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Wei Stele Calligraphy
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2024-12-21 12:41
The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.
Celebrating Years Stele
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2024-12-14 19:49
The original text of the stone tablet was: " I hope that the laws of the Qing Kingdom will be established for the people. They will not be tolerated because of nobility, nor will they be deprived because of poverty. There will be no injustice that cannot be justified, and there will be no forced crimes. Following the law is like holding a sword, breaking the illusions of ghosts and monsters, and not seeking the gods." This inscription was Ye Qingmei's idea of reform. It was carved on the stone tablet at the entrance of the Overwatch Council. This inscription expressed his hope for the Qing Kingdom's laws. He hoped that the laws would be established for the people, not biased towards the noble, not deprived of the poor, and eliminate injustice and unjust crimes. Following the laws was like using a sword, breaking the evil forces that were worshipped, and not relying on the gods. This inscription was changed in the TV series and the novel, but the core idea remained the same.
Ask for an explanation in vernacular on the stele
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2024-09-20 11:41
The Qinli Stele was one of the most famous steles in Chinese history. It was located in Xi'an City, Shaanxi Province. It was built at the end of the Eastern Han Dynasty to commemorate a famous politician and calligrapher, Dong Zhongshu.
The Diligence Stele is about 27 meters high, 12 meters wide and 03 meters thick. The surface of the tablet was engraved with dense Chinese characters and official script. The content was mainly Dong Zhongshu's life story, thoughts, and contributions. The inscription was carved by Academician Youxian. The font was strong and powerful, and the style was dignified and beautiful. It was a classic work in the history of Chinese calligraphy.
The Diligence Stele was not only a treasure in the history of Chinese calligraphy, but also an important part of ancient Chinese culture. Its engraving skills and calligraphy art not only represented the highest level of the Eastern Han Dynasty, but also had a profound impact on the calligraphy creation of later generations.
Who painted it?
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2024-09-18 23:43
Below him was a comic drawn by the Chinese cartoonist Wan Laisheng. The work was first published in a magazine in 1978 and was one of the classics in the history of Chinese comics. The story of Under One Man was about a young man named Zhang Chulan who traveled from ancient times to modern times and experienced a series of adventures and challenges in modern society. The work was known as one of the treasures of Chinese comics for its profound thoughts and philosophical content, rich characters and unique artistic style.
Yan Zhenqing's Diligence Stele
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2024-12-29 22:46
Yan Zhenqing's 'Yan Qinli Stele' was a Shinto Stele he erected for his great-grandfather, Yan Qinli. It was one of his representative works in his later years. This monument was erected in the 14th year of the Tang Dynasty (779) and is now in the Forest of Steles Museum in Xi'an. The stele was 175 cm tall, 90 cm wide, and 22 cm thick. It was surrounded by carvings on all four sides. There were a total of 19 lines of positive inscriptions and 20 lines of negative inscriptions. Each line had 38 words, and there was a side engraved on both sides. Yan Zhenqing used the horizontal and thick strokes in the "Yan Qin Li Stele", combined with the square technique, showing his calligraphy style. This monument was dignified and open-minded, relaxed and cheerful, combined with movement and stillness, clever and clumsy, graceful and generous, and had the atmosphere of the prosperous Tang Dynasty. Yan Qinli Stele was Yan Zhenqing's masterpiece when his calligraphy was mature. It was also one of the models for learning Yan Style.
Yan Zhenqing's Diligence Stele
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2024-12-29 19:01
The full text of Yan Zhenqing's Diligence Stele could not be obtained from the search results provided.
Yan Zhenqing's Pagoda Stele
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2024-12-29 10:05
Yan Zhenqing's multi-pagoda stele in simplified Chinese can be downloaded and viewed online for free on the font world website. This stele was one of Yan Zhenqing's early representative works. The writing was respectful and sincere, the font structure was strict, the strokes were round, dignified and beautiful, giving people a feeling of movement in silence, floating like an immortal. The characteristic of the pagoda stele was that the font was neat and meticulous, and the strokes were meticulous. Therefore, it became one of the models for future generations to learn regular script.
Yan Zhenqing's Diligence Stele
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2024-12-28 14:53
Yan Zhenqing's Stele of Diligence, the full name of the stele was "The Shinto Stele of Yan Jun, the Chief Historian of Kuizhou Dudu Mansion, the Former Secretary of the Tang Dynasty." It was the Shinto Stele that Yan Zhenqing wrote for his great-grandfather Yan Qinli. It was the representative work of Yan Zhenqing's regular script in his later years. This stele was erected in the 14th year of the Tang Dynasty (779) and was unearthed in Xi'an, Shaanxi Province in October of the 11th year of the Republic of China (1922). It is now in the Xi'an Forest of Steles Museum. Yan Qinli Stele was engraved on all four sides. There were 19 lines on the positive side of the stele, 20 lines on the negative side of the stele, 38 words per line, and 5 lines on the side of the stele, 37 words per line. The inscription traced the merits of Yan's ancestors and described the achievements of future generations in the Tang Dynasty. The brush strokes are horizontal, thin and vertical, covering the head and protecting the tail, and using both square and round strokes; the body is dignified and generous, wide and stretched, and there is a skill in the clumsy; the breath is strong and vigorous, and the vitality is vigorous, representing the aesthetic fashion of the prosperous Tang Dynasty.
"Yan Qinli Stele" regular script
1 answer
2024-12-25 07:20
Yan Qinli Stele was one of the representative works of regular script written by Yan Zhenqing in his later years in Tang Dynasty. It was a Shinto Stele written by Yan Zhenqing for his great-grandfather Yan Qinli. It was erected in the 14th year of the Dali Dynasty (779). The stele is now in the Forest of Steles Museum in Xi'an, and there is also an initial rubbing in the Palace Museum in Beijing. There were a total of 19 lines of words in Yang and 20 lines of words in Yin, with 38 and 37 words per line respectively. This stele was featured by its fine strokes, broad strokes, and strong momentum, showing the aesthetic fashion of the prosperous Tang Dynasty. It was Yan Zhenqing's mature calligraphy work in his later years, and it was also one of the models for many beginners to learn Yan Style.
Ye Qingmei Overwatch Council stele
1 answer
2024-12-21 11:16
Ye Qingmei had carved her thoughts of reform on the stone tablet at the entrance of the Overwatch Council. The specific inscription was as follows: " I hope that the laws of the Qing Kingdom are established for the people. They are not tolerated because of nobility, nor deprived because of poverty. There are no injustice that cannot be justified, and there are no forced crimes. Obeying the law is like holding a sword, breaking the illusions of ghosts and monsters, and not seeking the gods." This inscription expressed Ye Qingmei's hopes for the Qing Kingdom's laws. She hoped that the laws could serve the people and not favor the nobles or deprive the poor of their rights. She advocated that the law should be impartial, not wrong the innocent and not harm others. She pursued the law like a sharp sword, able to break the confusion of confusion and not rely on God. This inscription reflected Ye Qingmei's thoughts of reform and her pursuit of social justice.
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