The 'dry crime fiction' perhaps is crime fiction with a certain tone. It may not have the vivid, heart - pounding action that some other crime fictions do. It could be that the settings are described in a plain way, not painting a very colorful or exciting picture. The dialogue might be concise and to the point, serving mainly to move the plot forward in terms of the crime and its solution. It's like a stripped - down version of crime fiction that still manages to engage the reader through its focus on the core elements of the crime genre.
I think the novels of Georges Simenon might fall into this category. He was known for his concise and unadorned writing style when it came to crime stories. His Inspector Maigret series, for instance, presents crimes in a rather matter - of - fact way, with the focus on the detective's methodical investigations.
There's also Agatha Christie. While some of her works have elements of character drama, many of her detective stories, especially those featuring Hercule Poirot, can be considered dry crime novels. She presents the crimes and the solving process in a very logical and unembellished way. And then there's Henning Mankell. His crime novels are often focused on the crime itself and the search for the truth, with a rather dry, straightforward narrative style.
They often lack excessive emotional drama. The focus is mainly on the crime itself, the investigation process, and the logical deduction. For example, in many classic dry crime novels, the detective simply presents the facts and evidence without much personal emotional turmoil involved.
The setting. The dry Australian landscape, be it the outback or small drought - stricken towns, gives a unique backdrop. It adds a sense of isolation and harshness that influences the crimes and the characters. For example, in 'The Dry', the drought - affected area creates a tense atmosphere.
One of the well - known dry Australian crime novels is 'The Dry' by Jane Harper. It has a great sense of place, set in the unforgiving Australian outback. The story is full of mystery and complex characters. Another could be Peter Temple's works, which often feature a gritty and dry - toned exploration of crime in Australian settings.
Well, for best - selling crime novels with a dry feel, 'Sharp Objects' is quite good. It has a dry, almost desolate setting that adds to the overall sense of unease in the story. The characters are complex and the mystery is slowly unraveled in a way that keeps you reading. 'The Dry' itself by Jane Harper is a prime example. It's set in a drought - stricken Australian town and has a dry, unforgiving landscape that mirrors the dark secrets and crimes in the story. Also, 'The Killing' by David Hewson is a best - seller that offers a dry, methodical look at a crime investigation.
Not at all! Historical fiction can be engaging and vivid. It doesn't have to be dry. Good historical fiction brings the past to life with interesting characters and exciting plots.
Well, 'dry young adult fiction' might be young adult books that are more subdued in their style. They may not have a lot of the typical YA elements like intense romance or high - octane adventure. For example, some books in this category could focus more on the day - to - day lives of teenagers in a rather plain way, without all the bells and whistles that usually attract young readers.
Literary fiction is sometimes seen as dry because it doesn't always have a fast-paced plot or obvious entertainment value. It focuses more on character development and literary merit, which can be a bit challenging for those seeking light and easy reads.