It could be a call for the recognition and appreciation of romantic fiction. Romantic fiction often explores deep emotions, relationships, and the human experience of love, and this plea might be to give it more respect in the literary world.
A plea for romantic fiction usually focuses on expressing the charm and importance of this genre, highlighting elements like passionate love, emotional connections, and memorable storylines.
Authors of romantic fiction might make such a plea. They may feel that their work is not getting the attention it deserves, so they plead for more recognition for the genre they are part of.
Perhaps Norris in 'a plea for romantic fiction' emphasizes the importance of emotion in romantic fiction. Emotion is often at the heart of such stories, driving the characters and plot. He might also discuss how romantic fiction can offer an escape from the mundane, into a world of heightened feelings and experiences. This genre allows readers to explore love, passion, and other intense emotions in a fictional setting.
In novels, there were many ways to express the words begging for mercy, depending on the plot and character of the novel. The following are some common ways to beg for mercy:
1 Begging for mercy:(subject + verb + object)× 2
I beg you, don't kill me!
2 Repentance:(subject + verb + object)× 2
For example: I confess to you that I shouldn't have done that.
3. Admit wrong:(subject + verb + object)× 2
I admit I was wrong. I shouldn't have done that.
4 Apologize:(subject + verb + object)× 2
I apologize. I shouldn't have done that. I hope you can forgive me.
5 Give up:(subject + verb + object)× 2
I've decided to give up and stop fighting with you.
6 Begging:(subject + verb + object)× 2
For example, I beg you to let me go and stop chasing me.
It was important to note that the way of begging for mercy in the novel should be in line with the character's image and plot setting, not too exaggerated or dull.
It could mean that the character is in a very dangerous or threatening situation. Maybe they are trapped in a haunted house with some malevolent spirit. For example, in many classic horror stories, a character might plead for help when they are being chased by a monster or when they are lost in a dark and eerie forest where strange noises keep them on edge.
Sometimes, it could be another character who is brave or naive enough to respond. In some stories, a curious bystander might hear the plea and go to investigate, not fully realizing the danger. For example, a young journalist in a horror story might hear a plea for help from an old, abandoned asylum and decide to check it out for a story.
The two main characters are clearly the father and his son. The father is the one who is taking a stand and reaching out. He's concerned about his son's situation in school. His son is the one at the center of the issue, being misjudged or not fully understood in the educational environment. There could be other characters like school administrators or teachers in the background that the father is trying to communicate with, but the focus is on the father - son relationship.