Well, one characteristic is the use of suspense. It keeps readers on edge, like not knowing when the next terrifying event will occur. Another is the creation of a creepy atmosphere, often through detailed descriptions of spooky settings. Also, horror literary fiction usually has complex and often tormented characters that add to the overall sense of dread.
Literary devices enhance horror in various ways. Atmosphere, for example, draws the reader into the story's world. By describing a place as 'dimly lit, with a musty smell and a cold draft', it makes the reader feel as if they are there, increasing the sense of dread. Foreshadowing creates anticipation. When a character finds a strange mark on the wall early in the story, the reader wonders what it means and is on edge waiting for the revelation. This builds up the horror gradually.
In horror fiction, hyperbole can be an effective device. For instance, 'The silence was so thick it could be cut with a knife', emphasizing the eerie quiet before something bad happens. Personification of inanimate objects also adds to the horror. A door might 'creak angrily' as if it has a will of its own. Another device is the use of flashbacks. Flashbacks can reveal past traumas or events that are linked to the current horror situation, making the overall story more complex and terrifying.
Another is 'The Shining' by Stephen King. King is a master of horror, and this book is a prime example. The haunted Overlook Hotel, with its dark secrets and the slow descent of the main character into madness, makes for a truly terrifying read.
One classic in literary horror fiction is 'Dracula' by Bram Stoker. It introduced the iconic vampire Count Dracula and has influenced countless horror works since. Another is 'Frankenstein' by Mary Shelley. It explores themes of creation and the consequences of playing God. 'The Strange Case of Dr. Jekyll and Mr. Hyde' by Robert Louis Stevenson is also a great one, delving into the duality of human nature in a rather horrifying way.
Literary horror fiction often focuses more on psychological aspects. While other horror genres like slasher films or some pulp horror novels rely on gore and jump scares, literary horror delves deep into the characters' minds. For example, in 'The Yellow Wallpaper', the horror comes from the main character's mental breakdown. It's not about a monster chasing her but her own internal struggle.
Literary agencies can help in several ways. They have connections with publishers who are interested in horror fiction. For example, they can directly pitch your horror manuscript to the right editors. They also offer advice on how to make your horror fiction more marketable, like suggesting tweaks to the plot or characters to enhance the scare factor.
Literary agencies are interested in the marketability of horror fiction submissions. If they think the story has the potential to attract a large audience, they are more likely to consider it. This includes elements like having a relatable protagonist in a terrifying situation. They also look at the overall atmosphere created in the story. A really spooky and immersive atmosphere can be a big plus.
Horror fiction writers should look for agents who have a track record in the horror genre. If an agent has successfully represented other horror authors, they are more likely to understand the specific needs of horror fiction. For example, they'll know how to market a book with extreme horror elements without it being too off - putting to mainstream audiences.
Literary agents assist in the horror fiction field in several ways. They can guide the author in terms of current market trends in horror. For instance, if vampire - themed horror is currently oversaturated, they can suggest alternative sub - genres to explore. Moreover, they negotiate better deals for the author. If a publisher offers a low advance for a horror novel, the agent can use their expertise and connections to try and get a more reasonable offer.