In ancient texts, the moon usually represented feminine, gentle, mysterious, romantic, and other images.
In ancient prose, autumn usually represented the change of seasons, withering, sadness, parting, and other images.
In ancient texts, wine usually represented drinks, fine wine, joy, pride, courage, and other images.
In ancient prose, Willow Bank usually represented the shore, bridge, women, beauty, and other images.
Li Bai's poems contained many rich images of the moon, river, and roc.
The moon was often used in Li Bai's poems to express emotions, loneliness, and pursuit. For example, in his book " Wine to be drunk," he wrote," Raise a glass and invite the moon to become three people." The "bright moon" here symbolized the poet's feelings and loneliness, while the "three shadows" implied that the poet was drinking alone under the moonlight.
The river was also one of the common images in Li Bai's poems. He often used it to express the power of life and the indomitable spirit. For example, in his Ballad of Lushan Mountain, he wrote: "The stone gate at the mouth of Lushan Mountain opened and the sound of the spring was hidden. At sunrise, the river flowers are more red than fire. Spring comes, the river water is green as blue. I can make my heart sink and see the secluded people come and go alone." The "river" here symbolized the power of life and the indomitable spirit, while the "sunrise, the red flowers, the fire, the spring, the green river, the blue river" represented the beauty and vitality of nature.
Dapeng was a mysterious and lofty image in Li Bai's poems. It was often used to express heroism and heroic feelings. In "The Great Roc Flies," he wrote,"The great roc rises with the wind and soars up to ninety thousand miles in a day. The orioles in the pass whisper, the bottom of the flowers is slippery, the deep spring is difficult to flow under the ice. Drunken in the music of Wu, I like to play with you, white-haired, whose old woman? The eldest son is weaving a chicken coop in the east of Hoe Bean Creek. I love it when children lie down by the stream to peel lotus seeds." Here, the " roc " symbolized heroism and heroic feelings, while " the orioles in the forest whisper under the flowers, and it's difficult to swim under the flowing ice " represented the danger and difficulty of the roc in flight.
Zhang Ailing's novels often use various images to enrich the readers 'imagination. Among them, images such as the moon, mirror, and bird were skillfully used in her works. The following are some common applications:
The moon: The moon is one of the images that often appears in Zhang Ailing's novels. It represents women's emotions, desires, and inner contradictions. In " The First Incense of Aquilaria Fragments ", the moon was used to describe the psychological changes of a woman, from calmness to excitement to loss of control. In " Red Rose and White Rose ", the moon became the contrast between love rivals, emphasizing the difference between the two.
Mirror: Mirror is another image that often appears in Zhang Ailing's novels. It represents self-awareness and the observation of others. In Jasmine Fragrance, the protagonist saw his ugliness and vanity in the mirror and began to change his behavior and attitude. In Romance of the Fallen City, mirrors were used to reflect the injustice of society and the distortion of human nature, revealing the hypocrisy and cruelty of society through themselves and others in the mirror.
3. Birds: Birds are one of the images that often appear in Zhang Ailing's novels. They represent freedom, life, and hope. In Red Rose and White Rose, the bird was used to symbolize love and freedom so that people could feel the infinite possibilities of life. In " In the Mood for Love," the bird became the symbol of the protagonist, representing his desire for freedom and pursuit of life.
Zhang Ailing was good at making readers feel the emotions, artistic conception and social reality in her works through the use of images, so that people could have a deeper thinking and understanding of human nature, love and society.
The moon, mirror, bird and other images in Zhang Ailing's novel all have profound meanings and symbolic meanings. Let me talk about some of their applications.
In Zhang Ailing's novels, the moon was often used to symbolize women's psychology and emotions. In her novels, the moon was often a symbol of loneliness, loneliness, and helplessness, representing the desire and pursuit in the depths of women's hearts. For example, the moon in " Red Rose and White Rose " represented the emotions and loneliness of the female protagonist, White Rose, while the moon in " The First Incense of Aquilaria Fragments " symbolized the pain in the female protagonist's heart and unspeakable thoughts.
Mirrors were often used in Zhang Ailing's novels to reflect women's psychology and appearance. Mirrors could represent a woman's self-awareness and self-awareness, but they could also reflect a woman's vanity and complicated inner world. For example, in Jasmine Fragrance, the female lead Qin Hongmian repeatedly examined her appearance and heart in front of the mirror, reflecting her vanity and complicated inner world. In Love in the City, the mirror symbolized the female lead Bai Liusu's self-awareness and psychological state.
Birds were often used to symbolize and reflect women's emotions and psychological state in Zhang Ailing's novels. Birds could symbolize freedom, dreams and hope, and they could also reflect the desires and pursuits in the depths of women's hearts. For example, in " Red Rose and White Rose," the bird symbolized the freedom and dream of the female protagonist, White Rose; in " Aquilaria Fragrance: The First Incense," the bird symbolized the pain in the female protagonist's heart and unspeakable thoughts.
The moon, mirror, bird and other images in Zhang Ailing's novels all have profound meanings and symbolic meanings. They reflect the desire and pursuit of women in their hearts in different ways and angles, and at the same time, they also show the vanity and complicated inner world of women.
The Broken Chapter was a poem written by the Tang Dynasty poet Li Bai. It mainly described the poet walking in the desert and seeing the desolate scene and lonely people. Through the description of these images, the poet expressed the loneliness and loneliness in the depths of his heart.
The following are the main images and their characteristics:
Desert: The desert is a desolate and silent scene that represents the loneliness and loneliness in the depths of the poet's heart.
2. Lonely Boat: The lonely boat represents the loneliness of the poet, the isolation of his heart from the outside world.
Traveling: Traveling is the image of the poet on the journey, representing the difficulty and difficulty of his journey.
Wilderness: Wilderness is a desolate and silent scene that represents the loneliness and loneliness in the depths of the poet's heart.
Beauty: Beauty is the object of the poet's imagination, representing his inner yearning and pursuit of beautiful things.
These images all had distinct characteristics, such as:
Loneliness: The poet walked in the desert, loneliness was his inner image.
2. Separation: The poet walks in the wilderness. Separation is the isolation between his heart and the outside world.
3. Beauty: The poet's imagination of beauty represents his yearning and pursuit of beautiful things.
Confusion: The difficulty and difficulty of the poet's walking represented the confusion and confusion in his heart.
These characteristics reflected the loneliness and loneliness in the depths of the poet's heart as well as his yearning and pursuit of beautiful things.
The following are some recommendations for apocalyptic novels:
1. " Doomsday Descends: Global Blackout ": This novel described the story of people surviving in a cruel environment during the global blackout. There were no zombies.
2. " Group Images: Gather to Fight Zombies ": This novel is about fighting zombies in the survival city. It is a city-type supernatural novel.
Please note that the above recommendations are based on the search results provided and may not be comprehensive.
Cellar 1618 was a rare wine that attracted much attention. Its attractive price was mouth-watering. However, we have no way of knowing the exact price of Cellar 1618. It is recommended that you consult the relevant liquor store or platform before purchasing to obtain the most accurate price information. In addition, pictures of Cellar 1618 could be found in relevant wine stores or platforms.
The characters in Midnight included Wu Sunfu, Zhao Botao, Old Master Wu, Zeng Canghai, Li Yuting, Fan Bowen, etc. Wu Sunfu was an industrial tycoon with a lot of capital. He was decisive and resourceful, but in the end, he went bankrupt because of his bad luck. Zhao Potao was a different type of capitalist, competing with Wu Sunfu. Old Mr. Wu and Tseng-hai represented different kinds of landowners. Li Yuting and Fan Bowen were different types of intellectual. These characters reflected the fate and situation of different social classes at that time.
Midnight was Mao Dun's work. Through the creation of various characters, it showed the fate and contradictions of different social characters in a complex social environment. Among them, the protagonist Wu Sunfu was a typical Chinese national capitalist. He had distinctive characteristics. He had the lofty ambition of developing national industry and the rebellious side of exploiting and suppressing the masses of workers and peasants. In the novel, Wu Sunfu shows a stubborn but fragile character. He insists on his own opinions but lacks firm strength in the face of difficulties. He had almost monopolized the entire market in the bond market, but because of the poor sales of his products, he did not hesitate to compete with Zhao Botao in order to promote the turnover of funds. He even participated in the bet on the defeat of the Northwest Army. However, when he learned that Zhao Botao had the support of the United States, he felt depressed. Although he had rejected Zhao Botao's merger, he was disappointed. He had completely lost his ability to compete and resist. Wu Sunfu's image reflected the dual nature of the national capitalist class in semi-feudal and semi-colonial China, both the positive and the negative. Through the image of Wu Sunfu, Midnight revealed the contradiction between the national capitalist class and imperialism and feudalism.