What are the characteristics of strange classic novels?

Well, one characteristic is often the presence of unusual settings. For example, like in 'Alice's Adventures in Wonderland', the setting is a completely illogical world full of strange creatures and impossible situations.

One characteristic is the use of the unexpected. For example, in 'The Yellow Wallpaper' by Charlotte Perkins Gilman, the horror doesn't come from a typical monster but from the slow descent into madness of the narrator due to her confinement. Strange horror novels often have a sense of the uncanny, where things seem familiar yet are deeply wrong. This can be seen in the way they play with ordinary settings like a small town in 'Salem's Lot' by Stephen King but add a strange, vampiric horror to it.

These novels typically have characters who are in a state of flux. They are either adapting to new situations, such as a character moving from a rural area to a city, or they are trying to find their place in a changing world. This makes their internal conflicts and growth an important part of the narrative. The characters are constantly evolving, which in turn drives the story forward and reflects the transitional nature of the work as a whole.

Classic Jewish novels often deal with themes of identity. Jewish characters in these novels are constantly grappling with their religious, cultural, and ethnic identity. For example, in 'The Chosen', the two boys have different ways of being Jewish and they explore what that means to them. Another characteristic is the exploration of the Jewish diaspora. Many novels show how Jews have migrated and adapted to different places, like in 'Call It Sleep' which shows the immigrant experience in America. They also tend to have a strong sense of family and community, which is often central to the story.

One characteristic is the use of rich language. Irish writers are known for their lyrical and sometimes complex prose. In 'Ulysses', James Joyce uses a stream - of - consciousness technique that makes the language very dense but also extremely engaging. Another aspect is the exploration of historical and cultural events. Novels like 'The Picture of Dorian Gray' by Oscar Wilde, while set in a more general Victorian context, still carry elements of Irish cultural influence in terms of morality and social norms.

Japanese classic novels often have a deep exploration of human nature. For example, in 'The Tale of Genji', the characters' desires, jealousies, and loves are vividly depicted.

Classic space novels usually have grand world - building. Take 'Dune' for instance. It creates an entire universe with its own ecology, politics, and religions. They also tend to have a sense of adventure. In 'The Hitchhiker's Guide to the Galaxy', the main characters are constantly on the run, facing all kinds of crazy situations in space. Moreover, they often deal with big philosophical questions, such as the meaning of existence in the vastness of space, like in 'Hyperion' where the characters are on a pilgrimage seeking answers about their lives and the universe.

Well, these novels usually involve advanced scientific concepts. Take 'The Time Machine' for instance, it plays with the idea of time travel. They also have unique settings. In '1984', the totalitarian state is a very distinct and memorable setting. Moreover, classic futuristic novels may present new forms of social organization. Like in 'Fahrenheit 451', the society has a very different view on knowledge and information compared to our present day.

Irish classic novels often have a strong sense of place. For example, in 'Ulysses', the city of Dublin is almost a character in itself. The descriptions of the streets, pubs, and people give a vivid picture of the Irish urban landscape.

Most of them contain elements of the supernatural or the unknown. In 'The Strange Case of Dr. Jekyll and Mr. Hyde', the transformation between the two personalities is a supernatural concept. And they tend to make the reader question the fundamental aspects of human existence and society, like in 'Heart of Darkness' which makes one think about colonialism and the human psyche.