These crime novels from the 30s and 40s typically had fast - paced plots. There was usually a mystery that needed to be solved quickly, with lots of twists and turns. The settings were often gritty urban environments, like the seedy parts of big cities. And the writing style was often direct and to the point, aiming to keep the readers on the edge of their seats.
In 1930s crime novels, the writing style was direct and often terse. Writers focused on action and dialogue. The moral lines were often blurred, not clearly defining good and bad. Characters might be anti - heroes. The novels also reflected the social and economic hardships of the time, with poverty and desperation being part of the backdrop.
The 1960's crime novels often had complex and morally ambiguous characters. They might deal with issues like the changing social fabric of the time, such as the rise of counter - culture. Many of these novels also had a noir - like atmosphere, with dark alleys and shadowy figures.
The 1980s crime novels often had gritty and realistic settings. They might focus on urban decay, corruption, and the seedy underbelly of society. Many of them had complex and morally ambiguous characters.
The 1940s crime novels also reflected the social and cultural context of the time. World War II had a huge impact. There was a sense of disillusionment in some of the works, as people were dealing with the after - effects of the war. Women characters started to become more complex too, not just simple damsels in distress but sometimes involved in the mystery themselves.
The 1950s crime novels often had a noir atmosphere. They typically featured tough detectives, complex mysteries, and a sense of moral ambiguity. The settings were often gritty urban areas, and there was a focus on the darker side of human nature.
The 1970s crime novels usually had a sense of social commentary. They reflected the issues of the time like drug use, political corruption, and the breakdown of traditional values. The writing style was often straightforward yet engaging. The use of local dialects and slang added to the authenticity. The villains in these novels were not one - dimensional but had motives and backstories that made them seem more real.
The 1920s crime novels were really interesting. One of the main characteristics was the use of vivid descriptions to bring the settings to life. The authors would describe the dim - lit bars, the flapper - filled dance halls, and the shabby apartments where the criminals lurked. Another aspect was the character development. The criminals were not just one - dimensional bad guys. They had motives that were often related to the social and economic conditions of the time. For example, some turned to crime because of poverty or the allure of easy money during the post - World War I era. The detectives, on the other hand, had to navigate through a web of lies and deception to solve the crimes. And the language used in these novels was also quite unique, with a lot of slang terms from the 1920s that added to the authenticity of the stories.
1960s crime novels had a significant impact on modern crime fiction. For example, the complex characters and moral ambiguity in John le Carré's works set a precedent. Modern writers often create characters that are not simply good or bad like in his novels.
Well, 70s crime novels set new trends. Many of them, like 'The Day of the Jackal', had very detailed and elaborate plots. This led to modern crime fiction authors spending more time on crafting intricate plots. Also, the social commentary in 70s crime novels, such as the corruption and power dynamics shown in 'The Friends of Eddie Coyle', made modern writers more aware of including such elements in their works to add depth.