Definitely, Vall Hall-A is a visual novel. It typically features a storyline presented through a combination of visuals and written text, creating a unique storytelling medium.
The main hall, side hall, and side hall had different positions and uses in the palace. The main hall was usually for the concubines of higher status, while the side halls were for the concubines of lower status. The side halls were subordinate to the main hall. The difference in their location was that the side hall was located on one side of the temple or palace compared to the main hall, while the side hall might be located in a part of the temple or palace, which was more off-center than other parts. Regarding the specific allocation of palaces, different palaces might have different rules. For example, in the allocation rules of the Dragon Palace, the main hall was for the imperial noble consorts, the side hall was for the four concubines, and the side hall was for the nine concubines. In short, the main hall, side hall, and side hall had different positions and uses in the palace.
Ye Tianchen was the master of the God-slaying Hall. He was the leader of the God-slaying Hall, which was made up of 108 War Gods, 36 Great Heavenly Venerates, 12 Forbidden Godkings, six Heavenly Kings, three Sacred Lords, and a Venerable Sovereign. Everyone called him Overlord.
The War God Hall's Hall Master was a character in the Douluo Continent novels. According to the information in document [1] and document [5], the War God Hall's Hall Master was Chen Xinjie. He was a student of Shrek Academy and later joined the War God Hall and became a deputy pavilion master. He had broken through to true god rank and possessed the identity of a four-word battle armor master. His martial soul was the Skycrosser Divine Spear. However, the search results did not provide any more information about the War God Hall's Hall Master's background and storyline. Therefore, he could not give a more detailed answer.
The name Mark Hall is quite common. In the 'Mark Hall story', he could be a creative individual, like an artist or a writer, who has his own journey filled with creativity, challenges, and growth. Or he could be a sportsman, with a story of training hard, competing, and achieving goals in his sport.
As I mentioned before, without more context, it's impossible to determine who this Maegan Hall is. She could be a student, a professional, or just an individual with a unique story.
The following answer: When placing the immortal hall and the Buddhist hall together for worship, the Buddha statue should be placed in the middle, the Bodhisattva should be placed on the left and right, and the gods and immortals should be placed on the outer side of the Bodhisattva. If there were conditions, it would be best to set up a separate temple hall to worship the Buddha statue, or set up a shrine in the study. The location of the temple hall should be relatively high, and there shouldn't be any junk above it. If space was limited, it could also be planned together with the living room, using a higher space or cabinet to place the Buddha statue. However, it was necessary to avoid placing the temple hall near the kitchen and bathroom, and it was also not appropriate to place a television or audio system near the shrine. As for the location of the immortal hall, one could choose a suitable way to place it according to one's personal preferences and beliefs. In short, it was necessary to maintain a clean, solemn, and orderly state when placing it. Do not randomly place or move the position.
The old hall master of the Supreme Hall was at the Void Dao stage. In the Upper Realm, he was an existence at the cult master realm and had the strength of the leader of the ten ancient sects in the Upper Realm.
I don't have enough information to determine exactly who Maegan Hall is in the story. She could be an ordinary person with an extraordinary story, or someone with a specific role in a particular context related to the story.
Yu Qingtang style referred to the style or logo engraved on the artwork produced by Yu Qingtang. The Yuqingtang style could appear on jade, bronze, wood carvings, porcelain, and other works of art from the Ming and Qing Dynasties. The Yu Qing Tang style was exquisite and meticulous, with exquisite craftsmanship and often had an auspicious theme. To be specific, the Yuqing Hall style could appear on jade ornaments, pendants, washed jade articles, etc. of the Ming and Qing Dynasties. It could also appear on other works of art such as copper double dragon ear furnaces, incense wood shrines, etc. The appearance of the Yuqingtang design could increase the collection value and ornamental value of artworks.