Fan Jiansheng was an outstanding representative of the Fan family, an aristocratic family that made purple sand teapots. Fan Jiansheng had rich experience and attainments in the field of purple clay teapot art. He had been learning pottery from his parents since he was a child, and later received personal guidance from his brother, Fan Dingfu. Fan Jiansheng was diligent and studious. He studied hard and gradually formed a unique style. His works were dignified and generous, simple and concise, well-made, and deeply loved by people. Fan Jiansheng's teapot skills won an international award during the Republic of China, making his works famous overseas. Fan Jiansheng was known as the master of the Fan family's teapot art. He devoted his life to studying the teapot making skills and became an artist with superb teapot making skills.
Fan Jianjun was a purple clay teapot maker. He was born in 1971 and his ancestral home was Yixing, Jiangsu Province. Fan Jianjun had a wealth of experience and unique style in the design and production of purple clay pots. His works had sharp lines and tight covers. They were simple, elegant, vigorous, refined, and full of inspiration. Fan Jianjun's works had won many awards at the National Art Exhibition and had been collected by many museum collections. His designs were rich in subject matter and varied in decorative techniques. There were traditional styles, but they were more creative and integrated with the poetry of the ancients. Fan Jianjun's purple clay teapot works were very popular among teapot lovers.
Zou Jie was a contemporary young ceramist and a craftsman. He was a craftsman specially hired by the Fan family's teapot shop. He was also a member of the Yixing Purple Sand Industry Association and the Jiangsu Province Arts and Crafts Society. Zou Jie was born in 1975. He began to learn creation and design from Fan Weiqun in 1993, and received guidance from many famous teachers such as Xu Hantang and Gu Shaopei. He had his own exploration and pursuit of purple sand art, and gradually formed his own unique style. Zou Jie's works were novel in design and unique in shape. He had won many awards in the exhibition competition and was praised by merchants and collectors at home and abroad. He was skilled in light, square, and sculpting techniques. In short, Zou Jie was a well-recognized and appreciated artist of the purple clay teapot.
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Copper red glazed porcelain is very popular in the history of Chinese porcelain collection.
Copper red glazed porcelain was a kind of underglaze porcelain. The glaze was made of copper ions and copper ions. It showed the copper red color of copper and copper. Bronze red glazed porcelain can be divided into two categories:
1. Underglaze Copper Red Glazed Porcelain: Painting the bottom glaze of the porcelain with copper red color and then cover the glaze with a layer of transparent glaze. The painting skills of this kind of porcelain required a high level of gorgeous colors and delicate strokes.
2. Copper red glaze porcelain: On the basis of copper red glaze, a layer of glaze is usually transparent glaze or colored glaze. This kind of porcelain was more colorful and could show purple, blue, green, yellow and other colors.
Copper red glazed porcelain was very popular among Chinese porcelain collections. It was a bright pearl in Chinese traditional porcelain culture.
Tang Dynasty porcelain had a high collectible value, but there were also many imitations on the market. The value of a genuine item depended on its appearance and craftsmanship. If the appearance was good and the craftsmanship was exquisite, its value would be even higher. However, the value of some small kilns and miscellaneous kilns 'civilian bowls and plates, as well as some bottles and jars, were not high. Therefore, to determine the value of a piece of Tang Dynasty porcelain, it was best to provide pictures or links for experts to identify.
The shape of the Tang Dynasty porcelain teapot was mostly a bell mouth, short flow, the handle was located in the upper part of the pot, there was a tie, the body of the pot was relatively short and so on. The earliest teapot was the chicken head teapot from the Wei and Jin Dynasties. The shape of the teapot in the Tang Dynasty evolved from the chicken head teapot. With the improvement of people's tea drinking methods, the shape of the teapot also changed, from the mouth to the mouth, the shape became smaller, the tie disappeared, and the handle changed into the beam and horizontal handle. During the mid-Tang Dynasty, the chicken head pot gradually disappeared and was replaced by a pot that was mainly used to hold water or order tea when brewing tea. As for the specific characteristics and styles of the Tang Dynasty porcelain teapot, the search results did not provide detailed information, so it was impossible to give a specific answer.
The teapot was made of porcelain. Enamel was a kind of composite material that was made by melting an organic glass material onto a metal and then combining it with the metal. Tea jars were usually made of porcelain. They were durable and had a large capacity. They could replace teapots to make tea.
The Encyclopedia of Japanese Porcelains included porcelain from different regions, such as Kyoto, Ishikawa, Tama, etc. The porcelain in these places vividly displayed their respective cultural characteristics and craftsmanship, providing us with more opportunities to appreciate and learn. In addition, the catalog also included many works produced by famous porcelain workshops, such as Ishii Jingshe, Arisu, Kutani, etc. Every workshop has its own unique foundation. These foundations are not only a kind of logo, but also an inheritance of the spirit and quality of the workshop, helping us to better identify and appreciate these works. In addition, the catalog was also categorized according to different shapes and patterns, including tea bowls, vases, plates, and other different shapes. It also provided the origin, evolution, and characteristics of each shape. As for the specific Japanese porcelain, there was no mention of it in the information given so far.