In my view, 'power all fiction' could imply a dominant force within the fictional universe. It might be a character trait, a narrative device, or a cultural influence that has the potential to shape all forms of fiction. For example, the concept of the hero's journey is a powerful narrative structure that can be found in a vast amount of fiction across different cultures and time periods. It has the power to drive the plot, develop characters, and engage the audience, thus in a way, it powers all fiction.
The 'power' in 'Pulp Fiction' can refer to the power dynamics among the characters. For example, Vincent and Jules have a certain power in their line of work as hitmen. They can take lives, which gives them a kind of power over others. Also, Marsellus Wallace is a very powerful figure in the criminal underworld shown in the movie. He controls a lot of illegal activities and people fear him. His power is not just physical but also financial and influential within that seedy world.
Well, 'pile all fiction' might be an instruction to stack or group all fictional materials. Maybe in a bookstore, they want to 'pile all fiction' for a special display. It could also refer to collecting all fictional stories in a digital library or on a reading app.
It could mean that the idea of perfect organization is as far - fetched as the concepts in science fiction. In real life, there are always elements of chaos and unpredictability that prevent truly flawless organizing, just like the often - out - of - reach ideas in science - fiction stories.
Well, it might imply that the stories we are told as history are constructed in a similar way to fiction. Historians have to select what to include and how to present it. Just like in fiction, there's a construction of a narrative. And this construction can sometimes distort or simplify the complex reality of the past, making it seem more like a made - up story, thus like fiction.
It means everything is made up, not real.
This statement 'like all history is fiction' suggests that the historical accounts we have are not always pure facts. History is written by the victors or those in power at times, and they might distort or shape it according to their interests. Also, historical records can be incomplete or misinterpreted. We often rely on secondary sources that may add their own spin. So, in a way, it can be seen as having fictional qualities as it may not always represent the absolute truth of what really happened.
Perhaps it means that human creativity in fiction has a limit in terms of the types of stories. 'All fiction is seven stories' could suggest that across different cultures and times, there are just seven distinct plot patterns that are recycled and reimagined. For instance, the story of the underdog rising up (a common adventure type) is one of those seven. These seven form the building blocks for every fictional tale ever told.
An urban ability was a fictional technology or ability that allowed people to have abilities beyond traditional abilities. This ability could usually be used to perform various wonderful abilities in the city, such as controlling flames, summoning storms, reading other people's minds, and so on. In urban supernatural novels, the protagonist would usually be described as constantly improving his abilities through cultivation or purchasing special abilities and props, thus starting an adventure story in the city.
It implies that assumptions fuel the creation of pulp fiction. Pulp fiction usually has a lot of made - up or assumed elements. Without assumptions, the kind of out - there, fast - paced, and often somewhat unbelievable stories that are typical of pulp fiction wouldn't exist. So, assumptions are like the mother that gives birth to pulp fiction.
It means they are not real.