One challenge is getting the same level of funding as male directors. Often, investors are more hesitant to put money into projects led by women. For example, they might assume that movies with female - led stories won't be as commercially successful.
One major challenge is the lack of lived experience. White directors may not have experienced the systemic racism, cultural traditions, and unique social dynamics that are integral to many black stories. This can lead to a superficial understanding and portrayal. Another challenge is the perception within the black community. They may be met with skepticism as black audiences are often protective of their stories and want them to be told authentically.
One challenge is accuracy. They need to ensure that the facts are correct as they are dealing with real events or people. For example, if they get a date or a key event wrong, it can lead to criticism. Another challenge is getting the right tone. They have to balance between being too sentimental and too cold in their portrayal.
One challenge is difficulty with sequencing. They may struggle to put events in a logical order. Another is limited vocabulary which can restrict their ability to express complex ideas in stories.
One challenge is dealing with difficult contestants. Some may be uncooperative or have unrealistic expectations.
One challenge could have been finding actors who could do justice to the singing parts. The music in West Side Story is very demanding.
It's a double - edged sword. Sometimes it's okay. If a white director has a deep understanding of the black culture, perhaps through long - term study or personal relationships within the black community, they might be able to tell black stories well. But often, there are concerns. Black stories are rich in cultural nuances that are deeply rooted in the black experience. White directors may not fully grasp these subtleties, and as a result, may distort the story.
Non - profits may face the challenge of getting their message across clearly. Their work can be complex, and simplifying it into an engaging story can be difficult. For instance, a non - profit dealing with global poverty issues has to explain a very large and complex problem in a way that is understandable and relatable. Also, they might struggle with building trust. Some people are skeptical of non - profits, so they need to be transparent and honest in their storytelling to gain the public's trust.
Another challenge is organization. They may not present the story in a logical order. Instead of starting from the beginning and following a sequence, they could jump around, making it hard for the listener to follow. It's like their thoughts are all jumbled up and they struggle to sort them out when it comes to storytelling.
Children with ADHD may struggle with organizing their thoughts while telling a story. They might have a lot of great ideas but find it hard to put them in a logical order. This can make the story seem jumbled or confusing. Another challenge is that they may be easily interrupted by their own impulses. For instance, they might see something out of the corner of their eye and start talking about that instead of continuing with their story. It's important to be understanding and help them work through these challenges in a positive way.
One challenge is making the story interesting. Institutions can seem dull, so it's hard to engage the audience.