Ending with a moment of self - realization can be great. Suppose a character has been very selfish throughout the story. At the end, they see how their actions have affected others and make a decision to change. This gives a feeling of growth and hope. You can write something like 'She looked at the mess she had made of people's lives and for the first time, she understood. She would be different from now on.'
Ending with a moment of self - discovery for the main character can be great. Let's say in a story about a lost young person, at the end, they finally figure out who they are and what they want in life. It gives a sense of closure and growth. It could be something like the character looking at their reflection and smiling, knowing they are on the right path now.
Dialogue in a short story can be ended with a sudden change of topic. Say, they were discussing their future plans and then one of them says, 'Forget all that. Look at the beautiful sunset.' This unexpected shift gives a sense of closure to the dialogue. Another approach is to use silence. After a significant exchange, the characters just stop talking and the story moves on, like 'Their eyes met, words seemed unnecessary, and the silence filled the room as the story continued.' Also, a character's realization can end the dialogue, for example, 'As they talked, she suddenly realized, "I don't need this." And with that, the conversation ceased.'
One way is with a twist ending. For example, the reader might think the character is about to achieve their goal, but then something unexpected happens that completely changes the outcome. Another way is with a resolution. This means all the problems or conflicts in the story are neatly solved. For instance, in a story about a detective trying to solve a crime, at the end the detective catches the criminal and justice is served. The third way could be an open - ended conclusion. Here, the story doesn't really have a definite end. It leaves the reader thinking and imagining what might happen next, like in a story that ends with a character starting a new journey without any indication of how it will turn out.
One good way is with a twist. For example, the character who seemed like the hero all along turns out to be the villain in the end. It makes the reader re - evaluate everything they've just read. This kind of ending is unexpected and can leave a strong impression.
One way is with a twist. For example, the character who seemed to be the hero turns out to be the villain all along. This surprises the reader and makes them rethink the whole story.
One good way is to end with a sense of resolution. For example, in a mystery story, the detective finally reveals who the culprit is and how the crime was committed. This gives the reader a feeling of closure. Another way is with a moral or lesson. If it's a fable, the end could show what the characters learned from their experiences, like 'And so the little hare learned that overconfidence can lead to defeat.' A third way could be an open - ended finish that makes the reader think. Maybe the main character is about to embark on a new adventure, leaving the reader to wonder what will happen next.
Ending with a symbolic image can be very powerful. In a story about a person's struggle with depression, the final scene could be the character looking at a single flower growing through a crack in the pavement. This flower represents hope and new life, leaving the reader with an uplifting feeling and a deeper understanding of the character's journey.
An ending that ties up all the loose ends neatly is a classic approach. If there were sub - plots or mysteries throughout the story, resolving them all in the end gives the reader a feeling of satisfaction. Like in a mystery story where the identity of the thief was unknown, and at the end, all the clues are put together to reveal who it was.