The dry crime novels typically have a more straightforward narrative. They don't usually deviate much from the main plot of the crime. There's less sub - plot about the personal lives of the characters, unless it directly relates to the crime. The pacing can be quite brisk as the story moves from one clue to another, with the goal of solving the crime being the central driving force. This makes them appealing to readers who enjoy pure mystery and detective work without a lot of extraneous elements.
They often lack excessive emotional drama. The focus is mainly on the crime itself, the investigation process, and the logical deduction. For example, in many classic dry crime novels, the detective simply presents the facts and evidence without much personal emotional turmoil involved.
Well, for best - selling crime novels with a dry feel, 'Sharp Objects' is quite good. It has a dry, almost desolate setting that adds to the overall sense of unease in the story. The characters are complex and the mystery is slowly unraveled in a way that keeps you reading. 'The Dry' itself by Jane Harper is a prime example. It's set in a drought - stricken Australian town and has a dry, unforgiving landscape that mirrors the dark secrets and crimes in the story. Also, 'The Killing' by David Hewson is a best - seller that offers a dry, methodical look at a crime investigation.
The setting. The dry Australian landscape, be it the outback or small drought - stricken towns, gives a unique backdrop. It adds a sense of isolation and harshness that influences the crimes and the characters. For example, in 'The Dry', the drought - affected area creates a tense atmosphere.
One of the well - known dry Australian crime novels is 'The Dry' by Jane Harper. It has a great sense of place, set in the unforgiving Australian outback. The story is full of mystery and complex characters. Another could be Peter Temple's works, which often feature a gritty and dry - toned exploration of crime in Australian settings.
There's also Agatha Christie. While some of her works have elements of character drama, many of her detective stories, especially those featuring Hercule Poirot, can be considered dry crime novels. She presents the crimes and the solving process in a very logical and unembellished way. And then there's Henning Mankell. His crime novels are often focused on the crime itself and the search for the truth, with a rather dry, straightforward narrative style.
The 'dry crime fiction' perhaps is crime fiction with a certain tone. It may not have the vivid, heart - pounding action that some other crime fictions do. It could be that the settings are described in a plain way, not painting a very colorful or exciting picture. The dialogue might be concise and to the point, serving mainly to move the plot forward in terms of the crime and its solution. It's like a stripped - down version of crime fiction that still manages to engage the reader through its focus on the core elements of the crime genre.
Well, Tahoe crime novels usually have a strong sense of place. The beauty and isolation of Tahoe can be both a backdrop and a factor in the crimes. They might include elements such as the local economy, tourism, and the different social classes in the area. For example, a crime could be linked to a wealthy tourist's disappearance, which then leads to the exploration of the seedy underbelly of the Tahoe tourist industry.
Well, one characteristic could be complex characters. The characters in Harland crime novels are often multi - dimensional, with their own motives and secrets. Another might be intricate plots. They usually involve a web of mystery that keeps the reader guessing until the end. Also, the settings are often gritty and realistic, adding to the overall atmosphere of the crime story.
Well, disturbing crime novels tend to have complex and morally ambiguous characters. These characters may engage in heinous acts, and the novels might not always present a clear - cut view of good and evil. They also often have a sense of suspense that keeps you on edge, constantly fearing what will happen next. Additionally, the settings in these novels are sometimes bleak and desolate, adding to the overall disturbing atmosphere.
Well, they often feature the unique setting of Cambridge. The stories might involve the academic environment, with its old buildings and intellectual communities. There could be complex characters like professors or students involved in the crimes or the investigations.
A sense of atmosphere is important too. Whether it's the seedy underbelly of a big city or a small - town mystery, the setting should enhance the mood of the story. Like in Raymond Chandler's works, the noir atmosphere of 1940s Los Angeles is palpable.