No, fallacy and fiction are not synonyms. Fallacy refers to a mistaken belief or faulty reasoning, while fiction is imaginative literature or a made-up story.
In my opinion, it is logical to a certain extent. The author carefully constructs the narrative to showcase various logical concepts and challenges, which makes it have a logical framework within the fictional context.
The 'Love Fallacy' short story often explores the misconceptions and illusions in love. It might show how people can misinterpret their feelings or the actions of others in a romantic context. For example, one character may think that possessiveness is a sign of love, when in fact it's a form of control.
In this short story, 'Love is a Fallacy' is a satirical exploration of the concept of love. The narrator tries to use logic to win over a girl, but love doesn't follow logical rules. It shows that love can't be simply rationalized.
In 'Love is a Fallacy', Max Shulman uses humor to explore the concept of love and logic. The narrator tries to use logical reasoning to win a girl's love but fails miserably. It shows that love doesn't always follow logical rules.
The story 'Love is a Fallacy' is highly ironic. It subverts common notions of love and reasoning, creating a web of unexpected situations and contradictions that make it a fascinating read.
In all likelihood, 'No Limits' isn't a true story. Stories often blend imagination and elements to engage the audience, and this one could be no exception.
I'm not entirely sure specifically what that particular 'Naruto' fanfic is about. 'Gender fallacy' could imply some sort of misrepresentation or exploration of gender roles within the 'Naruto' universe. It might be a story that challenges the traditional ideas of gender in the context of the characters and plot of 'Naruto'.
The main themes include the idea that love is not always rational. The protagonist in 'love is a fallacy story' believes he can use logic to win over a girl, but he discovers that love doesn't work that way. Also, it might imply the theme of self - deception. He deceives himself into thinking that his logical methods can be applied to love, when in fact, love has its own set of rules that are not based on pure logic.
The word limits for novels can be very flexible. For a simple or concise novel, it could be as few as 20,000 words. In the middle range, many commercial novels aim for around 80,000 - 100,000 words as this is a length that publishers often find marketable. But some literary novels or complex sagas can have no upper limit and can go well over 200,000 words.