The Great Path Toward Heaven had ended. This was Maoni's last long novel, and he was very serious and cautious in the writing process. This novel had achieved self-transcendence in terms of writing style and character creation. It had also broken the conventional theme of cultivation and continued Maoni's previous works of " imaginative " style. " The Path to Heaven " was a novel with a breakthrough in theme and literary value.
😋I recommend 'Grassroots Rise' to you! The male protagonist, Li Changjian, was born from a grassroots background. He only had his own hands and brain to create wealth and change his destiny. He had gone from a nobody to a glorious figure, becoming a historical figure. The male protagonist was calm and steady. He was very strong, but he did not come from an aristocratic family or the underworld. It also meets your requirements. I hope you like my recommendation, Mwah ~😗
Well, without knowing the specific content of 'ch 7', it's hard to be exact. But generally, success stories might involve technological breakthroughs. Imagine a group of inventors in ch 7 who developed a new, clean energy source that revolutionized the way we power our cities. It could also be about artists who got their big break in chapter 7, perhaps a painter whose work was finally recognized and exhibited in major galleries around the world, leading to a significant boost in their career.
The ending of the Great Path to Heaven was a relatively simple answer. The author gave his current understanding of the ultimate meaning of life and death." The ultimate meaning between life and death is to live first, and then constantly explore the meaning of life." This answer ran through the whole story. Whether it was the description of Chaotian in Jing Jiu's imagination or Jing Jiu's disappearance in the white light, which was used to search for the true meaning of life and death, it was all to express this meaning. As for the sunflowers in the painting, there was no special meaning to them. They were just casually drawn by the artist. Therefore, what was truly meaningful was the question of " Sunflower " itself. There were different explanations about Jing Jiu's final fate. Some believed that he had died, while others believed that he had ascended to a higher level world. The ending seemed to suggest that there might be a second one, but Maoni had previously said that he would no longer write a long novel, so there was no clear answer to this question.
Yes," The Great Path Toward Heaven " had ended. Maoni stated in his postscript that " The Road to Heaven " was his last full-length novel, and also the last of the trilogy of neurology that he wanted to write. He explained that he had finished writing the world that he wanted to write and the world that he had the ability to write. He had also finished his views on the world. Therefore, he decided not to write long novels, but to write short stories and essays instead. Therefore, it could be said that " The Great Path to Heaven " was indeed the final work that was fishy.
I'm not sure specifically what the 'ch secret story' is as the term is rather ambiguous. It could be a story related to a person or place with the initials 'ch', or it could be some kind of code - like name within a specific group or community.
Well, 'CH' in stories might represent a code or abbreviation for something unique to that particular narrative. Maybe it's a secret organization, a hidden location, or even a special power. Without more details about the story, it's hard to be sure exactly what it means.
It might be a lost traveler. After a long journey, he finally reaches the end of this particular road side area, looking tired but also with a sense of accomplishment for having made it this far.
The different story at the end of the road could be due to various geographical factors. Maybe there is a unique geological formation there, like a strange rock formation or a natural spring. This makes the area different from the areas along the road. Also, it could be that certain historical events took place only at that specific location, leaving behind a distinct mark and a different story.
Well, in 'On the Road', the year 1952 might be a crucial time setting. 'End of the story' could imply the final resolution of the themes like freedom, self - discovery, and the search for meaning that are central to the book. It might be about how the characters' lives and their on - the - road experiences finally culminated in that year.