How can one identify the best novel from a list of unoriginal novels?

I'm not sure which specific 'list of unoriginal novels' you are referring to. However, if a novel is considered unoriginal, it might be a retelling or have very common plot elements. For example, some romance novels in the market might follow the same pattern of boy meets girl, they face some challenges, and then they get together in the end. But without knowing the list, it's hard to recommend directly.

Another approach is to note the lines that create a strong emotional impact. Whether it's a line that makes you feel sad, happy, or angry, it's likely to be a significant line. Indian novels are often rich in emotions, and the best lines are those that can stir the reader's emotions deeply. For example, a line about a mother's love in the face of great adversity can be a very powerful and thus one of the best lines in the novel.

Look for a novel that has received critical acclaim. Awards and positive reviews from respected critics are good indicators.

Look for lines that are highly evocative. For example, if a line makes you immediately picture a vivid scene or feeling, it's likely a great line. In Ballard's work, lines that describe his dystopian landscapes in a very detailed and immersive way are often among the best.

Reviews and critical acclaim play a huge role. If well - respected literary critics consistently praise a European novel, it's a good sign. For instance, 'The Name of the Rose' by Umberto Eco received a great deal of critical attention for its complex plot, rich historical setting, and deep exploration of themes like knowledge and power.

You can identify the best plotted novels by the way the author builds suspense. In 'Rebecca' by Daphne du Maurier, the mystery surrounding the first Mrs. de Winter keeps the reader on the edge of their seat throughout the book. Also, the development of characters in relation to the plot is important. In 'The Picture of Dorian Gray', as Dorian's character deteriorates due to his immoral actions, the plot thickens and becomes more complex. The ability of the plot to hold your attention from beginning to end is a key indicator as well.

Sentences that convey deep emotions are often among the best. In 'The Catcher in the Rye', Holden's rants about phoniness show his inner turmoil and disillusionment. These kinds of sentences that cut to the core of a character's feelings are really special. They make you understand the character on a deeper level and can also make you feel the same emotions as the character.

One way is to check if the flashbacks enhance the overall theme of the novel. In 'The Kite Runner', the flashbacks about Amir's childhood in Afghanistan are crucial in highlighting themes of guilt, redemption, and friendship. If the flashbacks seem out of place with the main theme, it's not a well - crafted flashback novel. Another aspect is the pacing. In 'Gone with the Wind', the flashbacks are timed well, not slowing down the main story but adding more context. If the flashbacks disrupt the pacing too much, it's not likely to be among the best.

First, consider the author's intention. If the author is clearly aiming to convey Christian messages, it might be a good Christian novel. For example, C.S. Lewis in his books like 'Mere Christianity' was very intentional about sharing Christian ideas. Second, look at the impact it has had on the Christian community over time. Books that have been read and cherished for generations, like 'The Imitation of Christ' by Thomas à Kempis, are often among the best. Also, the moral lessons taught in the novel, if they are in line with Christian teachings, are a sign of a great Christian novel.

Look for novels with strong visual elements in their descriptions. For example, if a book vividly describes a setting like a grand castle or a bustling city street, it could be a good candidate. Also, novels with complex and engaging characters tend to be more cinematic. A character with a distinct personality and a strong arc can be easily translated to the screen. Plot is another key factor. A story with a clear beginning, middle, and end, along with twists and turns, is often more likely to be made into a great movie.