na karamihan ay mga sino (Chinese), may mangilan-ngilang kanluranin din.
Malaki ang kainan sa loob ng barko na halos puno na rin sa tanghaling iyon. Sa isang sulok na mesa ay makikita doon na nakapalibot ang limang ginoo na pangkanluranin ang kasootan.
Dalawa sa mga ginoong iyon may mala mais na buhok, mapuputing balat at namamaga pa ang pisngi dahil sa lamig ng panahon kagaya ng isa pa na ang ipinagkaiba lang ay ang itim na buhok.
Ang dalawang pang ginoo naman ay parihong may itim at kulot na buhok, maputi din ang mga ito marahil ay dahil sa matagal na pamamalagi sa kanlurang lupain, hindi nga lang tulad sa tatlo kanina na halata ang lahing kastila at amerikano.
Masaya silang kumakain na animoy walang kagulohang nagaganap. May kung anu-anong pinag-uusapan na minsan ay nagkakatawanan pa. Marahil ay nakasanayan na lamang nila ang putukan, bumbahan at iyakan dahil sila ang mga sanggol na isinilang sa magulong panahon. At ngayon sa panahon ng kanilang tagsibol ay papaano nila gagampanan ang pagiging pag-asa ng bayan?
"Nakakahiya mang aminin ngunit sasabihin ko parin." Wika ng isa na may mala mais na buhok na nagngangalang Alfredo Diaz. "Sa iyong kaanyuan ngayon ay mukhang higit ka pa yatang mas magandang lalake kaysa sa amin ginoong Celia."
Sumang-ayon naman ang tatlo habang patuloy ang masayang kaninan.
"Ang pangit kasi, mas pagkakamalan pa akong babae kaysa sa kanya eh." Pagbibiro naman ng kapatid ni Celia na si Celio at napahalakhak ang mga kasama nilang mukhang mga kanluranin ngunit sa pilipinas isinilang at may lahing malaya.
"Nagsalita ang sampid." Banat naman ni Celia na kasalukuyang nakaayos ng panglalake dahil napagkatuwaan lamang nito.
"Ako sampid? Kala pala ang gwapo ko." Sinabayan pa iyon ni Celio ng malakas na tawa pati narin ng mga kasama nila kaya naman ay nagtinginan sa kanila ang iba pang naroon na kumakain din.
Nagkasabay naman na siminyas ng katahimikan sina Manuel Revera na may mala mais ding buhok at Robert Taylor na siyang nag-iisa sa kanilang may lahing kano.
"Bukas ng umaga ay dadaong na ang barkong ito sa hongkong, may pupuntahan pa kaming tatlo kaya baka hindi na kami makasabay sa inyong magkapatid pauwi." Seryosong pahayag ni Robert.
Natigilan naman si Celia dahil ibig sabihin niyan ay hindi na niya makikita ang matagal na niyang hinahangaan (daw) na walang iba kundi ang makisig na si Robert.
Ano bang pwedi niyang gawin? Nais niya pang makasama ito ng matagal. At hindi niya pa nakukuha ang kailangan niya dito.
"Nako tamang-tama lamang iyon dahil nais din namin ng kapatid ko na mamasyal muna sa hongkong." Pagdadahilan ni Celia na sasalungatin sana ng nakababatang kapatid na nasa tabi niya, mabuti na lamang at tumingin muna ito sa kanya, at sa tinginan ng magkapatid ay nagkaintindihan sila. "Wala kaming kakilala dito sa Hong Kong, baka pweding sumama narin kami sa inyo?"
Nagkatingin ang tatlo, halata sa mga mukha ng mga ito ang hindi pagsang-ayon sa sinabi ni Celia.
"Ah kasi..." Hindi naman alam ni Alfredo kung ano ang dapat sabihin.
"Kung hahayaan mong sumali si Celio sa amin ay pwedi namin kayong isama." Si Robert ang nagsalita. "We're not going there just for fun."
"I can't let him join that secret org of you people." Pagtanggi naman ni Celia. "Bakit hindi nalang kaya ako ang pasalihin niyo?"
Natawa ang mga ginoo sa winikang iyon ni Celia.
"Ayaw mong pasalihin si Celio pero gusto mong isali ang iyong sarili?" Pagpapalinaw ni Manuel kay Celia.
Well, the toaster scene in Pulp Fiction can be seen as a small but important part of the film's fabric. It might be used to create a sense of place and time, perhaps it's in a diner or a kitchen. It can also be a way to ground the characters in a more domestic setting for a brief moment, even though they are constantly surrounded by danger and the underworld. This little scene with the toaster can add depth to the movie's overall portrayal of the seedy underbelly of society and how normal things still exist within that abnormal world.
The toaster scene is an interesting addition to the narrative of Pulp Fiction. It creates a contrast between the ordinary and the extraordinary. The toaster represents the normal, daily life that most people are familiar with, while the rest of the movie is filled with drug deals, hitmen, and all sorts of criminal activities. This contrast helps to emphasize the uniqueness of the world that the characters inhabit. It also allows for a moment of character development, as the characters' reactions to the toaster or the situation around it can reveal something about their personalities. Maybe one character is impatient with the toaster, which shows their short - tempered nature in a more domestic context. Overall, the toaster scene is a small but effective part of the movie's complex narrative.
Perhaps in a more abstract way, if we consider 'pulp fiction' as a form that often plays with juxtaposition of different elements, a toaster could be one such element. It could be used to add a touch of the ordinary to a story filled with crime, mystery and adventure, just like how in some pulp fiction movies, they show small domestic details among all the chaos to make the world seem more real. The toaster can be that small domestic detail that anchors the otherwise out - of - this - world pulp fiction narrative.
There may not be an obvious direct connection between toaster pastries and 'Pulp Fiction'. 'Pulp Fiction' is a famous movie known for its non - linear narrative and complex characters. Toaster pastries are a type of food. However, one could perhaps imagine a scene in a 'Pulp Fiction' - like world where a character is eating toaster pastries in a diner during a strange conversation or moment of tension.
One way is to make it a part of a crime scene. For example, the villain could use the toaster to burn evidence, like papers, into unrecognizable ashes. Or the hero could find a clue in the toaster, like a small piece of a map that was accidentally toasted along with the bread.
Definitely. Toaster pastries can be used as a symbol in a 'Pulp Fiction' - inspired story. In 'Pulp Fiction', there are many symbols that are used to represent different aspects of the characters and the story. Toaster pastries could be a symbol of innocence or naivete. A character who loves toaster pastries could be seen as someone who is trying to hold on to a more innocent time in their life, especially in a world filled with the kind of seedy and violent elements that are characteristic of 'Pulp Fiction'.
There may not be an obvious direct connection. Frosted cinnamon toaster pastries are a food item, while Pulp Fiction is a well - known movie. However, one could potentially create a very creative or absurdist connection. For example, in a fictional scenario, a character in Pulp Fiction could be obsessed with frosted cinnamon toaster pastries and it could be used as a symbol of their simple pleasures or a contrast to the violent and complex world they inhabit.
There is no kangaroo scene in Pulp Fiction. The movie has a distinct style and set of themes that revolve around human interactions, violence, and pop - culture references. Kangaroos are not part of the movie's universe. It would be really out of place to have a kangaroo in a movie that is so centered on the seedy underbelly of human society as depicted in Pulp Fiction.
One of the most iconic scenes in 'Pulp Fiction' is the diner scene. It's a great display of Quentin Tarantino's unique dialogue writing. The characters, like Jules and Vincent, have this intense yet strangely comical conversation. The tension in the air is palpable, and it sets the tone for the rest of the movie, showing the mix of violence and dark humor that is characteristic of Tarantino's work.