"Fu on Epang Palace" was a poem written by Du Fu, a great poet of the Tang Dynasty. It described the magnificent scenery and scale of Epang Palace as the theme, and through vivid descriptions and images, it showed the beauty of the palace architecture in the Tang Dynasty.
The layout of this Fu has the following characteristics:
1. Clear overall structure: Fu on Epang Palace uses the structure of "total-minute-total" to describe the magnificent scenery and scale of Epang Palace in general, then analyze its structure and decoration one by one with the palace buildings as examples, and finally summarize its main characteristics. This kind of overall structure was clear, and the way of expression was distinct, so that each part of the Fu could be independent and connected to form a complete story.
2. Careful descriptions: The Fu on Epang Palace vividly described the beauty of the palace buildings in the Tang Dynasty. For example, the walls of Epang Palace were as high as 1,000 feet, and the beds in the palace were connected so that people could sit together and confide in each other. These descriptions were not only vivid but also full of imagination, making people feel the grandeur and magnificence of the palace buildings of the Tang Dynasty.
3. Rich use of rhetoric: A large number of rhetorical devices such as metaphor, exaggeration, antithesis, and comparison were used in the Fu to make the language in the Fu more vivid and enhance the effect of expression. At the same time, the Fu also used a variety of metaphor and symbolic techniques, such as comparing Epang Palace to the "Palace of Hanging Needles" and the candles in the palace to the "List of Stars", implying that the palace was tall, brilliant and mysterious.
To sum up, Fu on Epang Palace adopted a clear and detailed structure, vivid description, and rich rhetoric in the layout of the article, making the language in the Fu vivid and full of imagination, full of the beauty of the palace architecture of the Tang Dynasty.
The Epang Palace Ode in Tang Brick was chapter 22. The second chapter of the book mainly introduced the territory and rulers of the Tang Dynasty, as well as the geographical location and historical background of Epang Palace. At the same time, the second chapter also interweaved some stories and characters to let the readers better understand the politics, economy, and culture of the Tang Dynasty society.
Tang Brick was a science fiction novel set in the Tang Dynasty. It did not specifically mention Epang Palace. Therefore, Epang Palace Fu was not a part of Tang Brick.
"Empress Fuyao" was a novel about a fight in the palace. It told the story of the female protagonist, Fuyao, who fought tooth for tooth and grew up in the imperial family of the seven kingdoms. I recommend a similar novel,"The Queen of the Palace Fighting Live Streaming System, Don't Run". It also traveled through the palace, with elements of palace fighting and traveling through another world. It also had a royal live streaming system with bullet comments. I hope you like this fairy's recommendation. Muah ~😗
😋I recommend the following novels to you:
1. "Beauty of the Qing Dynasty": Ancient Romance: A genre of fighting in the palace. It tells the story of the fighting life of the women in the harem who live in the cold palace.
2. "Imperial Concubine Jing Hui": An ancient romance. The main character is a concubine who died in a fire and became Imperial Concubine Jing Hui after her rebirth.
3. "The Cold Palace Princess Farming": Ancient romance-business farming. It tells the story of a transmigrated woman playing farming and business. The protagonist is also in the Cold Palace in this story.
4. "I'm playing QQ Farm in the Cold Palace": Ancient romance-business and farming. It tells the story of a transmigrated woman playing QQ Farm. Similarly, the protagonist is also in the Cold Palace.
I hope you like this fairy's recommendation. Muah ~😗
Du Fu wrote many poems in Chengdu Cottage, among which the most famous ones were "Spring Night Happy Rain","Guest Arrival","Quatrain","Riverside Unique Seeking Flowers (5)" and "Riverside Unique Seeking Flowers (6)".
Du Fu's poems related to the Cottage are as follows:
1. The back of the Guo Tang is shaded by the white grass, and the road along the river is familiar with the green suburbs. Tang Cheng
2. Swallows in the hall, gulls in the water close to each other. Jiang Village
3. The thatched cottage has few flowers, but now I want to plant them. I don't care about green plums and yellow plums. "Looking for Fruit Plants at Xu Qing."
4. As the clerk of King Chen, I don't send money to the thatched cottage. "Secretary Wang, Xu Xiu's thatched cottage doesn't have enough resources to talk about Xiao Jie."
5. Darkwater Flower Path, Spring Star Grass Hall. "Night Banquet at Zuo's Manor"
6. I love the quiet thatched cottage of Yushan Mountain, and the refreshing atmosphere of autumn is fresh and new. Cui Clan's Cottage on East Mountain
7. Go out of the small hole in the outer wall of the city, and get a small road through the hazel. A stream runs like water, and twists and turns are crossed many times. 'Xizhi Village, looking for a thatched cottage.'
8. A thatched cottage to the west of Wanli Bridge. The water of Hundred Flowers Pond is Canglang. Mad Man
The above is a poem related to Du Fu's Cottage.
Du Fu's Cottage was a museum located in Chengdu. It was named after Du Fu, the great poet of the Tang Dynasty. Du Fu wrote a lot of poems in the thatched cottage, including 83 poems called "Several Poems: Poets of the Tang, Song and Ming Dynasties Ode to Sichuan." These poems showed Du Fu's love and concern for Chengdu and Sichuan. The Du Fu Cottage Museum held a poem recitation challenge, requiring participants to recite these 83 poems within a specified time. The winner would receive a lifetime free admission benefit. Meng Jidian was the first citizen to successfully challenge the Cottage. He recited the poems in less than an hour and received a certificate of honor from the Cottage and free admission for life. This activity was to pass on the culture of poetry and let more people understand and appreciate Du Fu's poems.
Sima Xiangru's Shanglin Fu and Zixu Fu both belonged to the Han Dynasty.
"Shanglin Fu" was written by Sima Xiangru for Emperor Wu of the Han Dynasty. It described the sights and sights he saw and heard in Shanglin Garden. It showed Sima Xiangru's literary talent and ability to govern the country. Shanglin Fu was one of the representative works of Han Fu.
"Fu on Zixu" was another famous Fu written by Sima Xiangru, which described his life of pleasure in Zixu Palace. The language of "Fu on Zi Xu" was concise and full of hedonism. It was a piece of prose in the Han Dynasty.
The Great Ode of the Han Dynasty was one of the most important literary forms in the history of Chinese literature. It represented the high achievements of the Han Dynasty literature, and Sima Xiangru's Shanglin Ode and Zixu Ode were his representative works.
Du Fu's poetry creation mainly took place during his four years in Chengdu Cottage. According to records, Du Fu had created more than 240 poems in the thatched cottage, including famous works such as Shu Xiang, Song of the Cottage Broken by the Autumn Wind, Spring Night Happy Rain, and Quatrains. These poems had been passed down to this day and were widely read and studied.