Drama characters are created with the performance aspect in mind. Their physicality and voice play a big role in how they are perceived. So, the playwright might write a character with a particular accent or a certain way of moving to convey their personality. In realistic fiction, the focus is more on the psychological aspects of the character. The writer delves into the character's mind, showing their fears, hopes, and dreams. For instance, in a drama, an angry character might shout and stomp around on stage. In realistic fiction, the anger might be expressed through the character's internal thoughts and how they interact with the world around them in a more subdued way.
Characterizations in drama tend to be more exaggerated for the sake of performance. Since the audience needs to quickly understand the nature of the characters, they are often painted in broad strokes. In realistic fiction, characters are more complex and nuanced. A character in a realistic novel may have conflicting emotions and motives that are explored in depth. Take the character of Jay Gatsby in 'The Great Gatsby'. His character is multi - faceted and his actions are a result of his complex past and desires. In drama, it might be more difficult to convey such complexity in the same level of detail within the constraints of a performance.
In drama, characters are often defined by their dialogue and actions within a relatively short time frame. Their traits are quickly shown through their lines and how they interact on stage. In realistic fiction, character development can be more gradual. Writers can use more internal monologues and detailed descriptions of the character's past and environment to shape them. For example, in a drama, a character might be introduced as a villain through his menacing words right away. In realistic fiction, the 'villainous' side of a character might be revealed slowly as the story progresses.
In historical fiction, characters are typically influenced by the historical context. They might have values, beliefs, and behaviors dictated by the time period. In realistic fiction, characters are more in tune with modern sensibilities. For example, a character in historical fiction set in the Victorian era may be very proper and constrained by social norms, while a character in realistic fiction today can be more open and expressive.
Characterizations in 'the outsiders' are somewhat stereotypical in the sense that the Greasers are the poor, tough guys and the Socs are the rich, preppy ones. However, it works well for the story. In a complete novel, the characters are often more complex. They may have hidden motives, conflicting desires, and their actions may not be as easily predictable. A character in a complete novel might be a seemingly good person but has a dark secret that gradually unfolds, which is different from the more straightforward character portrayals in 'the outsiders'.
The theme of truth is central in Rashomon, with the multiple perspectives making it hard to determine what really happened. In Pulp Fiction, truth is also somewhat elusive, especially when it comes to the characters' motives and actions. Another theme in Rashomon is the nature of humanity, and Pulp Fiction also delves deep into human nature, showing the vices and virtues of its characters. However, Rashomon may be more focused on the philosophical aspects of human nature, while Pulp Fiction is more about the gritty and contemporary view of it.
The themes in Ezekiel 38 are mainly religious and prophetic, often dealing with ideas of judgment and divine intervention. In contrast, Pulp Fiction has themes of crime, violence, and pop - culture - influenced morality. So they are quite different in nature.
The theme of power and control is relevant in both. In 'The Avenger', the main character might be trying to gain control over a situation or take power from those who wronged him. In 'Pulp Fiction', different characters are vying for power in the criminal underworld. Marsellus Wallace is a prime example of a character who exerts a lot of power and control. However, in 'Pulp Fiction', power is also often shown as being tenuous and subject to the whims of fate, which is a different take compared to 'The Avenger'.
In DBZ, the characters' powers and abilities are a major part of their identity. You have characters like Vegeta who are defined by their pride in their strength. In Pulp Fiction, the characters are more defined by their actions and relationships within the criminal world. For instance, Marsellus Wallace is known for his power and influence in the underworld. DBZ characters tend to have more straightforward goals related to fighting evil, while Pulp Fiction characters have more complex and often self - serving goals.
Halloween focuses on the theme of survival against a seemingly unstoppable force. The victims in the movie are constantly trying to outwit and escape Michael Myers. In contrast, Pulp Fiction has a web of themes. There's the theme of loyalty among criminals, as seen in the relationship between Vincent and Jules. Also, there's the theme of chance and how small decisions can have big consequences, like when Butch decides to go back for his father's watch. Overall, Halloween is centered around a simple, primal fear - based theme, while Pulp Fiction weaves together multiple complex themes.
The characters in Fargo are often more 'ordinary' on the surface. They seem like normal people from a small town who get caught up in extraordinary situations. In Pulp Fiction, the characters are more flamboyant and larger - than - life. For example, Vincent Vega in Pulp Fiction is a cool - as - ice hitman, while in Fargo, Marge Gunderson is a pregnant police officer who is very down - to - earth.
The themes in Gen 13 are often about coming - of - age and the discovery of superpowers. In Pulp Fiction, themes are more about moral ambiguity and the consequences of living a life of crime.
The theme of morality is presented differently in both. Fargo presents a more straightforward view of wrong and right, where the bad guys are clearly doing bad things. In Pulp Fiction, the lines between good and bad are much more blurred. The characters in Pulp Fiction have their own sense of morality that doesn't always align with society's norms. In Fargo, the community's sense of right and wrong is constantly being challenged by the actions of the criminals.