peaky blinders citations

[HIATUS]It was 2022 outside. A young guy serving in the Russian Guard, on one of his missions, was hit by grenade fragments that severely grazed his internal organs. Filled with despair and resigned to his fate, he could only slowly wait for his death. After the sparkle of life disappeared in his eyes, a quiet ringing with an indistinct voice sounded in his head. - "The Mafia system has been successfully integrated into the host's body. If you accept the terms, click on the [Accept] button.” If you want to support Me: Patreon.com/JasmeRy

Lu Changsheng is depressed. In this world full of cultivators and immortals, because of his face and irresistible fine bearing as a protagonist, women fall in love with him within three seconds. Unusual heavenly phenomena occur to celebrate his breakthroughs. His literary talent can easily shock all scholars and his random citations are eulogized by the heaven and earth. Legendary beasts offer themselves as mounts, celestial treasures throw themselves into his pockets. However, there is one thing he does not understand. He's the main character, the protagonist, the MC! Why does his cultivation suck? Also known as "Super Ultra Ordinary and Average Eldest Senior Brother," "Why Am I Still the MC Even When I Suck at Cultivation," "My Good-looking Face But Hopeless Cultivation."

a man betrayed by his friends and lover shut himself from the world only watching movies.series and anime trying to forget his past until his past found him and killed him. follow his journey through a new world as he is reborn a Shelby and how he became the most notorious of the family

So i just ranted bout the S5 of Peaky blinders but instead got transported there sooo, Good luck to me i guess? I do not own Peaky Blinders. Image above is not mine. btw some of my sexual fantasies are going to be here so theres that. Fuck off if u dont like. R18 is here

Mike was an average white collar office worker for a large corporation. He was not happy with his job, but not depressed enough he would kill himselfor others. so one day when he is suddenly hit by a speeding street sweeper on his way to work, it seems like his end, but he is transported away as a soul minutes before his death on earth. now he has to restart his life in a world full of magic as an overpowered child. He has to keep his powers under wraps to not make anyone suspicious. Will he be able to keep his powers under wraps? Or will his powers prove to be to powerful to contain. Join the discord below for sneak peaks into chapters, and an idea board for you to contribute. Each week, I’ll try to have a idea taken from there and included, with proper citation, in the story.

I travelled back in time right before the Apocalypse but got a trashy system! [ Converted Ordinary Iron Armor. Gained 1 Exp. ] What? I lost my only set of armor and just got a stack of money in return!? This system is garbage! I wish it would just disappear! Huh? Wait, what? Maybe this system isn't as bad as I thought. I just got a Mythical summoning token and summoned a Mythical beast!? Countries fight over mythical items! This can't be true! That's not all!? I became a Heavenly Evolver!? What even is a Heavenly Evolver? The highest grade is Mythical! An Evolver isn't even a profession! Wait, there's even more? My beast evolved to Heavenly and I suddenly became extremely handsome!? What is happening to me? What is this system? Why have I travelled back in time? Whatever! I'll find out later! For now, let me just sit back and enjoy. This life may be way better than I had imagined... ~~~~~~~~~~~~~ Each chapter has 2,000+ words. I hope you like my story. Feel free to comment or suggest. Thank you for reading!!! Picture Citation: R.A.C.T.A.P.O.P.U.L.O.U.S. (n.d.). City Disaster End of the World Apocalypse [Illustration]. https://pixabay.com/photos/city-disaster-end-of-the-world-fire-2444516/

The position of the Gospel according to Matthew as the first of the four gospels in the New Testament reflects both the view that it was the first to be written, a view that goes back to the late second century A.D., and the esteem in which it was held by the church; no other was so frequently quoted in the noncanonical literature of earliest Christianity. Although the majority of scholars now reject the opinion about the time of its composition, the high estimation of this work remains. The reason for that becomes clear upon study of the way in which Matthew presents his story of Jesus, the demands of Christian discipleship, and the breaking-in of the new and final age through the ministry but particularly through the death and resurrection of Jesus. The gospel begins with a narrative prologue, the first part of which is a genealogy of Jesus starting with Abraham, the father of Israel. Yet at the beginning of that genealogy Jesus is designated as “the son of David, the son of Abraham”. The kingly ancestor who lived about a thousand years after Abraham is named first, for this is the genealogy of Jesus Christ, the Messiah, the royal anointed one. In the first of the episodes of the infancy narrative that follow the genealogy, the mystery of Jesus’ person is declared. He is conceived of a virgin by the power of the Spirit of God. The first of the gospel’s fulfillment citations, whose purpose it is to show that he was the one to whom the prophecies of Israel were pointing, occurs here: he shall be named Emmanuel, for in him God is with us. The announcement of the birth of this newborn king of the Jews greatly troubles not only King Herod but all Jerusalem, yet the Gentile magi are overjoyed to find him and offer him their homage and their gifts. Thus his ultimate rejection by the mass of his own people and his acceptance by the Gentile nations is foreshadowed. He must be taken to Egypt to escape the murderous plan of Herod. By his sojourn there and his subsequent return after the king’s death he relives the Exodus experience of Israel. The words of the Lord spoken through the prophet Hosea, “Out of Egypt I called my son,” are fulfilled in him; if Israel was God’s son, Jesus is so in a way far surpassing the dignity of that nation, as his marvelous birth and the unfolding of his story show. Back in the land of Israel, he must be taken to Nazareth in Galilee because of the danger to his life in Judea, where Herod’s son Archelaus is now ruling. The sufferings of Jesus in the infancy narrative anticipate those of his passion, and if his life is spared in spite of the dangers, it is because his destiny is finally to give it on the cross as “a ransom for many”. Thus the word of the angel will be fulfilled, “…he will save his people from their sins”. In Matthew begins his account of the ministry of Jesus, introducing it by the preparatory preaching of John the Baptist, the baptism of Jesus that culminates in God’s proclaiming him his “beloved Son”, and the temptation in which he proves his true sonship by his victory over the devil’s attempt to deflect him from the way of obedience to the Father. The central message of Jesus’ preaching is the coming of the kingdom of heaven and the need for repentance, a complete change of heart and conduct, on the part of those who are to receive this great gift of God Galilee is the setting for most of his ministry; he leaves there for Judea only and his ministry in Jerusalem, the goal of his journey, is limited to a few days. In this extensive material there are five great discourses of Jesus, each concluding with the formula “When Jesus finished these words” or one closely similar. These are an important structure of the gospel. In every case the discourse is preceded by a narrative section, each narrative and discourse together constituting a “book” of the gospel. The discourses are, respectively, the “Sermon on the Mount”, the missionary discourse, the parable discourse, the “church

Raven Winthrop was still in shock for the death of her father during Voyage, when pirates intercepted their ship and was held captive. Raven thought her troubles were over when a handsome seaman rescued her from the hand of a vicious pirate, but her hero turns out to become a Winthrop family nemesis who swore to take revenge on her family.

Irene Lovell comes from a powerful gypsy family that everyone feared and loved them. Many loyal followers but also many enemies, over time the Lovell name has slowly began to die out. Now all that's left is Irene and her two sister. [Thomas Shelby] [Peaky Blinders]

All three of the great Greek Tragedians have written plays about the bloody chain of murder and revenge within the royal family of Argos. Yet theirs is in fact not a story of tragedy, but rather one of redemption. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration to be heard throughout the ages. Forming a discourse set against the emergence of Athenian democracy out of a period of chaos and destruction, the Orestian plays are compelling stories of the tensions between our obligations to our families and the laws that bind us together as a society. In the beginning, we witness how a king’s decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution. In the aftermath of regicide, we behold how a son must set out to avenge his father’s death by committing a most egregious sin. In the end, the sinner is tormented by supernatural powers that can never be appeased, but ultimately finds redemption and ends the curse on his house once and for all. Woven through all of this is the story of a friendship so close that it elevates itself to brotherhood - Where the blood of the covenant is shown to be indeed thicker than the water of the womb. In this very brief twelve-chapter modern rendition of the Orestian plays, I have chosen to place my focus mainly on the lives of the characters Orestes and his best friend Pylades. The chapters, each around 2000-2500 words, are split up evenly between them in first-person narrative. I hope that you will come to enjoy reading this heartwarming story, but more importantly, that you see how the conflicts portrayed in the story, whether human or institutional, are still much very relevant to our societies today. Note on Sources: The details of this story is very loosely based on The Oresteia by Aeschylus, who was one of the three great Greek Tragedians (though this story is not a tragedy). And I mean very loosely. Other sources that I referenced for detail and inspiration are Mythology by Edith Hamilton, Electra by Sophocles, and Iphigenia in Tauris by Euripides. You may also find that I have quoted some of these works, and others (such as Shelley's Ozymondaeus), without citations (average of 1-2 such quotes per chapter). I did this because I do not have the ability to describe certain scenes nearly as well as some of those writers. If you read a particularly beautiful piece of prose here, chances are it's probably stolen lol.