Changing the font in a story is straightforward. In most cases, click on the 'Format' or 'Styles' option and then select 'Font'. From there, you can choose the font you prefer. It's that simple!
You can usually change the font in a story by using the formatting options in the software or platform you're using. For example, in most word processors, you'll find font settings in the toolbar.
I don't have enough context to determine what font you're referring to. Please provide more information, such as which novel you are reading, whether there is a specific font description in the context, etc., so that I can better help you answer your questions.
When reading a novel, the size of the font can be determined by the plot of the novel, the characters, and the reader's eyesight. Generally speaking, the larger the font, the clearer the content, and the easier it was for the reader to follow the story. At the same time, the larger the font, the easier it was for people to have visual fatigue, which was not conducive to the reading experience.
However, the size of the font was not absolute. Some novels might need to use a smaller font to maintain the neatness of the page and the beauty of the typography. In this case, the reader could read and understand the content of the novel more easily.
Therefore, the size of the font should be determined according to the specific situation to provide the best reading experience.
Gothic fonts are also excellent for a dark story. For example, Old English Text MT. They have a historical and somewhat foreboding appearance. The elaborate and angular letterforms are reminiscent of old, spooky manuscripts, which can enhance the feeling of mystery and gloom in a dark story. They can make the text look as if it's been written in a time long past, filled with secrets and dark tales.
There was a story about an old manuscript written in Urdu with a very special font. The font was so sexy in its curves and lines that it seemed to tell a story of its own. Legend had it that it was created by a long - lost master of calligraphy. When scholars finally got a chance to study it, they were mesmerized by how the font added an extra layer of beauty and mystery to the already profound Urdu text.