Jian Qingfen was the character played by Lin Yichen in the TV drama " We Are Not Kind Enough ". She represented a married middle-aged woman with children. She lived a happy life on the surface, with a perfect family and career, but she felt that life was monotonous and boring in her heart. She began to envy Rebecca, an unmarried and independent woman, thinking that her life was full of freedom and elegance. However, when they got to know each other's lives better, they realized that their lives were not as good as they had imagined. Rebecca was the character played by Xu Weining in the drama. She was Jian Qingfen's husband's ex-girlfriend. Jian Qingfen peeked at Rebecca's social media and found that she lived a glamorous life with 18 million in savings and a handsome boyfriend. However, this was only Jian Qingfen's imagination. Rebecca's life was not as wonderful as she had imagined.
Jian Qingfen and Rebecca were the two female leads in the TV drama " We're Not Kind Enough." They were colleagues and had the same birthday. They often wore the same clothes because of their similar taste in clothes. Both of them liked the same man. In the end, Qingfen successfully " snatched " him from Rebecca and married him. Qing Fen was a third party who interfered in other people's relationships, but from another perspective, she was a person who dared to seize the opportunity to fall in love. They had different struggles and confusion in their families, careers, and lives. The play showed their complex interpersonal relationships and inner struggles, exploring the many sides of human nature.
Rebecca is widely regarded as a Gothic novel. It contains elements like a dark and brooding atmosphere, a complex and secretive plot, and characters haunted by their pasts, which are common in the Gothic literary tradition.
Well, Rebecca is typically classified as fiction. It may draw inspiration from various elements, but it's not based on a specific real-life event or person.
Rebecca has elements that can be analyzed through a feminist lens. The female characters' experiences and their struggles against traditional expectations contribute to its potential classification as a feminist novel. But it's not a straightforward case and interpretations can vary.